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Content Aware Fill out Of Memory

New Here ,
May 01, 2020

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I'm trying to mask out an area surrounding a backdrop. I get about 5% through the clip until I get an error that says "AFTER EFFECTS warning: CAF Out Of Memory". I have 18GB of RAM alloted for AE and that's the only program open. The clip is just under a minute long and I've tried .mov & .mp4 formats to no success. 

 

What is it that I am missing here to get CAF working properly? Is my selection too big?

 

The area I'm using for CAF is circled in red in the attached image.

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Content Aware Fill out Of Memory

New Here ,
May 01, 2020

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I'm trying to mask out an area surrounding a backdrop. I get about 5% through the clip until I get an error that says "AFTER EFFECTS warning: CAF Out Of Memory". I have 18GB of RAM alloted for AE and that's the only program open. The clip is just under a minute long and I've tried .mov & .mp4 formats to no success. 

 

What is it that I am missing here to get CAF working properly? Is my selection too big?

 

The area I'm using for CAF is circled in red in the attached image.

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744

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May 01, 2020 0
Adobe Community Professional ,
May 01, 2020

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Content-Aware Fill is just about the worst possible solution for fixing this shot. If it works at all you are going to have to create a PSD reference frame that is all filled with blue.

 

All it takes is a garbage matte and Keylight. It will take about 2 minutes if the camera is locked down and maybe 10 if it is a handheld camera with a lot of movement. I downloaded your screenshot, created a comp, drew a single rectangular mask, and applied Keylight with the following adjustments:

Screenshot_2020-05-01 12.27.02_RN0Ukx.png

Here's your screenshot. The only thing I know about your project is that CAF is the wrong approach.

CAF File.JPG

Please embed your screenshots in the future and include the entire UI. The cropped screenshot you provided gives us no information about the format of the footage, the length of the comp or the shot, or your workflow.

 

For future reference, any shot over a few seconds is a very poor candidate for content-aware fill. If at all possible trim the shots to include just the frames you need to fill. Even if you wanted to make the entire background look like this blue background drape you would be far better off saving a frame as a PSD file and using Photoshop's clone tools to repair the background than hoping CAF would do the job. 

 

 

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May 01, 2020 0
New Here ,
May 22, 2020

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Hello Rick,

I've been having similar issues with attempting to fix a large sensor spot on a timelapse. I also get a bad allocation error. Am I hoping for too much from CAF to fix this? The timelapse is about 16 seconds in duration. It is made up of 370 full sized JPEGs slightly cropped at 6240 * 4074 resolution. I've attached a few screen shots. 

I have processed 2 (13 seconds & 16 seconds) other timelapses successfully, both of which were also of busy clouds. The sensor spot was exactly the same for those timelapses as well.
Thanks in advance,
Seoirse 
Screenshot (26).jpgScreenshot (27).jpgScreenshot (29).jpgScreenshot (30).jpgScreenshot (31).jpg

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May 22, 2020 0
Adobe Community Professional ,
May 22, 2020

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What is the final frame size of your final comp? Unless your image sequence is somewhere close to 100% scale in the comp, your images are too big. 

 

My standard timelapse workflow is to resize the images in a batch export from Lightroom. I will make one color correction and apply that to all images so there is no flicker, set the height or width to match the comp size, then run the export and import the images as an image sequence. 

 

If your cloud timelapse is HD then instead of CAF working with a 6000-pixel wide image, it will be working with one that is only 1920 wide. Another advantage of resizing and exporting a new image sequence in Lightroom is that it's easy to fix a lot of images with sensor dust in Lightroom. In many cases, you only have fix 1 and then apply the fix to all in the batch. Another advantage, it is a lot faster for AE to decode a PNG sequence than it is to decode a DNG sequence so all of the processing is going to be a little faster.

 

I would probably just apply a clone brush to the first frame of the image sequence using the Clone tool in After Effects. When the first frame has been repaired expand up the paint tool in the timeline and you will see that you can animate all kinds of properties, If the sample point needs to move you can animate that. You can animate the time offset, You can animate all of the brush properties. That is probably going to be a lot faster than trying to use Content-Aware Fill. 

 

Another option may be to put your footage comp that is only about 1/4 the size of the footage, pre-compose the footage again, then run CAF on the much smaller pre-comp so there are a lot fewer pixels to analyze. When CAF has completed it's work you can drop that comp in your original footage and position it over the original shot. It's easy to do if you paid attention to the position and comp size values in the pre-comps, but it's also easy to do if you set the blend mode to difference when you get close to matching the original footage and slide things around a pixel at a time until the overlay is completely black.

 

 

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May 22, 2020 0