About The Armordillo

The Armordillo · ‎Jun 24, 2022

Thanks Stephen and all, that helps. I googled a few different things and nothing else came up for photoshop hence the question. Obviously this site came up a few times but in the past it's been rare for Adobe staff to get involved here so dismissed it without thinking further. Sounds a good idea, keeping it all in once place, hopefully it will encourage more Adobe involvement on other posts too.

The Armordillo · ‎Jun 22, 2022

Confused, I thought Photoshop had a UserVoice site to request features and report bugs, like every other Adobe CC app has. However, https://photoshop.uservoice.com is saying it is no longer available: This post: https://community.adobe.com/t5/photoshop-ecosystem-discussions/feature-request-for-photoshop/td-p/11690559 recommends visiting this site: https://feedback.photoshop.com/ but it redirects to this community website. And here is the list of sites that Adobe publish to request features on each of their CC products: https://helpx.adobe.com/uk/x-productkb/global/how-to-user-voice.html Photoshop is conspicous by its absence. Does that mean there isn't a platform currently for feature requests and bug reports?

The Armordillo · ‎Jun 09, 2022

Looks interesting, thank you for posting. I'm going to give it a go but haven't had a chance yet.

The Armordillo · ‎May 31, 2022

Morning all, I'm doing some work in illustator where I'm having to add graphics to product photos to demonstrate product dimensions. Like so: Problem is, there's a lot of images with lots of dims! So I'd like to create some kind of tool to help make this easier. If Illustrator had the Essential graphics panel that is in Premiere Pro / After FX, I know exactly how I would do it. I'd make a template that you could add where you simply define start point and end point and add the dimension in. Then code the rest using After FX expressions, it would automatically draw the line, add the text on the right side, make sure it's the right distance away and so on. So in the absence of Essential graphics,what's my best route? I haven't used actions much in Illy and never scripted, but I know Javascript and have also done plenty of expression scripting in After FX. Should I make a script? or a plugin? or an action? or will none of these do what I want and therefore just keep doing it manually? My first thought was sit down and read up on the scripting guide for Illustrator but then I thought there's no point spending a week learning the nuances of Illy if it's not the right thing anyway. Just want to make sure I'm going down the route as this could be a big timesaver if it works, so any advice gladly appreciated!

The Armordillo · ‎May 27, 2022

Same issue here. I had a idea that I could put loads of spaces followed by a character that would be outside of the textbox so the textbox looked blank... however just found out that Illustrator removes preceding and trailing whitespace... which is odd and unnecessary really. Edit: just been doing some more research into Illy Variables. Conclusion: What a frickin shite system. It literally does nothing useful, unless you're prepared to put loads of time into it, in which case you're better off creating a Word mailmerge, InDesign template or just dong it manually. It would be quicker to write a html / Javascript webpage to run through the data and save as PDF then it would be to do it in Illy.

The Armordillo · ‎May 27, 2022

Yes, me too, I don't think this works for variable import. I think the reply from Anshul is about regular copy / paste.

The Armordillo · ‎May 27, 2022

That isn't what happened to me, I have 5 text boxes, corresponding to 5 columns in a CSV. For each row, only one of any of the 5 columns contain a value. When I cycle through the datasets, the text box only updates for a valid value, and keeps the previous values if they're blank, so my my text boxes look like this when I cycle through the datasets: First row has "A" in col 3: [ ] [ ] [ A ] [ ] [ ] Second row has "B" in col 4: [ ] [ ] [ A ] [ B ] [ ] Third row has "C" in col1: [ C ] [ ] [ A ] [ B ] [ ] Fourth row has "D" in col5 [ C ] [ ] [ A ] [ B ] [ D ]

