Assuming you used an XML to import to Premiere Pro, those subclips were defined in the XML. Either Final Cut or whatever intermediate translator you used described the clips as subclips, so that's how Premiere Pro imported them.   Those blue ranges are clip markers. If you also open the Markers panel you'll see them listed there when the clip is in Source Monitor. ... View more

If your mixer is working in Audition then yes that should work just fine. If they are working in Pro Tools or another software, then AAF is the way to go. ... View more

@ChristianS. if you want to send your sequence from Premiere Pro to Audition for mixing, there's no need to use AAF. Instead, from Premiere Pro's Project panel right click on the sequence and choose: Edit in Adobe Audition > Sequence. This will create an Audition project for you, with all the media and effects sent over based on the settings you choose. ... View more

Hey @arlens46928762 thanks for the feedback. While you can't recognize faces or specific people with the upcoming Search panel, we definitely have heard that it would be wildly useful.  ... View more

@KazuTa A good point; I'll pass it along to our documentation teaml. We have a whole series of videos about Productions from Karl Soule – here's one on migrating from a standalone project to a Production: https://www.youtube.com/watch?v=upxpGcuM-Xc ... View more

@melody8219 Thanks for trying out Search panel! Right now the Metadata search is matching against all metadata the project knows about. We're looking at ways to improve that, and give you control over which specific metadata you want to search for.   If you're talking about the length of visual results, there's no specific limit. For example if you have a 10 minute clip of a person looking at the camera talking, and you search "person looking at the camera talking" you should get a result that is 10 minutes long. Are you seeing a limit you don't expect? ... View more

@KazuTa I replied on your other post. Short answer: the Reassociate command you found is to help in cases of unintentional clip moving; it isn't needed when breaking apart a project to a production. I also linked to the documentation PDF for Productions, which has a page on how to do the migration you're attempting. Hope it helps! ... View more

@KazuTa If you both are working with non-syncing Productions, meaning you have your own cloned copies then when you share a new project to the other person, they should just drop it directly into their Production folder. There's no need to use the Add Project to Production in this strict example.   However, if you host the Production on LucidLink directly, then you both are looking at the same Production, and there's no need to send the project at all. The other editor will see your project as soon as you make it. ... View more

@dalebenedict Video codecs can be identified either be a human-readable name, like "Advanced Video Codec (AVC)" or "Apple ProRes 422 HQ", or they can be identified in software using their "FourCC" code. FourCC is a four-character code that video files can have written into them, so that the playing software knows what codec the video is.   avc1, apcs, apcn etc that you listed are FourCC codes. I'm not aware of a canonical list of all the codes, but this is a pretty good list I found online: https://softron.zendesk.com/hc/en-us/articles/207695697-List-of-FourCC-codes-for-video-codecs   You usually don't see the fourcc codes listed in software, most video editing and playback software will display using the human readable name. So for example "avc1" is AVC aka H.264 in Premiere Pro's export settings. "apcs" is "Apple ProRes 422 (LT)" which you can find inside Premiere Pro if you export using QuickTime MOV format.   I hope that helps! ... View more

I would be happy to advocate with our team to make improvements here, but I have to admit it sounds like these suggestions are things that already exist in Premiere Pro. There are two states an editor might be in where we put in specific UI to try to help them out:   First, every sequence starts out as a "Text-Based Editing" sequence for purposes of transcription. This means that as you edit in clips, the transcripts attached to the source clips automatically stitch together to form the dynamic sequence transcript. We believe this is the right default for most people.   If some or all of your clips are not transcribed, you will see an alert banner at the top of the transcript saying "# source clips have not been transcribed" with a big blue "Transcribe" button. You can even twirl open that banner and de-select any clips you may not want transcribed: In this way, we try to guide editors towards creating the source transcripts they need to use Text-Based Editing successfully. As you can see the empty state text in this case even says "Transcribe your source clips to view your sequence transcript."   Second, there is the question of an editor understanding that if they manually switch to a static transcription that the transcript no longer updates as they edit. As @Stan Jones pointed out, we've had a dialog warning about that from the very beginning. It says rather clearly (in my opinion) "Your transcript will not update as you edit".   Given these two mitigations that have been in place since Text-Based Editing has been released, what modifications or additions are actually being suggested here @Kevin-Monahan @R Neil Haugen ? ... View more

