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Dynamically linked footage looks different in PR even with same colorspace

Contributor ,
Sep 18, 2023 Sep 18, 2023

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Hi,

I want to speedramp footage WITH sound but Premiere can't do that so I'm forced to use AE. After doing the slowmo ramp and setting up the color space in AE and PR to be the same (rec709), when I import the dynamically linked composition into Premiere Pro, the footage doesn't match. One of them has more saturation. (Specifically the green trees at the top right) Why does the exact same footage look different between Adobe software using the same color profile?

PR rec709.pngAE rec709.png

 

I've tried about 6 different color profiles just to see if I could get a match, like rec 2020, 2100, etc, but I was unable to get ANY profiles to match between the programs.

I have the sequence in Premiere set to rec709 (Turn on and off tone mapping doesn't change anything). I have the footage itself interpreted to rec709.

In AE, I have the footage interpreted to rec709, and the project working color space set to rec709.

 

(Yes, I know the footage is over exposed, please ignore that. This is just a personal project filmed on an iPhone before the skateboarder rides into frame)

 

What am I doing wrong? Is is this another bug with Premiere? Why does AE have options showing gamma 2.4 but Premiere doesn't? Shouldn't the footage be identical if the color spaces are set to the same??

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Editing , Error or problem

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Adobe Employee ,
Oct 04, 2023 Oct 04, 2023

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Hello Will.B, 

Just some questions to narrow this down. Are you on a Mac or PC?
If on a Mac, do you have Display Color Management and Extended Dynamic Range Monitoring enabled in Premiere?

Eric

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