Huh ... I've used Premiere daily for over a decade, and don't recall any such option. But then, I've never had the behavior you are getting either ... which again, would be a right royal pain. And I clicked and dragged all over the audio and video clips.    What you're getting is just so weird! Wow. ... View more

It's only major version changes that won't open in a previous major version ... we are in the 25.x series now, last year was the 24.x, right?   You can't open a 25.x project in a 24.x Premiere, but you can always open a 25.x project in any 25.x version. ... View more

Please search the Ideas section, as it's better to upvote presently posted ideas than willy-nilly create new ones.   Peru Bob provide one, but there is already quite a few threads about this. ... View more

That's quite the drone, btw ... but interesting that on the DJI site I can't even find the specs for the video files it produces. Lengthy data on the moving/holding ability, all flight characteristics ... ah well.   It has always been the case that DJI pushes the boundaries of what is even possible or allowable for long-GOP video file encoding ... one file I saw over a year ago had a spot with four partial i-frames in a row, it was over 120 frames between actual full i-frames, and yea that was a mess to work with.   So I'm wondering if the Adobe folks are having to play catch-up with another "innovative" encoding process from DJI ... which might be the case.   Using the Tree View of MediaInfo, and drag/dropping a screen-grab of the video data section into your text reply box. might be an interesting thing to see the encoding they are using. ... View more

I presume you're referring to one frame forward/backward, the left and right arrow keys (on an English "qwerty" keyboard at least ... ) .... is that correct? ... View more

That would drive a person around the bend. Sheepers.   But I've got nine custom workspaces, across a couple PC desktops and laptops, and haven't ever seen this.   So like many things, something is likely 'off' on your system for this to be happening.   So ... typical troubleshooting rules apply, please give:   OS/CPU/RAM/GPU, GPU driver, number of drives/types in use, media in use full data: what made it, format/codec/frame-size/rate, CFR or VFR.   Then we can probably start to get this solved. ... View more

I just tried and I can't replicate.   I don't get that effect to pop up no matter whether I'm grabbing someplace on the video or audio part of the clip.   So I do wonder if something is off or set wrong on your machine? ... View more

Filmed a bunch of interviews a week ago, sat down to transcribe to do an edit from the transcrition yesterday.   A few words were missed ... otherwise, it worked great. So I can't replicate your issues.   And as Rob mentions, if you'd spent the time telling us the specifics, we might either have been able to get you working, or alternatively prove a specific bug.   Can't do either at this time. ... View more

Curious also, as I've a couple computers with older project versions I do need to use on occasion (SpeedGrade!) ... and a couple laptops still in heavy use in our shop that aren't upgradeable to Win11.   And I do not want to have to replace them. ... View more

MKv  doesn't import correctly into my Resolve ... studio version. Nor is it listed as supported that I can see. ... View more

Screengrabs of the file in the Project panel would be handy.   Do you mean Premiere does not import the file with audio in the Project panel?   Or that when you drag the file to a sequence, there's no audio?   What is fhe format/codec of the file involved? If the audio is Dolby AC3 that can be an issue and would need the specific codec installed manually to your computer. ... View more

That is a suggestion to edit as you have, but do an Export with ProRes 4444 as the codec of the export, and upload that ProRes 4444 to YouTube.   After YouTube mangles your pixels in their re-encode, you ... might ... be able to see the raindrops. ... View more

Ahh, I see your intentions now.   And yes that would be good. ... View more

On my PC, when I scub the timeline, the Program monitor shows the CTI location clip ... but it isn't doing so on yours. That's ... odd. I wonder what's up there? ... View more

It is supposed to work for like 90 days before it must "phone home" again. When on the road, I occasionally get a message at launch about logging into my CC account, but I just close the message and go to work.   So it completely refuses to start? That is different than I get and would be a total pain. ... View more

Wow, that would be annoying ... I have Me set to work in-background in the Prefs, and I've never had that app simply pop up on me. I wonder what the deal is on your system?   And what's the preset you built for it? ... View more

Note the targeting blocks to the far left of the Track header block.   You have active Source targeting set for V1, but you don't for any audio track. That is the setting to tell Premiere not to bring audio tracks in.   Click the charcoal area far left of A1, to match that of V1. ... View more

Wow, that would be so freaking irritating ... jeepers.   I've got 9 custom workspaces, and haven't had this issue. I wonder if Premiere is having trouble writing to the folder or file or something? ... View more

When you save a workspace, are you giving it a different name? Because you can't overwrite a built-in workspace and change it ... you must save as a different, new and unquely named workspace.   This trips up a lot of people, as it isn't obvious. ... View more

Gamma compensation for those Macs that need it ... simply shifts who gets the "wrong" or "right" image.    There is no fix, either in Premiere or Resolve, really.   Not until Apple changes their color management options or we all leave SDR work behind.   You can kinda sorta maybe fix for some screens in the Rec.709-A export option in Resolve ... but as that uses an un-specified number in the NCLC tags ...   1) that option works on many (but not all) Macs to get a correct Rec.709 display transform, and doesn't work on some Macs;   2) it doesn't affect many non-Mac systems and devices, but on some, makes the image a lot darker.   And I'm as frustrated with this as anyone. Including my many colorist friends, who all struggle with this. ... View more

