I was just wondering if dealing with media sources from various color profiles, S-Log, V-Log, sRGB, etc to all be composited, would it be "standard" or at least a common workflow to:
Is this workflow correct for the desired output?
Are there any other workflows or steps to consider for just a BASIC composite like this?
I have not found the proper link for Linearize Working Space. The key word would be OpenColor IO (OCIO) and ACES. You check these words with After Effects.
Not sur what you're realyl asking. Seems you've figured out your workflow already. Arguably you could forego some footage interpretation steps on some footage types depending on what color space you use, but that's pretty much the only "optimization" and simplification. With log/ Cineon sources you don't have much choice, though.
I just wanted to check if the workflow makes sense, thanks Mylenium for the additiona insight.