well life is never simple... In this situation, I'd do preliminary color correction in Premiere and then send to resolve when you have picture lock... bwdik... And yeah, the sony audio formatting sucks... Probably a way to track this somehow or other, but I have no idea. Hopefully someone else will pipe up... Are you sending the audio to a sound designer? Might ask him or her if they have any ideas... What if you add "handles" in Resolve so that at least some of the adjustments would be doable in Premiere... I have checkerboarded and split tracks in Resolve to have extra material available after returning to Premiere... Actually, usually do this in Premiere before outputting the xml file. If I was facing this workflow on a daily basis, I'd probably spend some time trying to figure out a workaround... Good luck.
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