Jacob Bugge
Community Expert
Jacob Bugge
Community Expert
Activity
‎May 15, 2025
09:41 AM
1 Upvote
leoh,
"you can tell im self taught"
Far from it: Ctrl/Cmd+H is undoubtedly the most frequent undetected keyboard mishit: you try to use one of the surrounding letters and when it fails to work you try again, and forget all about the failed attempt so the mishit hits you back long after any connexion can be made.
It has been up many times, happening to countless victims, from New Heres to Community Experts.
By the way, some New Heres have many years of experience but no need to ask about anything here, until something really strange happens.
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‎May 14, 2025
04:38 AM
Thank you for sharing the outcome, campanero.
I hope you will share how you managed to find and change the evasive part.
This might very well be the key to understand what happened in the first place.
And unknown to most, it is quite easy to directly show images in posts, hence the following general suggestion:
Please show images by using the Insert Photos button (looks like moon over mountains) for each at the top of the reply box which makes everything appear right there in your post together with your text, rather than the more conspicuous Drag&drop attachment which requires helpers to open a new tab for each image and wait for its showing, then go back and forth; and if they just click it and wait for its showing and press the X to get back to the text, the image is gone so they have to open it again and wait to see it again.
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‎May 13, 2025
06:50 AM
campanero,
I wonder whether you have set the white for the Layer, overriding any other actual colour(s).
If you know the colour of the dropped letter, you can select something with that colour and then Select>SameFill Color (or Stroke Color).
Otherwise, working on a copy, the letter may appear if you remove the white from the Layer.
Or maybe you can recognise the letter (shape) in the Layers palette
Or there could be other ways.
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‎May 13, 2025
03:01 AM
Did you spot the ling (including the larger plant at the stones), Trevor?
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‎May 09, 2025
10:34 AM
The Saltire is only a claim to a wee bit of Land of the Thistle, Dave, but I felt I had to be quick, before Trevor decided to nuke everything here (before his tea), or decided to lay claim to the whole land by Saltire and kilt and thistle like he did on Lindisfarne (after his tea). @Trevor.Dennis
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Community Expert
in Photoshop ecosystem Discussions
‎May 09, 2025
06:13 AM
4 Upvotes
‎May 09, 2025
06:13 AM
4 Upvotes
Click to get closer, Click again to get closer still
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‎May 09, 2025
01:42 AM
florian,
Whatever you do here has no effect on the issue.
You can click the Start Now button beneath the headset image under Contact Us on this page, one step further from the one posted by italosan:
https://helpx.adobe.com/manage-account.html
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‎May 08, 2025
02:48 AM
Diane,
To elaborate on the effect start, at any time you can go back to the original single instance and get immediate changes to the whole set; this can be widening and/or stretching or the opposites.
With the right placement of that original single instance you can also ensure the most accurate and versatile layout for the final use, such as a wallpaper, based on a bounding rectangle at the desired full width, here described for the width of 52 cm with 5 wavy lines:
1) You can start the line with a vertical direction, in other words starting and ending with half a Zig and having a full Zag in between; you can make it using the Zig Zag effect with just one segment for a sinusoidal curving, or piece it together from the side parts of a circle for a circular/elliptic curving, such as joins midway between the original Anchor Points creating new Anchor Points with the Object>Path>Add Anchor Points, cutting out and moving the pieces about.
2) You can place the top centre of the first instance at the right position for symmetry, X = 5.2 cm (52 divided by 5 and by 2) and Y = 0 so 5 instances will be centred on the width, then create the (no stroke/no fill) bounding rectangle (to go behind) starting at X = Y = 0, either with a single wavy line width of 10.4 cm or a full width of 52 cm.
You can still expand the effect, keeping the effect for possible later use.
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‎May 07, 2025
04:20 PM
Diane,
Apart from the solutions already presented, you can also start with a repeatable vertical unit of the wavy line, down to a single instance as suggested by Doug, and then use the effect way:
1) Effect>Distort&Transform>Tranform with a vertical move equalling the height of the unit and a suitable number;
2) Repeat Effect>Distort&Transform>Tranform with a horizontal move equalling the horizontal repeat distance you wish to have for the wavy lines (for 5 wavy lines per 52 cm use 52/5 = 10.4 cm) and a suitable number (5 to cover 52 cm, multiples of 5 for multiples of 52 cm, you seem to need more than one judging by the screenshot with the equal/different spacing).
