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Thanks to all who took the time to participate in our last 'Poison Pen' challenge. There were some great ideas and images.
This week we have something different, thanks to an idea suggested a couple of weeks ago by @Trevor.Dennis . Growing up, I always liked buying record albums and I loved the cover art that contained the record, sometimes as much, and occasionaly more, than the record itself! There were iconic images such as Hipgnosis' graphical prism on Pink Floyd's 'Dark Side of the Moon', or Richard Corben's fantastic graveyard bike on Meatloaf's 'Bat out of Hell', and who can forget Peter Blake and Jann Haworth's cover for the Beatles' Sgt. Pepper's Lonely Hearts Club Band.
So the challenge for this week is to think of an album you liked and come up with your own cover design for it. There is no real starter image but I have attached a simple grey square 2500 x 2500 pixels in sRGB to use as a format.
When you post your response can you add just a few words on what the album is and how you went about it. It may help others see the potential of different approaches, software, and tools to such a challenge.
The “rules”:
When posting back your image — please use the blue reply button in this first post and use the 'Insert Photos' icon at the top of the reply box. If posting a comment on someone else’s entry, then please use the grey reply button next to their image post.
Have fun!
Dave
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lol!
Any resemblance to existing characters is purely coincidental.Isn't it?
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I'll wait for the call this weekend. If they see that video I might get a game 🙂
Dave
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I'm looking at that GIF again, and it is remarkably smooth for a frame animation with just 64 colours. It has 121 frames and about five second run time, (24fps). I usually work in 'twos' which is effectively 12fps. It would seem that's another reason to make your frame animations on a video timeline. It certainly makes it _much_ easier to to move multiple objects.
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Nice footwork! lol
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If ever there was an album cover that asked to be animated...
I couldn't bare to cut it down enough to upload as a GIF, and knowing that most of Rick Beato's uploads get copywrite strikes, I decided not to add the audio. It's only 720p but it looks a lot better if you click to view it on YouTube.
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Nice Trevor. How did you create the animation, was it AI?
Dave
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Dave, I meant it as a continuation of soccer animation. So it was Firefly using Vio 3. After the soccer video I had 3900/4100 premium points The Abbey Road video took it down to 3290, and I have 21 hours till they reset. I'm trying to make the point that if we don't use those Premium Points, then then we are wasting the chance to gain experience.
In the last few days I have seen tutorials from Julianne Kost, Colin Smith, and Jesus Rameriz. As usual, Jesus has gone deeper than anyone else, because he is a Photoshop genius, but more than that, he is constantly using the tools in the work he does with Lisa Carney. for instance, he has worked out that if you are using the Ai to change an object's colour, you can use its hex code, and even specify a Pantone Color Code!
At times like this, when Photoshop is in a state of continual Flux (did you see what I did there? 😉 ) I like to use the time filters with YouTube with something like 'Photoshop Partner Models — Filter this week'
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Excellent Trevor, sounds like the beginning of a music video 😊
Actually, many of "your" covers evoke movement: the beam of lights of The Dark Side of the Moon, the monkey on the boat, etc.
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Dave
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Brilliant, Dave! I'd love to hear a few words on how you went about it.
Jane
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Hah! I do believe you have out-done James Dave. When they released their first album (called Black Sabbath) my brothers myself and some freinds played it on my dad's stereo, with the volume on Eleven, and with one of dad's big speakers aimed out of an open window. It was at this precise point! BTW It's the law that you have to listen to this with the volume on full). We wrecked the tweeters in dad's speakers (he was out fishing) and he was not best pleased.
Come to think of it, we lived across the road from a grave yard, so Ozzi's wailing would have been properly spooky. Our house and farm buildings are all gone now, to make way for an extended runway at Southend Airport.
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Thanks guys.
