Simple. I regret I didn't meet Davinci before, bought a more complete, modern, fully integrated software instead of buying this annual membership which will double its cost after a year. Let me address the first annoying bug I face constantly. Crossfades between video clips. Most of the time, it's simply disabled, or makes a tiny ultra little fade out, one frame. Others, it applies the crossfade to one of the videos. Which? Depends of Premiere Pro's mood I guess. And some few times, it does what any other edition software should do: apply the crossfade saying "not enough frames, using repeated frames". And that's the only thing I wanted since the beginning. What's really annoying, is that there's no logic. All the videos are generated by AI, same website... all the time with different results.
I guess this random based on "premiere's mood" is related to another bug: IMPORTING AUDIO.
What's the problem? Easy. Randomly, premiere decides it won't be able to import an audio file. Why? probably because of it's mood. It just says it can't import the audio, like if it was corrupted. But what happens? That corrupted audio file can be opened everywhere else. From simple programs like windows media player to professional ones like Cubase (I'm a music producer, so I know what I'm talking about). And what's the most hilarious thing of this? That those "corrupted" audio files, rejected by Premiere pro, can be opened normaly in Audition. Yes, AUDITION, the supposedely sibling software made by the same company. Also, it's so terrible this bug, that recorded audios with Audtion, sometimes are considered corrupted by Premiere!!! There's a way to solve it. Open the audio in Audition, and export it again. No problem if it would be once in a while. But when you're working in a project with around 1000 audio clips and you've done this 100 times, it's terribly annoying. And the program complex interface. If to do something as simple as naming audio and video tracks, you need to watch a 5 min youtube video, this means the program is POORLY designed. Why noi just make it simple as clicking on A1, A2 and rename the track... That's a big, big mystery. And then, trying to make a sepia effect? Watch another 10 min video to understand Luminetri complex and hard to use parameters. As far as I know, before it could be made like in photoshop, with many paths (hue, channel mixer, etc...) and Premier had it, but somebody decided all those effects should be taken away for the great Luminetri. Why not just add the Luminetri and kept the other thing simple? Another mystery. Anyway, I don't think adobe would do anything to solve this issues. It seems are more focused on adding AI features, worrying Open Ai makes photoshop outdated, instead of improving their programs.
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