In this way, you can cover whichever height and width you wish based on just one instance of a repeatable unit of the wavy line with full accuracy; and you can place the set as desired, maybe just centring it on the area to be covered.
If you change your mind about the horizontal repeat distance you wish to have for the wavy lines, you can just select the set and then in the Appearance palette DoubleClick the second Tranform (effect) and change the distance as desired.
You can also expand the (double) effect and get paths when (you think) you are satisfied with the outcome. Remember to save a backup of the effect before you do such a destructive deed.
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‎May 07, 2025
03:38 PM
For my part you are welcome, s, and thank you very much for your kind words.
You are right about the rounding, of course. This is one of the reasons I always let Illy do the calculations whenever possible and get the accurate numbers (within the inherent far finer roundings), or use aligning and snapping and other drawing solutions.
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‎May 06, 2025
12:32 PM
1 Upvote
s,
The solution is still Save Selection in the Select dropdown:
Here is a slightly longer way A) if you just wish to centre align to the key object, and a much longer way B) if you wish to align to the key object in other ways.
In A) you can, with the centre Reference Point chosen in the Transform palette:
A1) Select all the objects across Layers;
A2) In the Select dropdown click Save Selection and give it a name;
A3) Select the key object and copy the X value, then Click the given name in the Select dropdown and paste the X value;
A4) Repeat A3) for the Y value.
The operations in A3) and A4) correpond to opening the Align palette and applying the horizontal and vertical centre alignment.
In B) you can, first with the centre Reference Point chosen in the Transform palette:
B1) Select all the objects across Layers;
B2) In the Select dropdown click Save Selection and give it a name;
B3) Ctrl/Cmd+C+F to copy the selection on top of itself in the topmost Layer, then Ctrl/Cmd+8 to turn the copy into a Compound Path;
This will give you a Compound Path with the same Bounding Box as the selection would have as a Group; you can keep this for repeated use.
B4) Choose the Reference Point in the Transform palette corresponding to the kind of alignment you wish to have, then align the Compound Path/rectangle with the key object, then switch the Reference Point in the Transform palette back to centre;
B5) Select the Compound Path and copy the X value, then Click the given name in the Select dropdown and paste the X value;
B6) Repeat B7) for the Y value.
The operations in B4 and B5) and B6) correpond to the operations in A3) and A4) and to opening the Align palette and applying the horizontal and vertical centre alignment.
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‎May 06, 2025
10:13 AM
Sorry, s, I was too hasty, and overlooked the alignment bit.
Pondering.
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‎May 06, 2025
09:40 AM
1 Upvote
s,
The solution is Save Selection in the Select dropdown:
1) Select all the objects across Layers;
2) In the Select dropdown click Save Selection and give it a name;
Whenever you need to select the Saved Selection, you can just:
3) Click the given name in the Select dropdown and enjoy.
It works in CS4.
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‎May 05, 2025
02:55 AM
hendy,
Depending on requirements, you can simply mask out parts (of the black) in a simple way with an Opacity Mask; the word look in "so the black looks cut out?" seems to imply that it is sufficient; and it is reversible and editable.
You can:
1) Place the mask out path(s) as desired, and Group them if there are more than one, and give it/them a black fill and no stroke;
2) Select (only) the mask out path(s) and the (black) path to be masked out from and tick Make (Opacity) Mask in the Transparency palette.
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‎May 04, 2025
04:04 PM
That was how I understood it, tngjstn, hence my suggestion.
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‎May 04, 2025
03:15 PM
tngjstn,
As I (mis)understand it, the old cheat is to:
1) Tick Use Preview/Artwork Bounds in Edit>Preferences>General; 2) Select the live Type with the (normal) Selection Tool and Effect>Path>Outline Object;
3) Set the position to 0.
Obviously, you will need to untick Use Preview/Artwork Bounds for other purposes, but you can just tick that again when you need to edit (some of) the Type if needed to keep it in place; that may not be necessary because the changes will (mostly, and only if no letters exceed the hitherto vertical bounds) be in the horizontal direction.