I started with an AI generated skull and AI generated irises for the eyes. I added masks and painted out a lot of the generated content so that I could just have the basic shapes blended with the background.After that I added textures using Photoshop's materials panel which I blended with the rest. Once done I started painting and brushing. By co-incidence I could see some basic hand shapes in the texture, a bit like seeing shapes in clouds, which reminded me of the hands in Munch's 'The Scream'. So I emphasised those 'hands' with shadows and highlights and further brush strokes. After a fair bit of brushing, I added the text, in dissolve blend mode, and with an inner shadow.
I also used to listen to albums like this with the volume set to '11'. 🙂 I'm much more restrained these days and after years standing in front of guitar amps my ears aren't what they were either!
Dave
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I saw Black Sabbath in person on April 4, 1971 at the Alexandria Roller Rink in Alexandria, Virginia. I don't have a number for the sound, so I'll just say that it was extremely loud. No, I did not remember the exact date, but a web search gave me that.
The upvotes aren't working for me today.
Jane
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Jane I watched an Ian Dury video today, and in the comments I couldn't remember whether I'd seen him live once or twice. In the end I asked Google if he'd played at the second venue that I was not sure about (Hammersmith Odeon), and sure enough, he'd played there in 1979. I'm getting to the stage when I have to think about where I parked the car when I pop in to town. Scary. 😞
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Oh yes Dave, totally the hands in Munch's 'The Scream' but it's much more frightening. Beautiful!!!
Fire, blood, suffering, ... no doubt where the scene takes place 😱
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Who doesn't love black sabbath! RIP Ozzy Osbourne...
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One last go at this. I used Nano Banana to give my Dave Head a Bowie look, but I made the text in Photoshop, and the transitions in Prem Pro. I tried doing it with Photoshop, but the dissolve is time restricted. Then I wondered if the was a morph transition in AE, but this is what they call Mortp in Prem Pro. I actually had a pretty decent morph effect in Deluxe Paint on an Amiga 1000 40 years ago!
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Another excellent one Trevor!
It's very interesting to see how much testing you did on different tools to achieve the desired result...
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The trick (which I think I got from a Jesuz Rameriz video) is to have both heads on the same layer with a background (no transparency). I forget what I used for the prompt, but I used the words 'left' and 'right' rather than describe the two characters. So, something like this, but the first time I tried it did its usual 'too much skin' thing and 'The computer says no.' So I had to remove the neck and shoulders from DB. Then something like 'Place the red hair from the person the right to the person on the left, and also apply the lightning flash and skin tone.
I just tried it again with the above promt. It basically turned our Dave into DB.
This time I tried Flux Kontext and it moved DB to the left and turned the original DB into Sinéad O'Connor. This was all inside Photoshop, and I used Firefly when I first did the transformation.
IO think my crtedits reset yesterday, and I had a tiny go last night, so that 4100 credits is maybe not a bottomless pit.
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Thank you for all those explanations and for sharing your process @Trevor.Dennis
I was just wondering, when you do all these tests, do you stay in Photoshop? As you mentionned Jesus (and yes, I saw Jesus video, it's when he tries a new leaver jacket) I guess yes, you stay in Photoshop. Did you tried the boards of Firefly? Amybeth and Andrew did a fantastic video: https://www.youtube.com/watch?v=-RPhF11Z5z0 on the exploration of Partner Models and Amybeth explained wonderfully how the boards are working ... Actually, I hadn't understood the usefulness and purpose of these boards, and now I think they're soooo great...
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lol!
Love that!
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A scary transformation, Trevor! 🙂
Dave
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Thanks Billy, and Firefly, and of course Photoshop.
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I can see the link to the original in that, Dean. Nice job.
Dave
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@DeanUtian I have just remembered those amazing SciFi like covers from Roger Dean, who your mum and day named you after, realising that you were destined to work as a graphic artist. Roger Dean did those Yes covers with the floating islands. Absolutely a good place to look for ideas.
https://uk.pinterest.com/foziaabdulla/art-roger-dean/
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