Neil, Thanks for the offer!  Yes, please ask Tangent for comment.  I don't mind it taking a few days for an expert / OEM engineer's answer!  Meanwhile, I'll keep using mouse-scrub for sound cues for my cuts (>90% of cuts).   Wave2 commits shuttle to buttons, and jog to a dial (fig 1).  When I shuttle using Wave2, it plays audio (at 1x, 2x, & 4x playback speeds & in both directions).  But I want the easy precise control of jog, to stop easily & tightly on one frame.  It is such as shame not to be able to use that nice fat jog dial on the Wave2 for that.   The fact that jog, via Wave2, plays back muted - regardless of PrP's "play audio while scrubbing" setting - is for me the bug.    (I can imagine some software sophistication where users might want one mode, say mouse scrubbing, to be silent, and the other, say Wave2 jog dial scrubbing, to play audio.  But that would require some kind of preferences setting in the Tangent interface, and the GUI for the Wave2's Tangent Mapper seems limited to just mapping keyboard inputs to the Wave2's buttons, dials, & balls.  But via the bug, the Wave2 is already giving this split behavior [for jog via mouse vs. jog via Wave2].  Just not the pairing I want [dial with audio, mouse without].)   There is also of course the keyboard shuttle functions which give various fine-tuning options to shuttle speed, to help pick a clip's in/out position more precisely (fig 2).  These are not at all bad.  But again, jog is just more precise, more intuitive, and I want to use that lovely big jog dial on the Wave2.   ... View more

The "correct answer" cited here did not work for me either.  And simply closing the pop-up works only for 10-60 seconds, as it just keeps popping back up, randomly. So, I dragged the little window by its upper left corner on the lower right pixel of my monitor.  There, you can't even see it.  So it can pop or stay up to its heart's content, and I can get my work done, never seeing it. ... View more

dreimer79: You are correct.  My apologies to the community that I did not post the fix.  I forget when I eventually figured it out.  But it was some time later.  Anyway, to confirm: I can reproduce this "buggy" behavior in any project at will by deselecting video track 1.  This always loses the ability to the see the multitrak source videos.  And reselecting video track 1 always restores it. ... View more

I wish that were the fix for me.  I find "toggling maximize active frame" and "toggling maximize monitor" both work 100% reliably.  But "toggling full screen" is extremely unreliable.  At least half the time, I can't leave full screen.  I have "toggle full screen" set to the default Cntrl+` as you show.  This does not help.  The only solution I have is to never use "toggle full screen," and instead only ever use "maximize monitor."  This is not the same as enlarging the video pkayback to full screen.  Video IQ can be different due to sizing the image to the different size. ... View more

Summary of "Fixes" (Star-Rated, on a 5-star scale): *** Render & replace.  I and many others here have found this work-around, and it seems the most robust approach, in that is works the most often.  But it's slow, makes extra files, and in rare cases, even this fails. *** Avoid editing audio tracks in Multicam sequences.  For my own reasons, I often ignore this advice and later regret it.  For example, muting audio track 1 in your multicam sequence, is trouble.  You might think you can just unmute some other track, and thereby still have an audio waveform in your derived sequence.  But the underlying code behind the multicam sequence does some mapping, and this doesn't seem designed to allow us to do these sorts of edits.  You might get audio, or you might not.  If you've done fairly little in the multicam sequence, you might be able to just unmute audio track 1 of the multicam sequence, and the audio waveform in the sequence derived from it may return.  But, the more you edit things in a multicam sequence, the more likely the bug will not be recoverable, by user manual efforts. ** Clip > Generate Audio Waveform ... is quick to try.  I think this worked for me once in several years.  But mostly no help. ** Edit > Preference > Audio > check "render audio when rendering video" ... may help.  Default is off.  So try turning on, then re-add your video to you sequence.  Might get lucky.  I have little experience with this one. * Edit > Preference > Audio > check "automatic audio waveform generation" ... fixes problem only if this was unchecked (and the default is checked), and then only for clips added to timeline after this is rechecked.  Most of time, this was not the problem, so it's not the fix. * Clear cache & peak files, some think preferrably manually (to be more complete).  This has yet to work for me, and many here report the same non-result. ... View more

