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Participating Frequently
December 6, 2017
Question

Is this how Photoshop Elements works?

  • December 6, 2017
  • 1 reply
  • 674 views

Having used Photoshop Elements 11 for quite some time, I thought I could get a better understanding of the process by setting it against the standard Colour Management model:

Image file -> colour profile A -> Working Colour Space -> colour profile B -> printer.

The outcome has surprised me, and so I would be grateful if others would say whether my understanding is correct:

1. Colour Profile A links the image file to the Working Space. This is a constant relationship, the Profile is built-in and needs no adjustments.

2. Colour Profile B is set by the selection of the paper.

3. The saturation, etc adjustments made in PSE 11 are directly onto the image. Thereafter, other adjustments are made through  the PSE 11 Print menus ( eg Advanced Settings(click to launch Printer Preferences) and Colour Controls (uses matching and enhancements provided by the printer driver) operate on the printer driver, except for ICM which uses the Colour Profiles in Windows.

4. Whereas the adjustments made in PSE 11 can be viewed on the screen, those made in the Print screens (eg Colour Model - Colour Controls - Brightness) are viewed on the small thumbnails and changes do not appear in the image displayed in the Print Preview screen.

The adjustment ranges for these controls are substantial, -25 to +25, and so, on the face of it, are very significant. So I wonder whether they render fine adjustments made in PSE 11 superfluous?  

The printer driver is, perhaps, more important than the Colour Profiles.

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    1 reply

    MichelBParis
    Legend
    December 7, 2017

    In your menu "Edit >> Preferences", you have got an option "Color settings". That brings a dialog with a link to a tutorial about color management in Elements:

    Set up color management

    Does this help ?

    AbeldacreAuthor
    Participating Frequently
    December 7, 2017

    Thank you for responding. I am reasonably comfortable with the settings available in PSE 11. What surprised me in relating PSE adjustments to the Colour Management model is the number of adjustments available through the PSE menus which operate through the printer driver where the effects can only be seen on the thumbnail pictures. It seems that the precision of PSE 11 may be upstaged by these, it seems, rough and ready adjustments. And, it seems, these do  not appear in the PSE screen showing  the picture that one is about to print. At this stage, I wondered whether I had got this right!

    MichelBParis
    Legend
    December 7, 2017

    Abeldacre  wrote

    Thank you for responding. I am reasonably comfortable with the settings available in PSE 11. What surprised me in relating PSE adjustments to the Colour Management model is the number of adjustments available through the PSE menus which operate through the printer driver where the effects can only be seen on the thumbnail pictures. It seems that the precision of PSE 11 may be upstaged by these, it seems, rough and ready adjustments. And, it seems, these do  not appear in the PSE screen showing  the picture that one is about to print. At this stage, I wondered whether I had got this right!

    If I understand well, your question is about the management of the printer options; you get surprising results; the adjustments seem "rough and ready" (I don't understand) and the 'thumbnail' in the printing dialog does not reflect the adjustment settings in the printing dialog to take the ink and paper into account?

    As I see it, the thumbnail purpose is to display the image on the chosen paper and it should match the rendering on your full screen.

    Maybe you are looking for a real "soft proofing" to get a simulation on your display of the final printed material?