The Armordillo · ‎Apr 14, 2022

Lots of confusion on this, understandably as it doesn't seem obvious. Here's a complete step by step solution: Prerequisites: I believe you'll need the paid for version of Adobe Acrobat for this - Adobe Acrobat Pro. Comes bundled with Creative Cloud and some other products. Firstly open up Adobe Acrobat Pro (do not open a PDF file - if any files are open in the tabs at the top, close all of these) You should be left with the "Home" screen which for me lists recent document and various tools and links. Open up the "Tools" tab Scroll right to the bottom of the tools list, find "Action Wizard" and open it up. Action Wizard will open as a subpage under the "Tools" tab. Click on the "New Action" at the top A popup window will open, with a list of available actions on the left and the current action steps on the right. Change the "Untitled" name if you want, this doesn't really matter Expand the "Protection" section, and double click "Encrypt" to add it to the action steps on the right. Next, expand the "Save and Export" section and double click on "Save to add it as a new step on the right. This still won't do anything as we haven't configured any options within the action. So, click on Encrypt first in the Action steps, uncheck "Prompt User" and then open "Specify settings" Change Security Method to "Password" and then a new window should open. Here you can specify passwords to open or edit the document, along with several other encryption options. Once you've sorted everything, click "OK". You'll get a warning dialogue about encryption support in third party apps, OK that, and then you'll need to confirm the passwords you have set. Click "Close" on the popup window, and then expand the "Save" action and click on "Specify Settings" The default values should be fine here - but change if you want. Then OK that window. Then Save the action, and you'll get a prompt asking you to add a name and description. Call it something memorable and then "Save". Now in your actions list, your new action should appear for you. To use it, click on it to open it up, and then add the files you want to change, and then click Start. The files may popup and flick about a bit, but give it a few minutes and it will sort this. That should be it! You can check by trying to open or edit a PDF you've selected and ensureing it's all good! Hope that helps!

The Armordillo · ‎Apr 11, 2022

Well, I think I know why this happens. After deep analysis of the situation, I have come to the conclusion that Adobe have created the very first truly sentient NLE. There are many examples pointing to this but let's look at the facts around this particular crashing behaviour: When Premiere Pro crashes on a particular project, this will only happen on projects that are important to you and that you have spent a lot of time on. No script could truly identify which projects to crash, yet being sentient, Premiere Pro knows exactly where to hit you the hardest. However, not all important projects, but seemingly at random although it tends to lean towards the projects that are urgent. Again, no piece of code could accurately know your deadlines and goals for a particular project. Software has very logical memory. Therefore if you start a new project and import the old one, the new project has no memories. However, if a project crashes every time you start, I've found that if you import it into a new project, this will start crashing at some point too. A sentient being holds grudges and that's exactly what is happening here: Premiere Pro remembers how previous projects looks like, and when it realises that the new project is just the old glitchy project in disguise, it gets livid and starts crashing it again. Furthermore, most programs behave logically and you can follow series of steps to produce an expected result - even when replicated a bug. This doesn't happen with PPro. Like a true sentient being, the mood is seemingly random and dependent on a large variety of political, geographical, emotional, and hormone based factors. You're never quite sure what's going to happen next, or be sure that it will respond in a certain way. There's many more examples I can give which point this up, but I don't want to overwhelm you. By starting your train of thought, I think you'll start to see it for yourself the more you use PPro. Regards how to fix in future, I would need a degree in psychology for that. You're basically dealing with a very smart, narcissistic elf inside your computer. Even if you look after the elf, it might still bite your hand occasionally just because it can. But you also can't kick it out because it's basically attached itself to you like a limpet. Here's a few points that I've found most effective when dealing with the sentient PPro elf: Be fair Be firm, but not unkind Give it plenty of time just in case it throws a tantrum and goes into hiding for a few days. If it does get into a tantrum, you've had your chips. Give it a few days, plenty of chocolate money and potatoes (elves love potatoes) before you ask any more jobs of it. Don't rely on it - elves are intrinsically unreliable about anything that doesn't affect them. If you rely on the elf, the elf will realise and become very demanding. If you don't rely on it, the elf knows that there's not much stopping it from being kicked out. Really wish I could be more help. If you find you're still struggling with PPro I would recommend marriage counseling and putting a grievance triage system in place. No software engineer can help with this.

