Hi, this is awesome! I have a few recommandations for a better usage. What is the best way to provide feedback between an all-in-one post VS multiples separated posts? ... View more

Can you please add a reset button for every properties? Could be right beside the keyframe button. Often times, I will have to reset a single properties and resetting all is undoing all of the reframing etc.   Here's what it's like in the Effects Controsl panel. ... View more

Overall, the UI design finally looks consistent. I like the new color scheme and appreciate the option to customize UI and label colors even more. However, I believe there's room for improvement in the Timeline, which is where I spend most of my time. Please note that I'm not a designer at all, so I'll try my best to explain myself.   The removal of the colored FX badges results in a lack of information at a glance. There's another well-supported discussion here that elaborates on this issue. The way waveforms are highlighted seems inconsistent and creates an unpleasant contrast. Looking at the audio tracks, it appears the new design prioritizes labeling the rectangle itself over the waveform, creating a need to choose between highlighting or shadowing the waveforms, and all of that happens on clips sometimes side by side. New design: To me - and I think for most of us - the waveforms are an important visual representation when editing, and for that reason, I like them to be prominent. In the old design (when waveforms are visible), I prefer how it mutes the background color to make the waveform color the same as the labels. Old design: Applying the previous design principle to the new "Vibrant" color scheme for instance could look like this: Or highlighted if it has to be (not my favorite) :  Plus, I think the brightness tolerance for white text to switch to black could be higher. The Production Panel looks different from the others. It feels like we were in a transition between old and new UI with the introduction of the Text panel. Now that everything looks consistent, I just noticed the Production Panel has a darker area, which seems unnecessary since the Project panel and all the others don't have it. Hope it helps and users can relate! Cheers! ... View more

Hi Adobe team, Can you tell why we can't have the content of the new "Audio Clip Header" on the smallest track height? It feels like a limitation to me, because sometimes it can be useful to have all that information at the smallest track height. If users feels like there's too much, they can enable or disable Waveforms, Names and/or FX bagdes.  ... View more

@Kevin-Monahan as of Pr 24.2.1, Reverse Match Frame across projects is not working, as stated by th_m, the only way to Reverse Match Frame to an active sequence is to load the clip from it sourced project.   Can this bug be re-opened? Also, I could screen record the bug, if you tell me it's worthwhile. ... View more

The color code is a huge part of my workflow too. Please bring it back and please allow for both the waveform and FX badges at smallest track size.   ... View more

The lack of color coding on the FX badge is a big miss to me. It is a huge time saver to clearly know what type of effects might be on a clip. Plus, with the track height at it's smallest, you can't have both fx badge and waveform. ... View more

Editing on a M1 Pro Macbook Pro, Ventura 13.6.3, Pr 24.2.1 (build 2) and I experienced the same, sometimes only the left side and other times, ALL of the clips in the timeline gets unlinked from their audio. It just happen right now and I just saw the "off-sync" indicator (red text in a white box) disappearing all of a sudden. The History panel was opened to monitor the behavior and no "unlink" entry. I really have no idea what is causing this bug and it is very time consuming to fix. ... View more

I came back to this thread for updates on that idea and by the same time, added another idea to the selects / stringout workflow that might interest fellow editors on this thread. See the idea here : Enable Multi-Camera view for sequences opened as Source Sequence ... View more

Det, I hope the workflow suggested by Ben made the job for you cause from what I understand, it should work as you intended and for me, it has been working great for years, tunrovers to ProTools included. For more detail Jarle Leirpool did a great job of documenting this workflow overhere on his blog : https://premierepro.net/multicam/ Regarding the Always Nest Multicam Clips feature, on my end, I'm desparate to have it in the official release.   Too many times a day I have to check/uncheck the "insert and overwrite sequences as nests or individual clips" button and even worse, there's no option to create a shorcut key to this button unlike his neighbours Snap, Linked Selection, and Marker.   Eg : I'm cutting from a select reel loaded in the source monitor (and open in timeline as a source sequence), making many edits and a few moments later, while refining my edit, I will match frame my multicam clip, look around for a better bit, then insert it to realize I've inserted the content of my multicam instead of the multicam itslelf. Only because in order to insert the content of my select reel, the "insert and overwrite" button had to be unchecked. So I always have to think "am I cutting from the multicam or the select reel and is my "insert and overwrite" checked or unchecked.   So please Adobe make this feature official as soons as possible, with a preferences settings if necessary. ... View more

Thanks for the info. Was worried seeing no response from the Adobe team. Great to know it's been acknowledge. ... View more

