razones tecnicas de rechazo

Participant ,
Apr 12, 2022 Apr 12, 2022

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Quisiera saber para aprender las razones tecnicas de rechazo

 

silvestreflor.jpg

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correct answers 1 Correct answer

Adobe Community Professional , Apr 12, 2022 Apr 12, 2022
Always examine images at 100-300% magnification. I see several technical problems starting with focus, uneven lighting which leads to grainyness, and artifacts.  Also the subject could be framed better. I like the image colors.  I would say use it for your own purposes.  But it's not quite right for Stock customers. If you're new to Stock, read these links: https://helpx.adobe.com/stock/contributor/help/reasons-for-content-rejection.htmlhttps://helpx.adobe.com/stock/contributor/help/quality-and-technical-issues.htmlhttps://helpx.adobe.com/stock/contributor/user-guide.html/stock/contributor/help/photography-illustrations.ug.htmlhttps://helpx.adobe.com/stock/how-to/tips-stock-image-acceptance.html...

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Adobe Community Professional ,
Apr 12, 2022 Apr 12, 2022

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Always examine images at 100-300% magnification.

 

I see several technical problems starting with focus, uneven lighting which leads to grainyness, and artifacts.  Also the subject could be framed better.

 

image.png

 

I like the image colors.  I would say use it for your own purposes.  But it's not quite right for Stock customers.

 

If you're new to Stock, read these links:


Better luck with your next submission. 🙂

 

Nancy O'Shea, Adobe Product User & Community Professional
Alt-Web Design & Publishing ~ Web : Print : Graphics : Media

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Adobe Community Professional ,
Apr 13, 2022 Apr 13, 2022

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@cavigu ,

 

As @Nancy OShea says, a nice picture with flaws that make it unfit for stock.

 

Errors like this get noticed:

Abambo_1-1649856576883.pngAbambo_2-1649856612160.png

 

It looks like phone post-processing intelligence!

ABAMBO | Hard- and Software Engineer | Photographer

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Adobe Community Professional ,
Apr 14, 2022 Apr 14, 2022

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I agree with @Nancy OShea , the focus is not sharp and it is too tightly framed.

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