Question
S-Log 3 color profile being blown out when converting .mxf files to prores 422
Hello,
I recently shot a short on the Sony FX6. I shot 4k DCI with s-log 3 and the s.gamut3.cine color and ei profiles. When I convert the mxf files to prores 422 for the editing process the saturation and contrast blow up. I have read that the 2022 versions of Me and Pr have this issue of reating s-log as an HDR file, is there a fix to this in Me?