Just tried Premiere Pro 23.3 and it's still not fixed. This is so critical, it's the at the core of editing. I'm very dissapointed of getting multiples updates without fixing this bug. There's multiple reports on that exact same bug on this Support Community and it's still not a known issue : https://community.adobe.com/t5/premiere-pro-bugs/premiere-2023-1-0-unexpectedly-exits-out-of-trim-tools/idi-p/13574283  https://community.adobe.com/t5/premiere-pro-bugs/critical-trim-bug-in-premiere-pro-23-2-0-build-69/idi-p/13618929 https://community.adobe.com/t5/premiere-pro-bugs/trim-selection-disappears-in-v23/idi-p/13539556   And here are video examples from other threads : https://vimeo.com/808403032/cd9eabafbb https://www.loom.com/share/103a9d37e9da46b4a961b9ccd4a23d15   Reseting preferences, emptying disk cahce and copying media to a new project does not fix the bug. Currently using a Mid-2020 8-Core Intel iMac and a M1Pro MacBook Pro, both on macOS Monterey 12.6.5.   The bug is experienced with clips, multicam clip and other non-clip-based item such as titles and adjustment layer.   The expected behavior can be experienced on Premiere Pro 23.0.0. ... View more

Just tried the latest release v23.3 and the bug still persists. This is so critical. The only working version of the v23's family is v23.0 ...  ... View more

Same here, both on my Intel iMac and my M1  Macbook Pro. Just tried Premiere Pro 23.3 and it's not fixed. Here's a video example from this thread : https://community.adobe.com/t5/premiere-pro-bugs/trim-selection-disappears-in-v23/idi-p/13539556   https://vimeo.com/808403032/cd9eabafbb ... View more

Same here, both on my Intel iMac and my M1  Macbook Pro. Just tried Premiere Pro 23.3 and it's not fixed. Here's a video example from this thread : https://community.adobe.com/t5/premiere-pro-bugs/trim-selection-disappears-in-v23/idi-p/13539556   https://vimeo.com/808403032/cd9eabafbb ... View more

Hi Kevin, sorry to inform you that it doesn't work in the beta either... ... View more

I'm running Premiere Pro 22.6.2 and both working in Silicon and Intel (using Rosetta) does not work. I did try on a M1 Pro Macbook Pro, M1 Max Mac Studio and a 2020 Intel iMac all on macOS Monterey. Looking for any updates. Thanks. ... View more

Did you resolve the bug? Same issue here. ... View more

Yes I did, but unfortunately, it doesn't change anything. ... View more

@Wes Howell here are screenshots to illustrate the situation if you have any idea. ... View more

Hi Neil, thanks for your reply.   To answer your question, I'm using the ICC profile shipped with the display. But I don't think that's the issue. I can tell, confidently, that the default ICC profile is pretty close to being calibrated. Not perfect at all, but pretty close. Just to make it clear, I'm not looking for color accuracy here, I mainly work on commercial for the web and I'm at ease to judge color in comparaison to what I can see on the web. Actually I never grade commercials by myself, but i get to work with the grade - so I'm mostly looking for decent colors and close to reality black and white points.   That being said, After Effects seams to work the way you say it should - looking at ICC profile for any attached monitor but premiere, on my end, seams to only take account of the main monitor ICC profile. This case being the P3 display. So the conversion it does from P3 to Rec709 is somewhat heavy and it's really obvious when it translate to the external sRGB monitor. Might need to fill a bug report here, what do you think? ... View more

Hello Evan,   Are you still experiencing this issue. I'm on 14.1.0 and I'm still having this problem. Did you update to 14.2? ... View more

What are your settings on the Levels effect? I know broadcast colors are around 16 to 235 on a 8bit color depth, so I set my RGB output to match these values but it look desaturated and way less contrasty. So do you also change your input values? ... View more

Did you guys found a workaround? I used to apply the broadcast safe filters in FCP7 set on Extremly Conservative (100) and passed the QC every time to. When you say "Can I get away with 120 on the luma and sat?" Did you try it? Did you passed the QC since then? When I look at your montage, I find the 120 settings still brighter, especially on the yellow, over the Extremly Conservative from FCP7. I think the 115 is closer to what FCP7 filter looks like. Anyway it's still above 100 IRE... I just started working on a new TV Show and feel I can't trust the broadcast colors from Premiere. Our workaround is actually to export a HQ file whitout any filter from Premiere, then import the file in FCP7, apply the Broadcast safe filter then re-export with the broadcasters specs... I hate to actually depends on FCP7 to feel safe about having broadcast safe colors without compromising that much the picture quality... ... View more