The Armordillo · ‎Feb 08, 2022

I've created a captions track in Premiere Pro and styled it up so I'm happy with it. I've created a text style in Essential Graphics: and the style appears in my project. I'd like to add the style to CC Libraries so that I can use it in future videos. How can I do this? Dragging and dropping doesn't work. I have also notied that the "+" button on Libraries is permanently greyed out in Premiere Pro, so I'm wondering if there's a bug or issue or if this is normal behaviour? I haven't found a single situation where the "+" button is not greyed out and actually does something. Alternatively, what is the workflow to use a consistent text style in Essential Graphics in future projects, including sharing the style to other team members? I have seen that on right click I can export the text style to a folder: But it's not a very efficient workflow ongoing to have to remember where I keep a random file and import it into every new project. Isn't this exactly what CC Libraries is for? Be really interested in any feedback on this.

The Armordillo · ‎Feb 08, 2022

+1 on this. I've created a text style in the essential graphics, and applied to all captions. I want to use the same style on all captions in all videos. I want to add the text style to CC Libraries so it's easily accessible. However, I haven't yet found a way to do this. If anyone knows the trick, please let me know!..... CC libraries does seem a bit broken in premiere pro, I'm wondering if adding to libraries from PPro has been blocked or if it's just a bug. Either way, I haven't found it possible to add anything into libraries from Premiere Pro - graphics, text, video, photo etc

The Armordillo · ‎Oct 22, 2021

I have a document with a lot of linked images in Illy. I get another batch of images, paste them into the source folder, and some images already exist so I overwrite those images. Back in Illy, the popup comes up saying that some files have changed, do I want to update all. I click No, because I want to update them one at a time, and check them as I go, because the changed images might be slightly different size, and they may need tweaking slightly. I don't know which ones have changed, so to save me checking every image, I'll update one image, and then find it in the document and check it to ensure it still looks good. In links panel however, it seems impossible to just update one image link. I don't know if this is a bug, expected behaviour or what. I select an image with the yellow warning triangle, then click "Update link" After a few seconds of waiting, the popup yet again comes up - "Some linked files have changed, do you want to update them?" - well no, I just want to update the one I selected. I click No, check the link I selected, still got a warning triangle. Try to update image again, and once again I get the popup asking me if I want to update the files I changed.... Nope, I haven't changed my mind, I still just want to just update the file I selected. After repeating this a few times, I thought that maybe the popup is just poorly worded and it will only update the file I selected - so I try "Yes" and then it updates all of the links that were out of date. So now I have a few hundred images that I need to go through and check individually, as I don't know which ones were updated... Is this normal behaviour? What is the process to upate one linked image at a time? Or is this just not possible?

The Armordillo · ‎Oct 18, 2021

I'd compare Premiere Pro to an F1 car. Go to youtube and search "Drive an F1 car for the first time". They look great when they're driven by a professional, but they are far from a normal car. It's so easy to stall the engine that most beginners can't drive a hundred yards. Just like Premiere: it takes patience, skill, experience and understanding if you want to go far or go fast. Some people I talk to want to use Premiere to just throw a video together, and like to think they can install the program, watch a quick youtube video on what they want to do, fudge it together and save out their video. Premiere is not designed with this in mind, it's just simply not built to do that job. If you want to make a fast and quick video, use something like Apple iMovie, Windows Video Editor, Lumen5 etc - these are all designed to help you make a fast, good video without needing much technical experience. You might decide you want a flashy, fast car to impress your mates. You can get a Ferrari California or you can get a BMW Sauber F1 car. The Ferrari is a showy road car, like Apple iMovie you can jump in and just drive it, looks great, performs well, drives fast etc . However, the F1 car is much, much better, faster, better handling, All the specs are maxed out. So if you look at the specs alone, the F1 car is the best car to get. Like Premiere, by the specs it's one of the best video editing programs out there for a lot of reasons. But both have a very steep learning curve because they are so in depth, they're built for a serious purpose. Premiere is good enough to be used to edit hollywood-style movies, but to be that good, that means it has to have a host of very advanced features and settings to get the right results. There's a reason why the F1 car isn't allowed on the road. Premiere might be accessible to anyone, but it doesn't mean you'll be able to drive it. The point is, you get the right car for the job. I'll fully endorse everything Jim and Neil have said, if you expect to be able to drive Premiere or an F1 car, you will find it very, very difficult without some serious training. If you don't have time to train, then this really isn't the right program for you.

