When creating proxies form RAW footage, like R3D, Canon and ProRes Raw, the source settings in the Premiere Pro bin are ignored. Please add an option to in take the source settings in account when creating proxies.
Example:
- Import 8K ProRes Raw footage form the a drone.
- In Premiere Pro I set the PRORES RAW Soucre Settings' Color Space to D-Garmut/D-Log
- Footage looks correct in source.
- Create Proxy in Bin; choose ProRes Medium
Result: over exposed Proxy, als the source setting is ignored in AME and the default colorspace BT.709 is used.
Workaround:
- Interupt proxy creation in AME, and set File > Soure Settings to correct Color Space.
- Do this per clip in the Queue, as this can't be applied to mutiple clips at once.
Note that Interpret Footage Color Space settings are preserved then creating proxies.