@Citizen_Sam While updating, why not update to 2025? Two questions for you: What are the specs of the system? Mac (Intel or Apple silicon?) or Windows? What CPU/GPU? Which OS version? If you download and install Premiere Pro (Beta) from Creative Cloud (go to the Apps section then Beta), you'll get version 25.2 Beta installed next to your existing 24.6.4. How does the Beta 25.2 perform?   Thanks! ... View more

@arewenotmen Premiere Pro sequences have two modes when it comes to transcripts. The default mode is for Text-Based Editing, where the transcript is created dynamically by combining the transcripts from each source clip. So the workflow is that the source clips are all transcribed, and then in the sequence they just automatically assemble into your sequence transcript. In this way if you delete a clip, it's transcript also disappears, etc.   The other mode, which is what happens when you choose "Generate Static Transcript", takes the audio from your sequence at that point in time and transcribes it. If you change the sequence (trim, remove a clip, etc) you'll need to re-transcribe, because it's not dynamic and it's just a static representation of that one point in time.   In your case, split and merge buttons are missing because you're in the first mode (dynamic) and so the sections of transcripts are controlled automatically by the clip bounds. You can see this if you add an edit point in the audio, it will split the transcript at that point. If you want to fix the speaker by splitting a segment and then changing the speaker, you should go back to the source clip and fix it in that transcript. The change you make there will then flow automatically into your edit sequence transcript. Just press F to Match Frame from your sequence to that clip, and in the Text panel you now see the source transcript and the split/merge buttons are there.   I hope that helps! ... View more

The core behavior described here – putting a marker on a subclip and having the marker show up also in the original clip, I don't think ever worked. Subclips in Premiere Pro don't maintain a relationship to the original clip (like they do in other NLEs). They are their own new clip, and so the marker sets are not synced. Any markers on the original clip at the time of subclipping do travel to the subclip, but then that's the end of the marker relationship. I'm not aware of any changes to this any time recently. ... View more

Hi @Imageflux Inc I think what you're seeing could be an issue we are working on happening in macOS 15 where the filler detection model is not able to run. It's a separate model from the main transcription model, so you can transcribe even if maybe you can't detect fillers. To know for sure, could you have the Mac user try the Premiere Pro Beta version (downloaded separately in the Creative Cloud app)? It has a fix for this and should be able to create the fillers. Thanks. ... View more

@yash-lucid  This should work – I can create bins, rename items, move them into bins, etc all without stopping Timeline playback. Which OS, OS version, and Premiere Pro version are you using?  ... View more

@LucasSantos This is a bug that unfortunately made it into Premiere Pro 25.1. It will be fixed in Premiere Pro 25.2 which is not yet released. It only occurs when the video track height is at the minimum height, so increasing the track height will work around it. Also, you could download Premiere Pro Beta which has the fix, or, you could use Creative Cloud desktop application to revert back to Premiere Pro 25.0.   I'm sorry about this, I know it's frustrating! ... View more

@Geoffrey37968971duzb Good news, there are two different options that can help. First of all, the clip is becoming selected because you have Sequence > Selection Follows Playhead turned on. This means that when the playhead moves, the clip underneath it is selected. This feature respects the enabled tracks, so I'm guessing you only have that bottom track enabled in the track header. So, you can turn off this setting and you won't have the clip selected.   Second, the Markers panel has an option in the panel menu (three horizontal lines) called "Ignore Timeline selection" where it wont change its display based on what is selected in the timeline.    Hopefully either of those options will help! ... View more

@AndyOates I'm sorry about this, it was a mistake on our part. The bug has been fixed in the Beta version you can download today if you like, and the fix will be in the next release. ... View more

This change is specifically referring to the GPU Rendering option found in Project settings. The renderer there refers to the compositing and creation of the final frame you see in the program monitor (and that's used to encode in an export).   Hardware encoding in the export setting refers to using dedicated GPU hardware to take that final frame and encode it to a certain format. That is not changing. ... View more

Yes, we partner with GPU vendors to ensure new drivers are tested with our applications before release. ... View more

@Stan37263142ehz7 This is unintentional and will be fixed in the next release. There is a fix already in the beta version. Thank you! ... View more