• Global community
    • Language:
      • Deutsch
      • English
      • Español
      • Français
      • Português
  • 日本語コミュニティ
    Dedicated community for Japanese speakers
  • 한국 커뮤니티
    Dedicated community for Korean speakers
Exit
1

Is my footage actually raw? Red Komodo 4K ProRes

Community Beginner ,
Feb 07, 2023 Feb 07, 2023

Copy link to clipboard

Copied

Hi, I'm editing a project and I have a bunch of footage from the camera guy. He shot with a Red Komodo at ProRes 4K. He said the footage was Raw and I should be able to edit the raw setting in Premiere. 

I've been following all the instructions on how to edit Raw footage and it just isn't working with these clips. 

 

When I import the footage and open up the effects control there is no "Master" tab. 

I've tried it on Final Cut as well and have the same issue. 

 

I'm I missing something, maybe some software, or a setting in Premiere? Or is it possible the footage I got isn't actually Raw? Is there a way to tell by looking at the codec? 

 

 

Views

558

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines

correct answers 1 Pinned Reply

Adobe Employee , Apr 04, 2024 Apr 04, 2024

Hello @Andrew27881952wqxv,

Thanks for the message. It’s been a long time since you filed this bug, and I apologize for the lack of a response. Are you still having this issue? If so, the team will need more information from you to reproduce the bug. Can you provide the information required here? How do I write a bug report?

 

I'll move your post to the Discussions board while we await your information.

 

Thanks,


Kevin

Votes

Translate

Translate
Community Expert ,
Feb 07, 2023 Feb 07, 2023

Copy link to clipboard

Copied

I've always considered ProRes from the Komodo to be "ready to edit" and better suited for music videos, industrial video, commercials, and social media while REDCODE RAW better suited for feature film or indie film.

From the camera specifications, ProRes from the RED Komodo is either ProRes 422 or ProRes 422 HQ.  It's not ProRes RAW and it's not REDCODE RAW.

It's still great picture that can be color corrected.  

As far as having the "RED Source Settings" in the Source tab of Premiere Pro goes, I believe it's safe to say that that requires a .R3D file rather than a .MOV file.

Votes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines
Adobe Employee ,
Apr 04, 2024 Apr 04, 2024

Copy link to clipboard

Copied

LATEST

Hello @Andrew27881952wqxv,

Thanks for the message. It’s been a long time since you filed this bug, and I apologize for the lack of a response. Are you still having this issue? If so, the team will need more information from you to reproduce the bug. Can you provide the information required here? How do I write a bug report?

 

I'll move your post to the Discussions board while we await your information.

 

Thanks,


Kevin

Votes

Translate

Translate

Report

Report
Community guidelines
Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
community guidelines