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Hi,
I want to render a movie project in dpx format when i am exporting it there we can find Full Range, Over range,Video and Standard.Which is the best one to render pls suggest me its urgent.............it is for a movie project,thanks
before you go down the route of the log to linear nightmare, do they accept EXR? its much easier to work with(and newer). you can do half float which is lossless 16 bit images which is really nice or full 32bpc that can hold RAW's latitude. That being said, most DPX stuff is full range unless specifically told otherwise(and its in LOG) and 8 bit log losses quality. You can go 10 bit DPX if you go LOG. You can go linear DPX if it is 16 bit or you lose precision. DPX is old and the production pipe
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before you go down the route of the log to linear nightmare, do they accept EXR? its much easier to work with(and newer). you can do half float which is lossless 16 bit images which is really nice or full 32bpc that can hold RAW's latitude. That being said, most DPX stuff is full range unless specifically told otherwise(and its in LOG) and 8 bit log losses quality. You can go 10 bit DPX if you go LOG. You can go linear DPX if it is 16 bit or you lose precision. DPX is old and the production pipeline can get muddled if you don't have a vfx supervisor as all composites have to be converted from log to lin first. This is why most small studios go EXR. It came from ILM and way simpler to use. ie. not mess up as often.
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If you have to ask, you probably shouldn't be using that format.
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haha lol, if you're so PRO and hollywood wtf are you doing on this forum mate. ahahah. surely you should be busy sucking spielbergs co*k. AND WHERE DID YOUR KNOWLEDGE COME FROM?! born with it? or is Tarantino your dad?! Seriously. Go die in a pit. You useless piece of shhht. (who btw doesnt know the answer but keeps spitting lol)
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"Hahaha lol" ... so you brought back a three or four year old thread just to say that?
Wow. Got a lot of extra time apparently ...
Neil