Adobe Media Encoder

I cannot clear the queue because there is a failed render there. Is this how it should be? I just want to remove everything in the queue.

Latest upgrade to 22.5. Trimming (mark in/out) raw clips using Media Browser in Premiere and sending them to Media Encoder to batch encode. The clips sent to Media Encoder no longer retain their in/out points. I mark a clip with specific duration in Premiere and then "send to media encoder". In media encoder I look at the clip duration and the marks are gone and it encodes the entire clip.

When adjusting settings and in and out points, or even adding effects, the ability to play the video would be extremely helpful. With audio as well, since you may have an in or out point that you want associated with an audio cue while video is still in black. I really don’t understand why this Basic functionality was left out. It seems obvious that you need to be able play the audio and video in this part of this app.

We have hundreds of completed MP4 videos that need Closed Captions. I would like to grab a group of say 10 videos into Media Encoder and get back 10 SRT files.Currently when I make a preset that should do this, it exports the same MP4 file (even though I've checked Audio), but NO SRT file.I would also like to do the same batch effort to create the Transcription file for each of the videos.I have looked in your Adobe community and people have been complaining about the ME Closed Captions NOT working for almost 4 years.Most schools require Closed Captioning so more and more companies could take advantage of this process working.

Is it possible to export/transcode multiple sequences or source files at once? At my place of work we use machines that are powerful enough to export multiple outputs for one file. It would save a lot of time if we could export multiple files at the same time, instead of waiting for each individual sequence or file to export one at a time. Since we use machines that should be powerful enough to handle multiple outputs, I'm thinking that this should be able to work for multiple sequences or source files. Is this a feature Adobe currently has or may implement in the future?

(Currently ver. 15.4 build 42) For several versions, maybe since its inception, AME has ignored the setting for "Duration" when creating a preset.When I change the duration of the settings to "Entire duration" and save it as a preset, AME will revert back to "Work Area" (the default) whenever I restart another AME session or I switch presets.Having to open up the settings panel to change the duration almost every time I use a preset kind of defeats the purpose of having them, agreed? Or at best, slows down the process significantly because it takes some time for the panel to come up while I wait unproductively. Please inform if there's a way to do this that I'm missing or if this is the expected behavior. Thanks.

We would like to suggest something that would help a lot if it was on a future version of ME. We are a TV channel and we currently working on older material (4:3 interlaced). When we open those files in Premiere Pro we de-interlace it through flicker removal on field options. Though there are a ton of files. It would be very helpful if ME had a flicker removal option, so we could apply it on multiple files simulatenously.

To deal with dds files, DirectX Texture Compression, is vital significant for Game content creators, such as Hearts of Iron 4. Thanks

am trying to stitch together muliple .mp4 videos to export one .avi video.Up until now I have used the program Xilisoft to do this (so I know it can be done) but it is extremely slow and painful.I have figured everything out using Adobe Media Encoder but cannot manage to export a video with a bitrate of 12000kbps. In fact, I cannot find any setting to manually change the bitrate for an .avi export.Can Adobe please include a function where the bitrate on .avi outputs can be adjusted?

Problem:When "all items in queue finish encoding" notifications are turned on, but a previously failed or cancelled render exists in the queue, the resulting notification reads: "Queue Failed - Queue stopped before finishing all items." This leads a user to believe that one of their intended render items failed, rather than one of the items that was failed/cancelled when the queue was started. We can assume that the user already knows (or doesn't care) about such failed/cancelled items and doesn't need to be notified of them.Ideal fix:Include more descriptive data in queue finished notifications, like number of successful/failed items eg. "Queue Failed - 5 items done / 1 item failed" Bonus: Maybe even total render time could be included!Simple fix:Keep the current notifications but only evaluate the status of items where the status was "ready" when the queue was started. If one of those items fails, send the Queue Failed notification.Current Workaround:Delete any failed/cancelled rend

1- It would be nice to get basic corrections (brightness/contrast/saturation/white balance) + lens distortion correction directly in Media Encoder, without needing to create a project in Premiere Pro.2- It would be nice to be able to save the above settings as templates to be quickly reusedExample use case: I often use Media Encoder to stitch clips from GoPro cameras to get a single video file & reduce file size. Sometimes I would like to add basic corrections to fix brightness and lens distortion (reduce fisheye). It can easily be done in Premiere Pro but it would be so much more convenient and quick to be able to apply the settings directly in Media Encoder and to be able to save/reuse those settings.

Add an option in the Media Encoder settings to automatically restart jobs in the queue that were aborted for some reason by placing it at the end of the queue. This will help redo a task automatically when the hard drive was disconnected for a little second due to hardware issues.

Instead of having presets exported from one device to import to another, presets need to be synced across CC account.

make the first 'name' column wider or able to stretch to include all characters!at the moment i cannot discern the file names. it's really stupid. (obviously I've tried making the column bigger with the 'slider' - it makes no difference!!!)

When AV1 codec on media encoder and bt.2020 (or rec.2020) for apple prores x mxf ?

When changing encoder settings of queued items, Dynamic Link takes a vast amount of time to load the Ae comp to generate a preview.In 99% of the cases we are not interested in the preview, and only want to change some numbers in the setting. No need to use time to make a preview.So please let us skip the preview when editing settings.

A test

Slack integration test

Slack integration test

When multiple users start transcoding processes the second user who started his transcoding has to wait till the first one is finished. It would be great if multiple transcoding tasks could be worked on simultaneously.

Right now, if you offset either a Name or Timecode Overlay to the left of screen, it's fine with the filename you do it with. Once you try it with a longer filename the text goes offscreen.

Currently, adding a subfolder to an ingest preset involves recreating the ingest path in full. I always use the same path for my ingest preset but need new folders for each media card. Just a simple addition of adding a subfolder without needing to create a new custom path would streamline the ingest process. Overall, ingesting through Media Encoder is the only way I can ingest to multiple locations at the same time and much better than needing a third app like Prelude (which I only ever used for ingesting). I like not having to create a prelude project just for ingest, but the ingest features need to be ported into Media Encoder for easier sending to multiple locations and creating subfolders.