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3

Premiere export color is decontrasted, or not the same as viewed in Program Montior or Timeline

Participant ,
Dec 23, 2024 Dec 23, 2024

Premiere renders my final image output with an extremely decontrasted overall look. The sequence settings color management is set to Rec709, the footage itself is C-Log with a complimentary Rec709 conversion.

All settings are correct as far as I am aware in export and color space.
Final export settings are Match Source with 4k output.

 

Moneeb30461293hccf_2-1735023975166.png

The final exported video is on the left, the premiere timeline is on the right.

This seems to be a new issue, prior exports did not have this decontrast happen. I can't handle this kind of mediocrity with this professional software on every new version update guys, please. I've been using Premiere Pro for over 2 years straight. That is over $552 from me to you. I can't play guessing games with professional paid software during 11th hour client work.

 

Build: Premiere Pro 25.0.0, Windows 10 or Windows 11

Steps: Export any video with sequence settings color management set to Rec.709, Rec709 footage conversion in Lumetri.

 

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correct answers 1 Pinned Reply

Adobe Employee , Dec 26, 2024 Dec 26, 2024

Hi @efficient_person1243,

 

Thanks for the message. Welcome to the forums. If you have time, please give the team a few more details. See: How do I write a bug report?

 

I hope we can help you shortly. Sorry for the pain points.

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LEGEND ,
Dec 24, 2024 Dec 24, 2024

Premiere actually is quite notably solid with color management stuff when all outside parameters are properly set.

 

So we need to know your system stuff ... the hardware, the media, and the monitor and any settings on the monitor. And your internal color management settings in Premiere.

 

Give that, I can sort your issue out. First quesion, when re-imported into Premiere, is the image the same? That is a required bit of data, by the way.

 

What viewing gamma you've set in Premiere could affect this, as could whether you are working with Rec.709 imagery with the camera set to encode in full rather than legal/video levels ... which some camera makers wrongly do at this time.

 

Or if the monitor is set to full for Rec.709 rather than properly to auto or legal/video.

 

Setting the camera or the monitor to full rather than legal does not get any more data in or out. Period. The same data is encoded both ways, it's only how it's encoded that is changed. and it mucks up the entire system if set wrong.

 

And of course if some of the other settings are off in Premiere's extensive new color management controls, you will have issues. So we need to see your entire color management settings tab in the Lumetri panel. With all sections twirled down opened.

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Adobe Employee ,
Dec 26, 2024 Dec 26, 2024
LATEST

Hi @efficient_person1243,

 

Thanks for the message. Welcome to the forums. If you have time, please give the team a few more details. See: How do I write a bug report?

 

I hope we can help you shortly. Sorry for the pain points.

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Report
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Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more
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