Update: I then re-updated to the current 13.0.3.60, and now it's acting okay.  Granted, I'm avoiding slapping on healing brush strokes rapid-fire.  But so far no lock-ups.  Go figure. ... View more

13.0.1.35 seems to be the trick.  No hangs.   Also, I noticed a suggestive pattern.  On Audition versions 13.0.2 & 13.0.3, I never saw the % complete icon pop up, so I was just brush stroking away fast and furious like one might in Photoshop.  But once I reinstalled and used 13.0.1.35, the %complete icon would pop up after each brush stoke, and that slowed me down (just a titch).  Perhaps the rapid brush stroking (in the later Audition versions) was causing the lock-ups? ... View more

No, but I may be seeing the PC analog of that.  I accepted an Adobe-pushed update of Audition within the last few days, and it seems once again the update is toxic.  Now, whenever I use the healing brush, Audition gets insanely laggy, and one and half of my 16 cores peg indefinitely, never clearing.  I've never seen this before from the healing brush.  Hardwarewise, my PC is a pure beast, so this is software driven. ... View more

I can confirm that.  Encorder non-starts have always been an occasional thing (~10-15% of the time?) over the last ~5 years I've used it.  But immediately after updating to 14.0.1, my marker-containing exports fail to start in Encoder 100% of the time.  And immediately upon reverting to 14.0, Encoder starts just fine. Removing markers is a terrible work-around for me, compared to simply reverting to perfectly functional 14.0.  ... View more

I found one other fix.  If you manually edit your multicamera sequences a lot, like I do, then you might at some point unmute audio tracks below you top audio track.  This will consistently flatline your audio peak trace in timelines that point to this multicam sequence.   While I suspect you can fix this by -- as recurringly offered in this thread -- render/replace, I think the cleaner approach is to just mute the audio tracks below the top track in the multicam sequence.  Seems PrP wasn't intended to mix audio tracks within a multicam sequence.   I tend to do all my audio mixing in Audition anyway.  So this update here is just to report that any seeming short-cut -- to mix in a bit of audio in the multicam sequence -- is actually quite problematic, and best avoided.   ... View more

Thanks very much for the suggestion! I couldn't open your link, but Google gave: https://hofa-plugins.de/en/plugins/cd-burn-ddp-master/ I played the intro video there.  It seems similar to Sonoris, but at ~32% of the cost.  Nice.       ... View more

I summarize just the take-aways learned here: https://community.adobe.com/t5/audition/work-around-for-dropped-track-artist-text-when-burning-cds-with-audition/td-p/10772223 ... View more

SteveG, Thanks for the detailed guidance.   I tried creating the 17 tracks as individual audio files, of exact same duration, and stripped out the CD track markers, then built a new CD Layout from these 17 new wav files, from scratch, and weirdly I got the same burn result: those same three tracks drop their artist's info, and the other 14 retain it.  I had left all of the other metadata (including RIFF) unpopulated: Audition shows only empty slots for all RIFF fields.  The only metadata I added was for the track artists, and that was added on the CD Layout pane.   So, I spent a few hours this morning looking for servicable CD authoring software.  Ignoring chincy products targetting casual users (e.g., Roxio), and software houses I avoid (NCH) ... I see: (1) Sonoris DDP Creator, $274 (2) Sony CD Architect $115 Amazon download, but this is legacy software.  (Sony sold it to Magix, and it was briefly sold as Magix CD Architect 5, before Magix discontinued it, rolling those tools into Sound Forge.) (3) Sound Forge Studio 13 $60 - lacks DDP export & Red Book audio CD mastering / burning ... I'm not clear on whether that also means it can't write CDTEXT for metadata like track artist. (4) Sound Forge Pro 13, $399 - has it all, but I only need the CD authoring, and this option would have me paying for every other audio tool that I'm already paying monthly for in Adobe suite. (5) Steinberg Wavelab Pro 10, $412 - presumably same situation as Sound Forge Pro 13: buying the farm to get a couple eggs.   I'm tempted to risk Sony CD Architect.  PROS:  Reviewers who liked it said "It was a solid reliable pro level tool, in its day, and despite no updates, it does everything that still needs doing in CD authoring."  Which sounds perfect.  CONS: But of the current 10 Amazon reviews, one claims it's incompatible with W10; the other reviewers report it runs but don't mention their OS, and so may not be W10.  The one reviewer claiming W10 incompatibility says the user forum is loaded with these complaints, but as orphaned software, there are no fixes pending.   The next best bet seems your Sonoris, since it's so dialed in on exactly producing CDs and nothing else.  That seems perfect, ... but it's a little pricey for me since 99% of my business is video (DVDs and Blu-rays), and I only rarely do CDs as peripheral outputs for some musicals -- my work is in video of live theatre.  (And even then, it's gratis work: giving the theater an audio CD for their archives, grant applications, & cast parties, since I can't/won't charge when they don't have copyright for that mode of distribution.)   ... View more