1) - 2) will give you a Bounding Box that fits tightly round the actual set of characters in your live Type, and will ensure easy and accurate positioning, such as centring (both directions), and keeps doing so when you edit, without resorting to working (indirectly) with the Glyph (bounds) concept,
https://helpx.adobe.com/illustrator/using/snap-to-glyph.html
If you need it as non outlined text in PDF you will have to remove the effect; you can:
4) With the live Type selected, in the Appearance palette click the Reduce to Basic Appearance button.
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‎May 04, 2025
12:30 PM
upneet,
Based on another (mis)interpretation of what we see, what happens if you Ctrl/Cmd+E (hold Ctrl or Cmd and press E), toggling between GPU and CPU (you can untoggle if the issue remains)?
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‎May 04, 2025
09:47 AM
upneet,
And please show the images by using the Insert Photos button (looks like moon over mountains) at the top of the reply box which makes it appear right there in your post together with your text, rather than the more conspicuous Drag&drop attachment which requires helpers to open a new tab and wait for its showing, then go back and forth; and if they just click it and wait for its showing and press the X to get back to the text the image is gone so they have to open it again and wait to see it again.
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‎May 04, 2025
09:24 AM
Sarah,
Are you working with Area Type or normal/Point Type?
You can only get justification with Area Type letting Illy (job description Adobe Illustrator) do the line breaks; with line breaks, the lines end the same place as with Point Type, unless you specify Justify all lines, and then the last line will be stretched.
You can only get left/centre/right alignment with Point Type.
Or, how is your Paragraph palette/panel different to this (apart from language)?
https://helpx.adobe.com/illustrator/using/formatting-paragraphs.html
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Community Expert
in Photoshop ecosystem Discussions
‎May 02, 2025
03:06 PM
1 Upvote
‎May 02, 2025
03:06 PM
1 Upvote
Thank you, Leslie. I fully agree: it does look like Scotland.
Your mentioning Scotland made me go back to the origin and forth through SFTWs. The dancer is actually caught in a moment performing a sword dance, right foot just off the ground,
First swordless (and piperless) on Skye Then with a swords substitute and the the piper on a rooftop Then back on Skye with the piper Now both burds honouring Misthenge, still with the old tune from Skye.
As a curiosity, the word burd goes all the way back to Old English, then spelled byrd and meaning wellborn, through Middle English and still applied to a lady/woman/maiden, fallen out of use everywhere else.
And as a further curiosity, burd is pronounced like bird also applied to a lady/woman/maiden, the u/i sounding like the u in burrow.
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‎May 01, 2025
03:23 PM
You are welcome, Iain.
I am pondering over another way to describe it.
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‎Apr 30, 2025
04:00 PM
Iain,
The Offset Path can sometimes move in mysterious ways, but often behaves well.
However its behaving well relies on a good quality/simplicity/efficiency of the original path(s), so a cleanup could be a good way to start; the screenshot by Monika shows a few flaws.
Such Compound Paths can be made from paths that were originally stroked and then outlined and assembled with Pathfinders (or Shape Builder/Live Paint, and thereby have constant distances suitable for Offset Path and/or 1 step Blends, maybe using both to create new stroked paths to assemble, or (literally) pieced together as described by Bobby.
The difficult part is obviously the Compound Path forming the wings/body/head.
