Copy link to clipboard
So, I am a newbie here with Illustrator and I need a few tips and info for creating my artwork for use on printing on products like clothing, mugs, cell phones, etc. (merchandise), particularly when it concerns using brush strokes to color my artwork.
What I want to do is create flowers, leaves and other elements and I will be using different artistic media and styles for each design. Some of my items will be printed via Direct to Garment printing and others will be printed via Sublimation printing (on the clothing).
Since the brushes are all using strokes instead of fills, I want to know how best to use them to “paint” my artwork (the closed shapes that I create for the floral elements) while still being able to keep the original strokes that I used to create the original shapes and while also being able to eliminate whatever brush strokes lie outside the shapes after painting. I used the clipping mask but this gets rid of the original stroke that I used to create the original shapes and I get a few issues after I use it when I create my pattern swatches with them later on (there is a message that says that I should expand them and sometimes it takes a while to save or use these swatches that I made with the designs after making the clipping mask).
So how do I best paint my elements in general if I use art brushes instead of gradients and bucket fills while maintaining the strokes that I used to create the original artwork? And should I “rasterize” everything afterwards or do something else to the artwork to prevent issues when creating pattern swatches? Do you recommend that I use Photoshop instead of Illustrator for coloring my artwork that I design in Illustrator and then re-upload to Illustrator to make my pattern swatches? I have heard of people doing this, since it seems to be easier to recolor with paint in Photoshop than it is in Illustrator. I just want to make the best possible designs for my print on demand store 🙂
Also, what brushes should I avoid if any that may have "sub-par" results for DTG or sublimation printing on clothing (for example, they would show up a bit blurry, not sharp enough, etc.) for all the media available (watercolor brushes, gouache brushes, pastels, oils, acrylic, and so on)?
Please let me know.
Thanks so much!
Copy link to clipboard
The actual print process doesn't care for how you created the artwork. Blurriness or other artifacts come from insufficient resolution or gamut issues - that old RGB vs. CMYK thing, basically, further limited by how inks on cloth behave and possibly also a more restricted color selection to begin with. You typically fix these issues in the pre-press process when actually prepping the artwork and don't concern yourself with this during the initial creation. The rest I can't tell you much about. I use AI more for technically-oriented stuff, not "painting".
Copy link to clipboard
Please show something.
Basically I want the paint to be inside the shape and maintain the stroke of the shape. I would probably add to the painting of it as well. Obviously this is doable, I just don't know how to do it myself. Thanks 🙂
Is there another way other than a clipping mask? In my post, I mentioned that this would get rid of the original outline of the shape that I made, and I want to preserve that.
Draw Inside? Select the leaf an click the 3rd option at the bottom of your Tools panel.
Thank you, that worked! I was not aware of that tool ... much appreciated 🙂
Just wondering, do I need to do anything else to that object before I make a seamless pattern swatch with it? I had go a few pop up notifications in Illustrator when I was using objects with clipping masks for the pattern swatches that I was making from them.
It is probably not the Clipping Mask that triggers the warning, but the Brush that gets expanded.
Just as long as you have a copy of the artwork before you make it into a pattern, you will be able to modify it and create new patterns from it.
"Thank you, that worked! I was not aware of that tool ..."
Draw inside is not a tool. It just creates a plain and simple clipping mask ...
It creates a clipping mask, and keeps the stroke color of the mask object.
Is there then another step that I should do to my artwork in order to not get the notification messages that I got before when I used a clipping mask? Please see my post. When I created my pattern swatch, it was a bit difficult using the elements that I used the clipping mask for and Illustrator wanted me to "expand" them.
Please quote the exact wording of the message.
Sorry, I can't ... I did not screenshot it and it happened a while ago when I created flowers and leaves that had watercolor elements and where I used the clipping mask. It basically mentioned that some of the elements that lied outside the box that I used to make the seamless pattern swatch had used a clipping mask and needed to be expanded. But if I expanded, then all the paint that I used popped out.
I was eventually able to use the pattern swatch, but when I created a relatively large file with it (a large rectangle using the pattern swatch), it was a bit slow and that was where I got the message, too. Maybe because most of the elements that I used had been created that way? It seemed to be that it did not like the hidden parts of the paint to be lying outside of the box that I used to create the seamless pattern swatch. The dimensions that I used for it were 2000 x 2000 pixels.
So then is it recommended that I perform a final step to the artwork, like "rasterize" or anything else that won't disturb the design at all after I use it? What do other people do?
I did a Google search about it just now and I found the same exact message. It was derived from another website where someone else had complained that this had happened to them and that they wanted to know what to do about it. So here it is ...
So it actually asked me to "release the clipping mask", and after doing so, the brush strokes just popped out of the shapes of my design.
Can you please show the artwork you want in your pattern?
Without exact steps and the exact artwork you are working with it's impossible to give advice.
Sorry, but the art in question is my original artwork and I use it for my merchandise that I am selling, so I do not want to share it on a public forum. It is basically comprised of leaves and intricate floral elements, all colored with watercolor and all having had the clipping mask made for them.
Basically, I just want general info on the best practices for creating and "painting" elements to best use them for pattern swatches.
I would recommend that you dive a little deeper into the documentation to learn about the options and then maybe you can find out what works for you and what doesn't. There are so many options. I love to exchange best practices and discuss them, but doing so out of thin air just isn't a lot of fun.
No problem. I hope then that I get the right answer as to what to do in general ... I am sure that others had the same question and I am also sure that this is all doable, since many designers use different art media and use those elements that they created from them in their pattern swatches. Thanks anyways.
Basically you want everyone to show their designs and their process while not showing yours. And this is what possibly won't work.
You could just draw something that looks similar and above all is made in the exact same way as your original design.