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On a shoot where we have 2 cameras recording at 23.976 and 6 cameras recording at 30p. This is for creative reasons, not because we're idiots.
We are recording dual system sound with timecode set up for 23.976.
Premiere can handle mixed framerate multicam sequences last I checked. But how would you suggest we sync all of the cameras?
Merge the 23.976 A and B cams with the dual system sound then group the other 6 cameras with it audio waveforms to create the multicam sequence?
Thanks in advance for your input!
Because not all of the 30p cameras have audio on the clips, this isn't quite as simple as making multicam sequence synced with audio waveforms. So, here is our workflow:
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I guess best practice is to create a multicam source sequence with your 6 cameras at 30 fps,
then manually drop and sync your 23.976 fps assets into that source sequence, to do that, right click
on the source sequence in the project panel and choose open in timeline, this will open up the
sequence ready to drop and sync your 23.976 fps assets (premiere will create a pulldown for those)
since the majority of your footage is 30p. you might say no I wanna go the other way, so create
a multicam source sequence from your 23.976 fps assets, open it in timeline, and sync the other
6 cameras based on that.
You can also set up a 30 fps multicam sequence for all assets manually, if the create multicam source
does not sync properly
It really depends on what you want and to what format you are going to export.
Take into consideration not only frame rates but also interlaced or progressive scan,
so your final sequence must be set up accordingly to what is required from you to deliver,
take into consideration Broadcast or Web. If you tell us more we can help more.
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My thinking was to sync the 23.98 footage with the sound then grouping all of the cameras using audio waveforms in a 23.98 sequence since the intention is to finish for theatrical.
Does anyone know if that would work?
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So you have to create a 23.976 multicam source sequence from your 23.976
footage and the audio, (or you can manually create a multicam seq)then sync
the 6 30fps cameras into that same sequence, the 30 fps will loose 6 frames
so you have to decide whether to go for frame sampling, frame blending or
optical flow, depending on how you would like to treat the 30fps footage.
Will you be exporting into wraptor ?
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Will be finishing on DCP. I do not know if it will be Wraptor.
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ulikunkel_autobahn,
What solution did you end up going with? Let us know.
Thanks,
Kevin
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Because not all of the 30p cameras have audio on the clips, this isn't quite as simple as making multicam sequence synced with audio waveforms. So, here is our workflow:
Laborious, but it works. And, we don't have to waste time or hard drive space transcoding to 23.98fps.
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On a shoot where we have 2 cameras recording at 23.976 and 6 cameras recording at 30p. This is for creative reasons, not because we're idiots.
I'm skeptical of that final claim. Can you explain the thinking here?
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I have a question. I'm new to all this and I have no idea why this problem is happening. I have a podcast and I record using 2 iPhone 14pro max and a canon m50 mark II for a 3 angle multicast sequense
I record on 60 fps on all devices, for some reason one iPhone fps is 48.59 another iPhone is 59.96
and the cannon M50 fps is 59.94
when I put them all in the sequence, sync them and nest the 2 cameras, it makes my iPhone footage exposer high and really bright making the footage impossible to use. I try to use each of the footage in the sequence first one bye one and nothing is working. So basically how do I work with 3 different fps in a nest multicam sequense without it messing up the footage!!?!