Are you aware of the new masking controls in the ECP? And using those? ... View more

Your settings include color space aware, right? I would suggest trying setting the auto detect log on but no tonemapping option on. Setting the sequence CM simply sets the display/export color space, does not affect the working color space.   You might also try the Override-to option to the specific log you are using. ... View more

Now I'm thoroughly puzzled. I'm guessing you want to manually do the normalization then? Or ... what?   While I can normalize any log media manually, and that right quickly ... especially using that Tangent Elements panel ... I normally prefer the algo based options now in both Premiere and Resolve for 'basic' normalization to display space.    The algos do a very 'fast' normalization, totally safely as they cannot clip, crush, or over-saturate as LUTs can easily do. So as a first step, it just seems faster to me.   If you want full manual normalization from log, then set the working space to wide gamut AcesCCT, and turn off the auto detect log and auto tonemapping. As you will be then able to do your manual normalization process. ... View more

Preserve RGB., as they note, disables CM on the clip. It's used for pass-through work, where you want the log data to export as log data. So that isn't what you really want.   I still don't know if you want the log-look on your sequence, or to have it normalized?   My suggestion in general would be to use auto detect log, auto-tonemapping in the limited form, wide-gamut ACESss working space, no input tonemapping, and sequence of Rec.709. And to use color space aware corrections.   As then you get the great advantage of the algorithmic tonemapping to Rec.709, but that is applied after any color corrections, which are applied to the wide gamut data. ... View more

Their typical staggered rollout takes up to three days. So by tomorrow, probably everyone will have this. ... View more

There's a whole series of options ... such as whether you have auto detect log on, auto tonemapping, and even whether you have tonemapping before the sequence CM or for the sequence.   So what are the settings in use for auto detect log, auto tonemapping, and whether or not you have input tonemapping on for the sequence? Do you have the Wide Gamut Tonemapped, Limited tonemapping, or no tonemapping?   To get 'full' log look, use the diasble CM option up top. Or you can have Premiere auto-detect log and apply an algorithmic tonemapping, either to the clip itself with sequence Input Tonemapping on, or to the clip as part of the sequence CM, where it's after any color corrections in Lumetri without the sequence input tonemapping.   The options are almost bewildering ... and I could go deeper into this rabbit hole so easily ... lol. ... View more

It's a 'staggered sequential' release as they're doing now, by zones around the planet. You might not get it for a few more hours. ... View more

See Kevin's comment above a couple posts for how to get around this. The 25.6.0 had some code that somehow thought it was actually 26.x I think.  ... View more

Which color space? Project, clip, sequence? Are you doing Input mapping of the clips?   You have to be more specific these days, as there are numerous things that could be involved. Handy at times, a pain at others. ... View more

I just installed 25.6.1, and opened up my Production of 25.x, and all works fine and normal ... yea! ... View more

Was that in 25.6 or 25.6.1?   They just dropped the replacement for 25.6.0 in their new 'sequential release' pattern starting yesterday morning US Pacific time. So which version were you in?   They had posted that there was an issue with 25.6.0 and unfortunately, not to use it. 25.6.1 is the replacement that should fix this ... so I'm very interested in whether you are on 25.6.1 or not. ... View more

There are many reasons one needs to export from the Project window ... so a ton of users would be totally gassed and ticked off if that was removed. Including myself.   Care at not clicking outta the place you want selected is just derigeur in this ... or in Resolve, also. ... View more

Sounds like a mess, but no, I've not had anything like that recurring behaviour you've had, and am on PCs. I've been working with Pr since CS6 days, just prior to the original CC version. Occasional hiccups, but nothing like you're getting. Just ... wow. ... View more

I got the option to go to 25.6.1 yesterday, but didn't have time to try it out. ... View more

Huh ... I've used Ripple trim to playhead (Q) for years, and it has only ever affected the one selected clip. It's doing others? That's just weird ... huh. ... View more

I'm still curious about understanding your total workflow. You add the Psf clips to an interlaced timeline because ... perhaps you're starting with interlaced media? ... View more

I don't think a lot of users understand the difference between the right-click in the bin, "open in timeline" option and double-clicking a multicam clip or dragging a multicam clip to open it in the timeline. Different things happen each way. You kinda need to get a bit of practice doing each. ... View more

Actually, the move from EGP to Properties was exactly in line with Shantanu's comments, as that is how it has been for some time in several other CC apps like Illustrator apparently. So that move was made to make the UI more similar across apps.   Second, I can align graphics shapes as layers of an overall graphic ... so that part of your comments I'm missing something apparently.   For those of us primarily Premiere-centric, the EGP->Properties panel was a shock. Yup. But I had acquaintances who were also heavy users of some of the other apps saying it was about flipping time Premiere got on board.   Personally, I could have stayed with the EGP, but then ... hey, just a single user here. ... View more

I have the same question ... and would prefer if they had posted something about the release also. ... View more

So @Francis-Crossman  ... is it safe to jump in now?    😉 ... View more

Multicam and a simple timeline action of Merge or Sync are not at all the same things. In fact, it is normally recommended for all workflows that will need pass through to a sound person, that you never ever ever use Merge clips, as that dumps all audio metadata from the resultant 'merged' clip.   Multicams in Premiere are sort of in interesting thing, but they are very different from either merged or other 'normal' clips.  ... View more

I've been helping troubleshoot a long time in both Premiere and actually in Resolve also. I've seen this image before, and it was always a driver issue. So that is all I can advise, I've never seen this not be a driver issue. And whether it happens in one app or all seems to be immateriel ... it is fixed with driver changes. Either updating, going to Studio from gaming (if Nvidia card), or at times even going back a driver or two.   Each to our own devices, of course. ... View more

Wow ... it happened to all those in-house users at the same time? Yowza.   But in order for me to create the new timeline panel that is Pancake, I have to move the Sequence tab header a bit.  I simply can't repro that behavior.   So ... what the hay is causing that? Just bizarre. ... View more

In the CC Desktop app, make sure the Preference is set to update the personal prefs on updating Premiere.    I run a number of things including Tangent control surfaces and several plugins (full Red Giant and others) and many many presets I've made. They always carry over, so something in your setup is likely amiss. ... View more

That is nearly always a GPU card or driver issue, so unless I know how you decided to exclude the GPU, it's useless to even suggest something. ... View more

The only way I can get this behavior is if the mouse moves while clicking on the sequence name ... significantly. Just a slight movement won't get this.   So I'm wondering if your "mouse acceleration" is set particularly high, so a small movement of the mouse is a big movement on screen ... ? ... View more

I know in the past, Premiere was not settled with two discrete GPUs, especially if they were in that linked mode.   Out of curiosity, why the two GPUs? ... View more

That would be very frustrating, but I've never seen that behavior. I wonder what is going on there? ... View more

Please do make a screengrab ... then drag/drop that directly into the text reply area of your post, so the image simply shows in the post without needing to click anything. ... View more

As noted, ProRes has always had a user choice of wrappers ... either QuikTime (mov) or the Op1a mxf. Which is absolutely needed as many professional situations require the Op1a by specs for deliverables, and naturally, most other use can or should be the mov wrapper.   It may have not been obvious, but the choice is there as shown. ... View more