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I made a black business card cmyk (75 , 68 , 67 , 90)
I saved it in jpg it came out rich black.
My client wanted it in pdf format to easily print it
At first the pdf showed the rich black as dark grey
Until i solved the problem from illustrator itself i saved the pdf as follows :
Standard: PDF/X-1a:2001
Output> Color conversation: convert to destination (preserve numbers)
Destination: Photoshop 5 Default cmyk
The pdf showed the card in rich black as intended
But when i tried to print it, it came out as dark
grey how can i fix this ???
(I chose "let the printer determine colors" and "Discoloured background correction")
I attached a pic of the card
I tried explaining everything as possible i have a deadline so i need help urgently, please !
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You need to ask program questions in the forum for the program you are using
To ask in the forum for your program please start at https://community.adobe.com/
Moving from Using the Community (which is about the forums) to the correct forum
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I'm using illustrator and acrobat. Which community should i ask on ?
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Did you create the card design in Illustrator? Is the artwork vector-based? If so, it doesn't make any sense at all to export a copy of the artwork in JPEG format and then put that JPEG image inside a PDF. It's no wonder the rich black values are getting lost. Not only that, but the print quality is probably going to be soft rather than razor sharp, due to the pixels rather than vectors.
A business card like that should be created as a CMYK-based Illustrator document. The vector objects will be preserved, as will the rich black ink settings. Usually saving a PDF with Illustrator's default settings (which typically append Illustrator data to the PDF file) will deliver the best results. That's what I use in large format printing.
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I don't know if i can add these info after already posting but
Yes it was created with illustrator and the art is vector based.
The jpeg format is only to show the original design.
i made 2 pdf files (one with the default settings and one with the settings i sent above)
And i repeat i only made this unnecessary step to show the client the original design correctly in pdf.
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I think you need to learn about printing. And color management.
How was this printed? In Offset or on an office printer?
If you set your appearnace of black to rich black then you will never see what happens.
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Office printers may not provide an accurate looking result, not unless the printer (or its driver software) has a built-in Adobe-certified PDF print engine. For example, we have a Sharp office printer at my workplace. It's great for printing invoices and other stuff like that. But it stinks for printing artwork in PDF files. It can handle rich blacks okay, but not great. Worse yet, it has issues with transparency effects, clipping masks/groups, etc.
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THe final art should be a PDF.
In order to prevent black getting rich black when exporting to pixel formats, in the preferences > Appearance of black turn off "Output all blacks as rich black" for exporting and display.
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I intentionally made the design with rich black and i have these settings set up "output black as rich black"
When i finished i saved it as pdf in order to print as my client requested but it was printed dark grey
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Asmaa,
I believe that the Advanced Setting "Let printer determine colors" can only make matters (even) worse, the two alternative options "Preserve ..." at least correspond to your intention of preserving the black.
And why Microsoft Print to PDF in the first place?
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I will try your suggestion i didn't know it could make it worse
As i said my client wanted the file in pdf format in order to print it
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And why Photoshop 5 default CMYK? That was used before Photoshop started using color management with ICC profiles.
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I read it in acrobat or illustrator community as a solution to show rich black as it is in pdf
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black business card cmyk (75 , 68 , 67 , 90)
That's exactly the problem. Try CMYK= 30/30/25/100.
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There isn't anything wrong with a C:75, M:68, Y:67, K:90 mix for a rich black. That's a standard "300%" total ink mixture. If the original poster is running into technical problems trying to get that ink mixture to work they would have the same problem trying to use C:30, M:30, Y:25, K:100.
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It is difficult to achieve deep black without using 100% K. 90% K is just dark gray. Of course I agree with all the above comments. However, a reasonable build of black is the basis from which I would start.
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I used to use a C:30, M:30, Y:30, K:100 for rich black on everything. If I'm using a printing substrate that cannot handle a very high total ink number I might still use that formula. Otherwise I now prefer using C:75, M:68, Y:67, K:90. The K may not be "100%," but it's awful close. More important: the CMY colors are much higher values. The overall black appears deeper and more even in tone.
From time to time I'll get customer provided art files where someone ramped up all four ink values to 100%. It probably won't cause any harm for something like latex-based printing. We used to have a thermal inkjet printer. One print job had some artwork with a "400%" black in it. None of us were aware of it until we saw the ink on the print slowly running on the vinyl surface. The vinyl couldn't handle that much ink at once.