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I've got MPEG-4 (QuickTime) HEVC IPhone Footage showing up in the source monitor perfectly fine. But in the sequence and export, it is extremely overexposed. What's going on there? What can I do?
The written response is you have either clips that are either HLG ... a form of HDR using the Rec2100 color space, or log-encoded clips that Premiere is "seeing" as HLG clips.
But using them on a timeline in the SDR/Rec.709/sRGB color space, and using a Rec.709/sRGB color space export preset.
Do you want to work in SDR/Rec.709, which is still the easiest and most common video format? Or in HDR, which is new/cool but has some rough spots yet?
SDR/Rec.709 Workflow with HLG or log-encoded med
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See if these links help:
Understanding Color Spaces, HDR, and what that might mean to you
https://www.youtube.com/watch?v=odwptnEhxJs
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The written response is you have either clips that are either HLG ... a form of HDR using the Rec2100 color space, or log-encoded clips that Premiere is "seeing" as HLG clips.
But using them on a timeline in the SDR/Rec.709/sRGB color space, and using a Rec.709/sRGB color space export preset.
Do you want to work in SDR/Rec.709, which is still the easiest and most common video format? Or in HDR, which is new/cool but has some rough spots yet?
SDR/Rec.709 Workflow with HLG or log-encoded media:
Neil
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Thank you so much!