The Armordillo · ‎Sep 19, 2021

Just received an automated email from the Adobe community saying I have a new rank. Looks absolutely legit, definitely a pukka email. Even checked through the email headers and dmarc spf and authentication all look good. But weirdly it's for another user that appears to not exist? It came thorugh to the email address that this account is registered to. But the user name is wrong and I don't have that rank: Not sure why I got this. When I clicked on "View Profile" I get an error that the user does not exist. Anyone else had this / know what's going on?

The Armordillo · ‎Sep 09, 2021

Here's a couple of stills - if anyone can closely match the flat still to the corrected still using only Lumetri color, I'd be fascinated to see a screenshot of what settings you've used.

The Armordillo · ‎Sep 09, 2021

I have used the Hue vs Hue and tried a lot of variations with it but I find it really difficult to get controlled / fine adjustment. HSL secondary works well for color correction but it's limited to one color choice. If I had a set of "HSL secondary" tools for each color range - red, orange, yellow, blue, cyan, purple, green etc then I reckon I could get the look I want.

The Armordillo · ‎Sep 08, 2021

It would be helpful if the points on HSL curves had input boxes where you could adjust the location by typing a number - means we could get fine control over the points.

The Armordillo · ‎Sep 08, 2021

I'm not keen on the HSL curves, I don't feel that I can get enough control. I can see that in theory, a spline curve works well for the color adjustment i/o as it provides a gradual curve but I think using sliders in PSD or Camera RAW is more controllable.

The Armordillo · ‎Sep 07, 2021

Boom! An ACP recommending Davinci 😄 😄 I've got Davinci installed and have messed about a bit but haven't properly got to know it. It will be hard to drop PPro from my workflow entirely as I'm fairly tied into a lot of the Adobe programs, but if it's possible to import PPro sequences then I'll check it out. I had thought of masking out parts in Premiere and color correcting parts separately, but to me that's like opening Pandora's box - the thought caused a lot more questions: Why mask when I can get a better result in photoshop without masking? Do I mask and track face? If so then what about other skin? That's a lot of masking and tracking! ...and what about more people in the scene? that work increases proportionately. If I mask skin tones and color correct separately, that's double the amount of color correcting too 😞 😔 😒

The Armordillo · ‎Sep 07, 2021

Just wanted to get some opinions on color grading in Premiere Pro vs Photoshop. I've been shooting flat and editing in Premiere Pro for years now, and for some reason, I've realised today that my color correction workflow is really messy and wanted some feedback! Typical workflow: I start off with flat footage that looks like something like this: I'll put an adjustment layer over the clip (so it's easy to apply to multiple clips), select it and open the Lumetri Color window: Then, with all the wonderful scopes at my disposal I'll start correcting. I've always used scopes, and I understand how they work so I'll start with basic adjustment and get the color temperatures right and adjust the light to dark values until the contrast looks good: Tweak vibrance a bit: And then use the curves panel for advanced color adjustment. And then I find myself at a dilemma, because invariably I find that if I adjust for skin tones, the other reds and oranges in the scene will look washed out and orangey - ... and if I adjust for reds in the scene then the skin tones look horrible. So at this point, I always give up on Lumetri Color. I load a screenshot from the footage into Photoshop: and color correct using basic filters: In no time at allI have a good-looking image with strong reds, balanced skin tones, and a nice white balance. Then go to File > Export > Color Lookup Tables and save the filters down as a LUT. Load the LUT in premiere pro and boom! I think it looks really good. So... I'd really appreciate any pointers as to why I'm finding it so hard to color correct in Premiere Pro? I'm not satisfied with my color correction in PPro, and I personally find I can get better colors much faster when correcting in Photoshop. I've tried to match an LUT I've created using only Lumetri Color, and I struggle to get a good result. Premiere Pro is built for color correction, it's got tons of really helpful scopes so it seems backwards that I'm using Photoshop to color correct. Am I just doing it wrong?