Hopefully, you can work with Offset Paths most or all of the way, or at least get some initial parts as stroked paths to work with/use as guides as follows, after ungrouping from the separate parts, and using stroke/nofill paths as the the 2nd image, Smarts Guides being your friends:
1) Go through the paths and clean up/improve shapes, especially at corners, working with tools like the Remove Anchor Point Tool to get rid of funny extra Anchor Points and/or the Add Anchor Point Tool/Direct Selection Tool to reshape parts;
2) Select the Compound Path and release it;
3) Select the innermost path forming the wings/top of the body and apply Offset Path with Offset equalling half the distance to the corresponding parallel outer/inner paths to create the crucial first simple full stroked path; hide the original path;
4) Select the outermost path forming the outer shape of wings/body/head and apply Offset Path with the same Offset as in 3) only negative; hide the original path;
Now you have the two basic (Offset) stroked paths that form crucial parts of the bee; you can get rid of the parts of the the outermost path from 4) that run parallel to the innemost path from 3) as follows:
5a) Cut the outermost path from 4) at the corners where the head meets the wings and the corners where the wings meet the tail of the body; delete the paths that form the shape of each wing (more or less coinciding with the corresponding path from 3));
5b) Snap the end Anchor Points of the head and tail parts from 5a) to the path from 3);
6) Delete the superfluous paths that forms the inner shape of the head, as well as the midmost inner path of the body, two in total;
7a) Apply the same (positive) Offset to the two remaining inner paths, one forming the tail and the lower stripe, the other forming the upper stripe, remember to have a sufficient Miter Limit for the tail path as mentioned by Monika;
7b) Cut the two paths from 7a) in the same way as described in 5a), and delete the paths more or less coinciding with the paths formed in 3) - 5b);
7c) Snap the end Anchor Points of remaining paths from 7b) to the path from 3) - 5b);
Now you ought to have the set of stroked paths corresponding to the Compound Path;
8) Group all the paths formed up to 7c);
You can work similarly with the separate paths, and Group all the paths forming the bee.
The description above can be adjusted depending of which paths have the best quality, and (parts) of paths can be redrawn, maybe using (some of) the offset paths as guides.
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‎Apr 28, 2025
06:03 AM
Dave, I found the sizes quite obvious, with a Misthenge at a distance, but having already zoomed in was an irresistible oppportunity to upsize the burds (and the tune) and to show the dance clearly within the circle, legs behind/before stones, with an adaptation just/barely within the size range of ling.
The exquisite mistscape has clearly inspired a great freedom including surprising sizes.
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‎Apr 28, 2025
04:12 AM
It seems so, Dave, sorry.
I am still trying to work on the limits; and I believe the first was the worst,
https://community.adobe.com/t5/photoshop-ecosystem-discussions/something-for-the-weekend-part-54-lifestyle/m-p/10237304#M217291
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‎Apr 28, 2025
03:58 AM
murviper,
I believe that particular feature request may be implemented sooner than most.
Until then, you can counter the individual rotations by the opposite, in this case each following icon increasing by (a further) 360/7 degrees.
And I believe it is better to start with the top icon at the very top of the circle.
In addition to the symbol way shown by k, one of the ways from the old days was based on a blend with the first icon repeated on top of itself at the start/end.
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Community Expert
in Photoshop ecosystem Discussions
‎Apr 27, 2025
03:24 PM
1 Upvote
‎Apr 27, 2025
03:24 PM
1 Upvote
An extraordinary pair of colours, James. I had to extract them, create an overlap, and enjoy the greenish red.
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‎Apr 27, 2025
02:53 AM
Ton, I believe I misread the cited sentence when I took it to mean that Hanna was seeing an actual specification "50x50px"; and wondered.
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‎Apr 26, 2025
03:27 PM
Hanna,
"For example, for a vector image sized 100x100px, the export preview shows it at 50x50px even if the export size says 100x100px."
Can you show screenshots of these and a sample?
In addition to what Ton said, with Legacy Save for Web you can multiply either Width or Height by 2, just add X2 and then press Apply, to get it at twice the size corresponding to 144PPI.
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‎Apr 26, 2025
05:36 AM
You are welcome, Snowdog, and thank you for your kind words.
It could form the basis of a feature request, or joining if there is one already,
https://illustrator.uservoice.com/forums/333657-illustrator-desktop-feature-requests https://illustrator.uservoice.com/
and then using (one of) the roundabout way(s) until the request is implemented or till the end of time, whichever occurs first.
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‎Apr 26, 2025
05:12 AM
Snowdog,
You can get them to be the same through the Object>Transform>Scale once you have decided which to keep:
In the relevant box (Horizontal/Vertical), just insert the desired value multiplied by 100 (move the decimal stop two places to the right), then add /, then add the undesired value, then press Enter:
If the desired value is 23.567%, insert 2356.7/24.312 and press Enter
If the desired value is 24.312%, insert 2431.2/23.567 and press Enter
Similarly, in case you wish to have a different common percentage, such as 24%, you can, use that value in both boxes:
Insert 2400/24.312 and press Enter to change from 24.312% to 24%
Insert 2400/23.567 and press Enter to change from 23.567% to 24%
In either case you can check afterwards.
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