Media Encoder not retaining camera metadata - possible?
Hi everyone
I work at a film school where we shoot on a mixture of cameras, but mostly ARRI. ARRI Cameras have a wealth of metadata in their original files but it all disappears when trancoding material in Media Encoder (say from ProRes 4444 to ProRes (anything)). Yes there's a metadata option that supposedly preserves all - but it does no such thing. I'm not expecting media encoder to necessarily keep everything (like lens used, shutter angle etc - though that would be great) - but it doen't even keep basic gamma info - like whether it was shot in linear or Log...
Perhaps there are new features in the Premiere Pro 2025 / Media Encoder 2025 offerings to this end? Or is there something I'm missing? If not it seem strange with Adobe's apparent desire for more professional colour managment workflows within Premiere that this is a bit of a gaping gap.
Any pointers gratefully received (adding metadata manually file by file or afterwards is unfortunately not feasible)
Thanks.