The Armordillo · ‎Aug 12, 2021

I have 2x hard drives in RAID 2 on my server set up as a network share, so that files are duplicated on both so I'm good if one ever fails. I use Box.com and I've got all the folders I'm currently working on synced by the server to the share. So all the backup and file storage is totally independent of my PC. So I suppose in theory I have 3x copies - one on each half of the RAID array and one in the cloud (until the project is complete and unsynced from server). I create and use projects directly on the server share from my pc - connected locally by 1Gbe ethernet. I lose some speed and performance this way and scrubbing 4K footage sometimes sticks if I've got several effects / LUT's thrown on, but it's good enough to keep up most of the time. Projects always get named with a descriptive name and suffixed with "v1". If I ever save out a copy, I'll increment it to v2, v3 etc. However it doesn't happen much. Auto save is set to every 10 min and I've got a good habit of hitting Ctrl S to save when I get to critical points. Box.com has file versioning too so that each project will have several versions by the time it's complete. When I'm working on a project, I'll duplicate a sequence and increment the name whenever I reach a milestone. Makes it easy to go back and check my workings, review where something went wrong etc. There's only 4 scenarios where I save in another way: If the project starts throwing up errors or gets broken in any way, my troubleshooting occasionally involves creating a new blank project one increment up, and importing the old one into it to see if it clears problems. If I'm about to do a major change to the project structure, or major changes to timeline such as completely re-ordering it, re-branding it, or converting captions to a different lanugage, then I "Save as" If I open a project created in an older version of PPro, and I have to save converted version before I can do anything. If I'm struggling to get renders complete and edit simultaneously, I'll "Save a copy" to a certain folder on the network share. I have Media Encoder set up on a separate PC with the network share mapped with the same drive letter so all links etc are the same. The folder I save to is a watch folder on the second PC, so that I can "Save a copy" to the watch folder at any time and the other PC will get a version rendered out. Worked for me well so far 🙂 and +1 for cloud backup, when I had to work from home over covid I grabbed a laptop, synced projects from Box to a hard drive mapped with the same drive letter as the network share and everything worked perfectly!

The Armordillo · ‎Aug 12, 2021

@Kevin-Monahan thanks for your interest and advice. So far it looks like Resolume can do what I want but that it's going to be complex and involve some coding which will be a learning curve but keen to see what I can achieve. I've installed Character Animator as well as I haven't touched it before and planning to mess about with it a bit and see what I can do with this. Looks possible with live input and interactive objects functionality out of the box.

The Armordillo · ‎Aug 10, 2021

Thanks! That's really helpful - kind of confirmed what I thought about CC not being suited to this. Hadn't occured to me to look at VJ software, but I'm now installing Resolume Arena to see what I can do with that 🙂 it looks like it also has some level of integration with Adobe CC as it asked me if I wanted to install plugins for AFX and PPro. So this should be fun! Pity that we can't pull in a live input into PPro or AFX, so that all the tools we know can be used on a live source. But I get that these programs aren't really designed with that in mind.

The Armordillo · ‎Aug 10, 2021

This might be a bit crazy but I've got an idea for a project I want to create. Several years ago, I saw this interactive experience at Cadbury's World, where you could step in front of a wall, and virtual bubbles would be floating down on the wall (I think it may have been a projector from behind the screen showing them). What was cool was that you could interact with the bubbles live. Your silouhette was projected onto the wall too and if you held out your hand your silouhette could catch these virtual bubbles on the wall, or push them about. I'd really like to try and do something similar where I can capture a live source, add in some interactive elements, and project the live result it onto a wall to give a similar effect although I might make the elements interact differently. Couple of seconds lag would be fine though! I don't need to stream it across a network, just show the result on an attached display device - monitor / projector. I've got this nagging feeling at the back of my mind that Creative Cloud is just not built for this. But at the same time I feel that if I could just get a live source into Premiere Pro or After FX, I could make this work somehow. I'm fairly fluent in both and comfortable writing scripts in After FX. I have a Canon 5D IV that I was hoping to use as the capture device in PPro but from looking at some posts, it looks like this can't be used as PPro capture requires a firewire device? - https://community.adobe.com/t5/premiere-pro/live-video-capture/m-p/11744323 https://community.adobe.com/t5/premiere-pro/capturing-live-video-from-canon-5d-mark-ii-onto-premiere-pro-or-onlocation/m-p/3999845 I've got a Dell Precision 3640 Tower with an Nvidia Quadro P2200 which should be powerful enough to live edit a FHD stream I should think. I've got access to a projector although can test the idea just on screen of course. So a few questions: Am I going about this completely the wrong way? Is this completely unfeasible in Adobe CC software? Is it possible to get a live stream into After Effects? (feel this is better then PPro to add in interactive elements) Is it at all possible to get my 5D iv working as a capture source in PPro? or another webcam? If I can get a capture source working, is it possible to add any interactive elements in PPro, or is the capture feature just to record some video and not actually edit it live? I wondered if I really need a 3d camera like a Kinect camera to be able to make this work? And if I should be approaching this in completely different software? Had a look at OBS Studio which I use a bit but not sure that's got the capabilities that I need. I'm probably way out of my depth with this and like I say I might be approaching this from totally the wrong angle. But please don't shoot me down, I'll really appreciate any ideas or thoughts anyone can throw into this. EDIT: I thought I'd add an illustration for clarity. The way I see it working is that a webcam / capture source (green) provides a live stream of a person (blue) against a plain wall (black). The stream is fed to my PC (orange) which adds in the interactive elements live and outputs it to a display such as a projector (red). Against a well lit white wall, I could whack the contrast right up so highlights become completely white, and anything else is black which should siloughette the person reasonably well. I could create a bubble in After Effects and use sampleimage() to test if the background is white or black, and adjust the motion of the bubble accordingly. I know that's very simplified and there's a lot more code to add for the motion, speed, gravity, bubble generation etc but I can see a way to making it work.

