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Is there a rejection ratio that most photographers try to stay at realizing that zero is the goal?
My goal is to keep rejections at around 5% max. I think if you aim for zero, you might be screening out too many images that are probably acceptable. Many of my rejections are for IP issues, mainly due to inconsistent moderation. For instance, I submitted some interior and exterior images of the South Dakota State Capital building. Some were accepted, and some were rejected for IP reasons. I'll probably try to resubmit the rejected ones as Illustrative Editorial.
Well, I suppose that everyone would like to tend to 0%, but that is rarely achievable. You should simply keep 2 limits in sight:
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My goal is to keep rejections at around 5% max. I think if you aim for zero, you might be screening out too many images that are probably acceptable. Many of my rejections are for IP issues, mainly due to inconsistent moderation. For instance, I submitted some interior and exterior images of the South Dakota State Capital building. Some were accepted, and some were rejected for IP reasons. I'll probably try to resubmit the rejected ones as Illustrative Editorial.
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I'll probably try to resubmit the rejected ones as Illustrative Editorial.
By @Jill_C
You can also resubmit as is after a while. If it's really only because of inconstancy, the chance that they pass the second time is high. If they don't pass the second time, it's consistent, and you could try the Illustrative Editorial submission.
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That's good advice; I'll see if I hit the "right" Moderator on the second attempt....
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I try to maintain 5%. Of course, if you have even one rejection, you'll never see a true 0% ratio. 🙂
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Well, I suppose that everyone would like to tend to 0%, but that is rarely achievable. You should simply keep 2 limits in sight: