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Hello,
It's great to implement Working Color Space in Sequence Settings, with Rec. 709 and Rec. 2100 HLG, but we also need Rec. 2020, (and maybe Rec.601).
F.V.
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Agreed. We can export to those, but it would be nice to be able to 'set' a timeline to them, and of course especially to set monitoring for the proper space for the media involved.
Neil
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Thanks for the feedback Fabien (and Neil!)
The difficult, down-in-the-plumbing work is getting Premiere to have the concept of a configurable timeline/working color space at all. Once we have that all working and tested and in a good place we plan on making sure our support for specific color spaces is up to expactations and industry standards.
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Thanks,
Can you tell be what would be the final result of my content If I decided to Edit Rec. 2020 UHD content (not HDR) with the Rec.709 Working Color Space setting ?
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I don't think editing should be any problem. Just be careful about your settings on export, to use the few and specific options to export in Rec.2020.
Now ... Matt may comment differently of course, and I'd take his or Francis's comments over mine naturally ... but I'm pretty sure I'm correct in this.
Neil