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Version:
23.5.0 (Build 56)
OS:
Mac OSX - Ventura 13.2.1
Color:
I started with basic color corrections in one adjustment layer in V2 (No LUT)
- When that was exporting with what appeared to be no corrections, I played around with various settings. I exported (H.264) with the following variations:
- Rec. 709/Main/High/High10, Rec. 2020/Main/High -- No.
- Then I tried exporting ProRes format with Quicktime (422, then also 422 HQ) -- Still, no.
- Then I tried H.265 -- No, again.
- Last attempt: Removed adjustment layer corrections (V2), then applied color corrections directly (to V1 clip) -- Nope.
* It took 8 "failed" (uncorrected) exports before I decided there's a possibility that it's not user error.
Footage:
Sony a7IV, 2160x3840, XAVC S 4K, 200mbps, 4:2:2, 10bit, 59.94fps
Timeline:
2160x3840, 59.94
I've been using Premiere Pro for several years. I'm no expert, but I've exported hundreds of videos. This is a new issue since the latest "update." I put that in quotations because I'm not sure if it was an update. What I do know is, I strangely had to re-download Premiere via Creative Cloud yesterday because the version I had refused to open. I was surprised to find the "Install" button next to Premiere in CC, because I always have it downloaded and I didn't uninstall it.
Am I missing something here, or is this a bug?
Any suggestions would be greatly appreciated. Thank you
^ These are all the failed attempts at exporting with color corrections. All are formatted differently, yet feature the same out-of-camera picture profile.
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If you are working with a Rec.709 sequence and using ANY export with either the HLG or PQ in the preset name, or turning on the HLG/PQ stuff yourself, you will not get a predictable export.
The clip color management needs to match the sequence color management which needs to match the export settings.
Neil
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Thank you for the feedback. Would you be able to provide any recommendations for alternatives?
- If my intention was to export 4K, 10bit, 4:2:2 with maximum quality, how would I proceed? Quicktime - Uncompressed YUV 10bit 4:2:2?
So if I'm understanding you correctly, does this mean exporting via H.265 isn't an option?
Thank you again.
Thomas
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It's the color space, not the format/codec.
ProRes, DNx, H.264 ... doesn't matter, really. It's matching color space from clips through sequence through export.
Neil
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