That would be a problem. Definitely.  ... View more

I pop in and out. Read interesting posts to learn, and post to help others. Takes a few minutes here and there.   I'm not sure you have a good grasp of the concept that we are all different and approach everything in a unique way.    I'm actually considered by many upper users to be rather knowledgeable in the arcanities of Premiere color management and color corrections. I teach and advise professionally on those.   Among the long-time forum volunteers, I'm also have one of the highest listing across the Adobe forums for being credited by posters for giving correct answers. By the data, many search by my name for my responses here and elsewhere.   Perhaps you have difficulty understanding someone else, who loves to learn, to teach, and to help?   At any rate, please understand that jumping to assumptions about motivation on forums nearly always results in a wrong assumption.   Please add your frustrations and complaints about the software, everyone's input is needed.   But again, be specific as to the problems the software causes. How if built differently it would work better for you.   And save the hassle of stating motivation assumptions. There are a good number of other major volunteers on this forum who know many things I'm weak on. And most will simply avoid a thread with hostile posts.   As a user, you should want them interested in helping you. ... View more

That's very good explanation of the typical difficulties working with Warp.   Yea, it doesn't like working 10 clips at a time.   And yea, the processing seems complicated enough it can't split off bits to fill out resource usage. Which is also frustrating.   We users have been asking for better coding while simultaneously sharing best current use practice for years.   And hoping for improvement.  ... View more

Again, you have several very valid points, if you jump around a bit.   But the valid points are best stated without the emotional bits, and come across as more sensible too.   The waveforms were easily the worst thing of the color change, totally ticked me off. But I made polite but firm comments about them. However ... after some other curmudgeons learned they could make them even better than before with the options in the settings, well ... that can be made nearly any way you want.   The font DPI thing? SO totally with you on that. And I've been after the devs on that in person for over a decade now. At NAB and when I've also TA'd at MAX. As have many others. The 'team' is well aware of the user angst and from the comments, I think somewhere in the next series (26.x will come out first day of Adobe MAX as always) ... we'll get the DPI changes they should have done years ago.   Best place for input on that is on the various threads on that in the Ideas section of this forum. Or any thread you see about it in the Public Beta forum, as the Devs do see everything posted their daily.   Program monitor changes to zoom the image rather than scrub the timeline ... yea, I'd still like to see the user option to simply scrub rather than zoom ... totally with you there.   There are threads in the Idea forum for items specifically, one item per thread. Search and upvote those. ... View more

To me that is an odd reading. I keep pointing out that of the millions of daily users, they will be all over the place. No two users do anything the same way, nor do they have the same 'view' of the UI overall. At most, "we" may agree on a few things.   How is that trying to prove anything? I simply can't see it.   If you don't like it, fine ... and do please say so here, in full detail of how it affects your working processes. That is all useful and I wish more posted their data.   Just don't ever assume anyone else shares your viewpoint, out of simple respect for other users.   Remember, those who like something normally never post, so you never see their comments. Right?   And please understand, I have posted epic rants here myself, when I disagreed strongly with a decision.   Such as when they discontinued SpeedGrade, still one of the most short-sighted decisions I can recall.   But ... I did keep comments professional, respectful, yet thoroughly detailed as to why that decision was not ... wise ... nor useful for the users.   And from comments both 'here' and at NAB, that series of posts were definitely recognized as rants ... 😉   ... View more

Converting that to a width of 1280, for HD use at 1280x720, is going to take major uprezzing of the image pixel data. There's no way around that.  Trying to get to FHD, 1920x1080, even more so.   Topaz is the only thing most of us here would even consider for that job. Sorry, but that's reality. ... View more

First, I'm not sure you have correct color management settings, for the clip and the sequence to match ... it would be helpful to see screengrabs of your entire Lumetri Settings tab, with every section from Project through Sequence twirled open. Again, just to rule that out.   Next, there are settings for the Program monitor menus as to what quality of image is being shown ... both the one menu on the bottom right, such as Full, 1/2 and on, but also in the Progam monitor wrench menu, the Playback options for during playback, while paused ... or ... High Quality.   That might do it there. ... View more

That post actually includes some useful statements. Valid, and to the point, thank you. ... View more

I could say so many things in response that would be perhaps painful. But on a public forum, such things are a waste of space, besides rude.   I'll just say that over time, a little wisdom in how to work with people is a good thing to learn. Especially with those with a lot more knowledge and experience ... 😉 ... View more

Mogrts can have interesting effects on hardware, and there have been from time to time specific bug behaviors with mogrts. That are triggered by certain options in building them at times.   So the mogrts themselves ... did you make them? Are they from Adobe stock? Or did you get them somewhere? That would be helpful.   Next ... the CPU is mid-level as is your RAM for NLE operations. For comparison, my five year old desktop is 24 cores and 128GB of RAM. And a 2080Ti, while awaiting Nvidia to sort out the crud endemic to their new 50 series cards. It still flies through most things, but I wouldn't say it's a high-end rig as I know many much more powerful machines.   And ... the 5060 might be at least part of the problem. As the 50 series card release has been a mess all over the pro video post applications. Not just Adobe apps ... it's on everyone's gear.   Some users changed a BIOS setting, and got it going. Some had cards that were overclocked from the maker, and dis-overclocking them got the cards working. Some got their card working simply by trying out different drivers.   And many simply RMA'd their card back, and got a card working. ... View more