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It's called 'bleed' and if you're both in the same room it's pretty much impossible to eliminate - you're both in the same acoustic space, and that adds it adds its own sound to the recordings (it's called 'room tone'). And that gets picked up by both mics. If your interviewee is further from his or her mic than you are from yours, then it's pretty much inevitable that it's going to pick up you as well; at recording time the only way to minimise this is for both parties to get as close to their respective mics as possible - and even this doesn't work entirely.
The general approach to editing interviews like this is just to do a mixdown of both tracks, with the levels set appropriately, and do the cuts on that.