Hey D, my apologies if I'm not being clear. It was just a matter of photos looking screwy if they were edited on my BenQ SW2700PT and then converted to sRGB through Lightroom; the resulting jpegs were looking too red and saturated once I was viewing them on _any_ other screen (my Surface, my ASUS screen, my wife's MacBook, my iPad, my iPhone etc...) I was just looking for some colour management advice since I've only been using a Windows machine for Adobe programs for a week. This is was never an issue on my iMac where I would just calibrate every week with my Spyder4 and then jpegs would end up how I wanted them. I've been a professional photographer for 10 years now. I know that profiles are loaded on start up. I know that ICC profiles are different than a calibration. I've been searching on Google all week and pouring through many reviews. I found a blog where the reviewer says he made 2 different calibrations: 1 to use in sRGB and one for Adobe RGB, because the BenQ monitor allows you to switch through both. I just want to nail down a workflow and I honestly think I'll just be calling BenQ on Monday and asking a few questions. I just want to know when I calibrate should I start from the sRGB mode on the monitor, or the Adobe RGB? When the calibration ends and turns it into an ICC profile do I have to change that AS WELL as the monitor setting (ADOBE/sRGB) when I want to work in either space? If LR uses ProPhoto RGB should I be editing using an sRGB preset on my monitor because that's my final output? What workflow should I use if I'm going to be editing with CMYK as the final destination or Adobe RGB? etc...
... View more