Necesitamos, necesito una solucion ¡¡YA!! para el color para archivos 2100 HGL

[J.serrano]

Buenos dias.

Necesitamos una respuesta por parte de adobe y solucionar el problema con los archivos 2100 HGL, en mi caso grabados por una Sony A7III.

No puedo terminar mis proyectos de manera correcta, los técnicos han estado conectados más de 5 horas a mi pc y no me dan ninguna solución, el premiere es un programa profesional para profesionales, esto no puede estar ocurriendo.

Tengo ahora 2 proyectos de spot de hoteles grabados con Mavic 3, FPV gopro10 y sony a7III y es imposible ajustar los colores, si cambio el espacio de color de la secuencia para trabajar bien con los archivos de sony no veo bien los de mavic y gopro y en la exportación más de lo mismo.

SOLUCIÓN ya a este PROBLEMA.

Posdata: Como piensa adobe compensar por este problema?

[Sumeet Kumar Choubey]

Hi J.serrano,

We're sorry about the poor experience. Have you tried setting Color Space Override to Rec.709 for all the clips & Working Color Space to Rec 709 for your sequence to check if it's working properly?

If not, please try these steps & check if it's helping.
- Right-click on your media in the Project panel.
- Select Modify > Interpret Footage > Color Management.
- Set Color Space Override to Rec.709.
- Sequence > Sequence settings, set Working Color Space to Rec. 709.

Thanks,
Sumeet

[R Neil Haugen]

Premiere 2022 has a completely rebuilt color system, going from the previous Rec.709 based color management to a variable color space system. But most users didn't have a clue, which is a good share of your problem. And a few things aren't working perfectly yet in the new system, which ain't helping.

As Sumeet says, you need to use the new Color Management (CM tools) in the Interpret Footage dialog box to set the HLG files (as Premiere is seeing them) to Override to Rec.709. Then it will work correctly.

And you can select a bunch of files, do it in one batch operation. Select the group or a whole bin, right-click/Modify/Interpret Footage/Override to Rec.709.

I've got a couple FAQs here for the forum, the first is on what's changed, how to work with it, and what's still broken in the new system as of today. The second is how to set monitors up for HDR work if that's what you're working in, as that has also completely changed since the last version.

Neil

FAQ:PremierePro 2022 Color Management for Log/RAW Media

How to Set Monitors for HDR work in Premiere Pro 2022?

[mayjain]

Hi @J.serrano,

Let us know if you face any import issue related to Mavic 3 files. This is fixed in the latest version 22.4
Please update if you still face issues.

Thanks,
Mayjain