The Armordillo · ‎Aug 02, 2021

Neil, don't have the experience that you've had, but will second what you've said. A lot of the long-time PPro users on these forums are seriously knowledgeable and helpful, but they don't have the time or any reason to sugarcoat their words so they say what they think in as few words as possible and you can either take it personally and get worked up about it or else learn from it in and get the job done, they're always right. They might sound abrupt but I'd give a lot to spend a day with one of you guys and just tag along, I can't think of a better way to learn. If anyone thinks these forums are harsh, I recommend you try Stack Overflow - you'll soon realise these Adobe forums are pretty easy-going! Most of the questions on these Adobe forums would get you hung for spamming on Stack Overflow. Here, I can ask a one sentence question that's already been asked a thousand times, with zero detail whatsoever and no one will even blink!

The Armordillo · ‎Jul 26, 2021

bit stunned at the question but open new project, go to file, import, select old project and select import entire project. A quick google search would have answered this for you very quickly. If you're finding PPro too complex maybe look for something simpler?

The Armordillo · ‎Jul 23, 2021

Did you try changing the renderer in Project Settings? (not export settings). do you have access to Adobe Media Encoder? That might fix your export if it's caused by a user setting in Premiere Pro. Still weird though. If you don't get anywhere further I can only recommend Jim Simon's excellent troubleshooting guide: https://community.adobe.com/t5/premiere-pro/unofficial-premiere-pro-troubleshooting-guide/m-p/8789200 In particular, note steps 1A, 2B, 2D, 2E, 2F, 2H

The Armordillo · ‎Jul 21, 2021

Can also try nesting the footage in a sequence that matches the footage frame rate settings. So main sequence is 25fps or whatever, your b-roll is 59.95, put b-roll in a 59.95fps sequence and nest that sequence into your main 25fps sequence. Should clear out any frame rate related problems.

The Armordillo · ‎Jul 21, 2021

File > Project Settings > General then change the renderer dropdown to anything different to what it is currently. try another export and see if it still happens? If it's still happening please get back to us with more info on your system and: can you post screenshots of your timeline and preview monitors? also go to Sequence > Sequence settings and post a screenshot of that.

The Armordillo · ‎May 11, 2021

Many thanks for taking the time to reply to me, really appreciated! Part of the reason I wanted to get feedback on the spec was to check that it would work long term and make sure there weren't known problems with any of the hardware. I very much doubt that my company would buy a new GPU in a few months time, so I'd rather ask for a better GPU now - the PC can be customised through Dell, we haven't purchased it yet. Below are the GPU's available as standard for this machine, would any of these be a good choice or what do you have in mind when you refer to a "GPU that is a better match for the CPU" - should I look for a dedicated GPU separately? I've gone through so many benchmarking tables and tests that I honestly feel confused about what really is best!! I don't want to go overboard and overspend but I do want to be able to do my job efficiently.

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About The Armordillo

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