Okay; I have to date used zoom/drag and sometimes crop to select what the vectorscope reports on.  But it's slow and awkward.  I'll experiment with masks, to see if they could be faster.  But to emphasize: the speed of brush-selecting an area of skin is pretty stunning, in AVID's Pinnacle 23.   I spend a lot of time color grading my footage, chiefly for consistent and natural skin tones, between myriad cameras.  The speed of a brush-selection tool would be a big asset. ... View more

franciss, Glad to hear it worked for you. It did not for me, hence my 12 Sep 2019 post. Note that just as I wrote it, I manually deleted the cache, outside PrP; I did not just use PrP's delete cache option in program. ... View more

The "correct" answer here is not.  At least not always. In my case, the sequnce stopped showing audio waveform after I'd done manual work in the multicam it sources from.  (I manually edit my multicams a lot.  Usually, things behave fine.  But in today's case, the "no waveform" bug occurred.  Oddly, I could not then recreate it in new test sequences, right afterwards, by following the same steps.  So it's more nearly random.) None of these fixes worked: Edit > Preferences > Audio: Check "Automatic audio waveform generation"  Select clip in Program Panel, then frommenu: Clip > "Generate Audio Waveform" Delete media cache database (even manaully outside PrP0; close PrP; reboot PC.  (I also unsuccessfully tried a number of things not listed in this thread, which I'll omit for brevity.) Which leaves me with THIS WORK-AROUND: Select audio track in sequence (not in multicam). Right-click, Render & Replace.   (Creates/imports/replaces with a file of same name + " Extracted".) In Project panel, go to audio file that you want the sequence to use, and manually add it to your sequence (not to the multicam) under the rendered-replaced audio track, and then sync manually (visually, using a sharp peak of the waveforms; but cross-check by ear to ensure no echo). Delete the rendered-replaced audio track, leaving just the desired audio track. PRO: Any future changes to the manually placed audio file (in the sequence) such as refinements made in Audition will show up in the sequence.  Minor CON/FYI: but changes to the audio in the multicam source are now of course being ignored wrt your sequence. ... View more

FWIW, I did not look a disc activity at the time because all project content (and cache/scratch files) were on an NVMe drive (Samsung 970 PRO) ... ... which for file moves routinely R/W's ~4-5 times faster than my SSDs (so, around 1.3-2 GB/s).  The drive uses four PCIe lanes in parallel, so it it seemed unlikely that it could be a bottleneck. On other hardware topics, the PC has 32 GB of RAM, and the total of all video files in the project was probably 3 times that.  But I would expect the 1 minute of video from the single source file involved would not take 8 minutes to read. Unfortunately, I no longer recall if my project that motivated this post used Motion Graphics, but I suspect it was Legacy Titles.  I don't think Legacy Titles' rolling credits were this slow before Adobe adopted Motion Graphics.  No, I'm not conspiracy-theorizing that Adobe might deliberately hamstring Legacy Titles.  But I do wonder if, in the software's ongoing recoding, changes occur favoring new code that inadvertently hurt the old code?  With limited programming resources, companies pick their battles and their deprecated offerings all the time. ... View more