excited_Genie16B8
LEGEND
excited_Genie16B8
LEGEND
Activity
‎Jan 24, 2023
07:51 AM
In 15 years of using Premiere Pro I've never once "accidentally" changed the workspace. Nor has anyone ever complained about it in the forums. I don't think this issue warrants the use of Adobe's limited resources.
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‎Jan 24, 2023
07:30 AM
A better way to phrase this might be "Don't rasterize Vector Graphics until final export".
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‎Jan 24, 2023
07:30 AM
1 Upvote
Not just the sequence, but the Project panel itself. Sequences and other panels would inherit the color of Project in which you're working.
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‎Jan 24, 2023
06:57 AM
1 Upvote
You can already do this. Click the waveform icon at the bottom center.
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‎Jan 24, 2023
06:56 AM
This would be a HORRIBLE idea. The software should do what we tell it, not decide things on it's own. If you hit stop, it should stop, and that's it. If you want to go back, you need to tell the software to go back.
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‎Jan 24, 2023
06:45 AM
You already can save effect presets. Have had this for a long time now.
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‎Jan 24, 2023
06:42 AM
Resolve has track coloring and I use it a lot. Very helpful to distinguish between dialog, music, effects, etc. Though I do believe that clip color should override track color.
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‎Jan 24, 2023
06:33 AM
1 Upvote
And it's corollary, Set to Frame Height.
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‎Jan 24, 2023
06:28 AM
Premiere Pro will only add audio tracks to the sequence if a clip is added to the sequence that requires them. Simply opening a clip in the Source Monitor will have no effect on the sequence.
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‎Jan 24, 2023
06:20 AM
I find it best to edit the audio in the Source sequence rather than the Target sequence. This just works.
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‎Jan 24, 2023
05:26 AM
Look up Paste Attributes in the PDF. https://helpx.adobe.com/pdf/premiere_pro_reference.pdf
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‎Jan 24, 2023
05:24 AM
The entire point and purpose of higher resolutions is more screen real estate. If GUI's are too small at a specific resolution, you need a larger monitor.
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‎Jan 24, 2023
05:23 AM
This is easy to solve. If the LUT doesn't come with PP, always use Browse.
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‎Jan 24, 2023
05:23 AM
Solution: 1. Open a project. 2. Close that project. 3. Open the next project. Done, and Adobe can spend limited resources on better things.
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‎Jan 24, 2023
05:23 AM
Steps to Solve: 1. Open a project. 2. Do your work. 3. Close that Project. 4. Open another project. Done
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‎Jan 24, 2023
05:18 AM
Render the Audio to see the waveforms.
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‎Jan 24, 2023
05:18 AM
Resolve has a similar feature called Power Bins. They show up in every project, and any media added to the folders on the hard drive automatically show up in the bins.
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‎Jan 24, 2023
05:15 AM
I had no problems nesting audio in version 12.1 on Windows 10 Pro (1709).
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‎Jan 24, 2023
05:10 AM
There is already an entry for this. Please search for CinemaDNG and vote it up.
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‎Jan 24, 2023
05:10 AM
There is already an entry for this. Please search for CinemaDNG and add you vote.
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‎Jan 24, 2023
05:10 AM
RED RAW and ARRIRAW are both proprietary. There's no reason Adobe can't work with BMD to get Ursa Mini (and soon BMPCC 4K) media working in Premiere Pro.
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‎Jan 24, 2023
05:09 AM
QuickTime needs to die, already. Adobe made the right move here. Use MP4.
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‎Jan 24, 2023
04:35 AM
92 Upvotes
The Creative Cloud suite really, REALLY needs to incorporate the Academy Color Encoding System, commonly known as ACES. ********, what an excellent way to manage color!
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‎Jan 24, 2023
04:32 AM
53 Upvotes
Premiere Pro needs to ability to set the Color Space and Gamma of individual sequences. Rec 709 for HD, Rec 2020 for UHD, P3 for Cinema work, etc. There does need to an an HDR switch for Color Spaces that support it. Mercury Transmit needs to respect those settings and output without alteration or conversion.
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‎Jan 24, 2023
04:27 AM
65 Upvotes
I'd like to add the ability to continue working while sequences get rendered within Premiere Pro. Rendering would remain user initiated, and NEVER occur automatically. However, once a user initiates a render, we would be able to continue working. I imagine a new Render window along with the Project, Media Browser, Effects, Info, etc., where we could see the status of all initiated renders; pause, resume and cancel them; rearrange their order, etc.
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‎Jan 24, 2023
04:27 AM
180 Upvotes
Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras. But even for the versions that can be imported, support for the format is still lacking to the point of unusability. The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable. The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are: White Balance Color Space Gamma ISO Color Temp Tint Exposure Sharpness Highlights Shadows Color Boost Saturation Midtone Detail Lift Gain Contrast Finally, because we do not have access to the Color Space or Gamma, the footage comes in with a preset "LUT" applied, making the original Log footage unusable.
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‎Aug 01, 2022
03:08 AM
51 Upvotes
The Creative Cloud suite needs the ability to use other resources connected to the same network for distributed rendering. Installing a small program on other connected machines would allow the primary machine to use the available CPU/GPU and memory of connected machines to speed up render/export duties.
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