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Participating Frequently
September 30, 2011
Released

P: Mirror Paint/Symmetric/Seamless Tile Paint Function

  • September 30, 2011
  • 165 replies
  • 5068 views

Photoshop could use a interactive Mirror Paint and Seamless edge/border painting function. Painter has had this feature for about 10 years now.

165 replies

Legend
July 31, 2018
Leaving topic open. Seamless tiles is under consideration.
Inspiring
July 31, 2018


A pattern-preview or tile-preview to create seamless patterns or tiles would be cool for Webdesigns and Game-Artwork. You might work on your tile and watch it changing in an 3x3 field.
Now possible with linked smart-Objects?
October 18, 2017
That's cool. I love Kritas paint continuation for painting. Basically as you paint off canvas it wraps to the other side in a continua motion. Allowing the ability to create tiles
Legend
October 18, 2017
Mirror/Symmetry painting is now supported in Photoshop CC. See: https://helpx.adobe.com/photoshop/using/whats-new.html
Inspiring
September 9, 2017
> after years of waiting and getting these fundamental features for photoshop blocked, because some people in photoshop think "there is no big demand for this", i have to say:
Forget it guys.>

Well. . . that's what voting is for—if people bother to come here to vote, it must be important to a lot more who don't even know this site exists. I'm pretty sure Adobe figures it that way—every vote here does count, even if it doesn't mean we get what we want on our preferred timeline. Heck, that's pretty much a given.<G>

> Clip Paint Studio>

I've been using Corel Painter almost as long as I've been using Photoshop. But I am in Photoshop for the powerful image editing and compositing features it has, so I also like to use their brushes. I especially enjoy using dynamic brushes in PS. Clip Studio Paint (I just looked it up—forgot the name but I've looked at the site before) is for a type of illustration I'm not interested in. If I were, if I did Manga or an illustrative art form similar to that, and didn't use Photoshop for a lot of other reasons, I could perhaps switch—or for about the same price, just keep on using Corel Painter (upgrade pricing) for a lot of different painterly styles.

But I'd prefer to keep the pressure on Photoshop to expand their capabilities, especially since I'm going to be using it anyway, like many of its brushes features, and if it won't suit for everything, other apps aren't as suitable for ways I do use Photoshop's brushes. 

I'd very much like symmetry when drawing/painting in PS. I can draw in AI with symmetry using Astute Graphics software, and enjoy doing so, but of course, that's vector and has to be converted in PS in order to use PS brushes with it. I also would like to see something better in the way of clone painting, but so far, only Painter is greatly improving on that.

That I can go to other programs to solve problems isn't going to make me give up on getting Photoshop to incorporate it IF I think it's a good match for Photoshop's own existing feature set, though.
Inspiring
September 9, 2017
after years of waiting and getting these fundamental features for photoshop blocked, because some people in photoshop think "there is no big demand for this", i have to say:

Forget it guys.

Photoshop has missed the route for digital painters completely.
Everybody take a look at what Clip Paint Studio is doing, it is like a photoshop for digital painters and has ALL the features we have been longing for so much.

good bye photoshop!
Participating Frequently
September 8, 2017

I would like to support the request for mirror drawing to be introduced.
🙂
I am a beginner, and I still need symetry and anti-symetry when working with the Pen tool / anchors.

It could be done around a point, a line, a shape, or an imaginary plane (where the plane can be set, for an instance, at 50 degrees to right, and 15 degrees lifted in the back). I could work with one line, and the same line could be generated by Photoshop on the oher side of the virtual plane, as if mirrored.

I would also find it very useful to move / transform a selection, or modify a smart object's anchor positions WITHOUT having the bordering and the anchors in view (because they don't let me SEE  exactly what I'm doing).

Inspiring
January 23, 2017
Adding my voice to this. My comment is that as a concept artist, I have a few choices to make mirrored silhouettes. One is to use Corel Painter, which I really don't like. The second is to use mirrored smart objects and paint inside the smart object, saving to update the whole silhouette which is very tedious and not a very fluid process. Adobe, add a Mirror Brush as a sub tool of the Brush Tools and feel the love. Add a seamless function to paint over the edges of the canvas and feel more love.
Participant
December 20, 2016
I would need realtime symmetry, exactly like in Sketchbook pro. Add also radial symmetry with several angles. Can't believe that this feature was not implemented all these years....
Inspiring
December 19, 2016
> They've switched to a subscription service because they understand that they arn't making enough changes to the program that people want to upgrade>

Maybe so. More likely to try to make up, financially, for being so pervasively used illegally. But I don't think we give up asking for what we want. If painting is to go anywhere inside PS, then it needs to have a system for cloning from photos or other sources that's as easy as it is in Painter. And they've always had a need for seamless tiling for textures and patterns, as well as a way to do symmetry painting, I fully agree.

I think part of the problem for us PS users stems from having an overall direction from Adobe, not the PS team itself, that may be the result of their marketing research into what the folks want in general, but leaves a lot of our long-standing wishes for Photoshop proper going nowhere.

Those of us who were here even before the whole Creative Suite, let alone Creative Cloud, can remember that we knew when we bought Photoshop that it was a professional application and that we were going to have to slog through it learning how to use it. No pandering to beginners, period. But apparently the top brass and their marketing research has shown that people would love to use PS if only it were easier. So there's been a big push to make some features, like the New Document dialog, easier for beginners, although I'm not sure how it is easier, but apparently icons and templates do make it easier for them. 

My first Adobe software was PageMaker and I did use some templates gladly,  so they could be right. In the process of making it easier, I think they made it more difficult for advanced users, and that's something they need to watch out for. The LR team did that with their Import dialog that they ended up abandoning, because thinking only of beginners and believing that whatever they do will also work for advanced users, can quickly become a failed concept.

There's also been a strong move to support the Cloud part of Creative Cloud, and features that take advantage of being able to push to and pull from the Cloud have taken a fair bit of each team's resources to implement. I think that also comes from marketing, but computing with the Cloud as the intermediary is still fairly new, especially coming up with those features, such as CC Libraries, which  benefit more than the crowd that does all their publishing on Instagram.

Trying to do what mobile apps were doing to interest more people, and at the same time, benefiting professional desktop customers, I doubt is an easy proposition. I know some professionals who absolutely love all the mobile apps. I know many more who find CC Libraries a real benefit, and would like to see them continue to make them more powerful and better organized. So I think there again, marketing and the Adobe boardroom got some of this right.

What they haven't done, at least in our current releases, is advance Photoshop's workspace/asset/preset organization, its painting, or much at all with image editing, although their attempt to get S&M right shows they do mean to. S&M just appears to be a more difficult issue than they anticipated. They have advanced Type features, although they still have a long way to go. They've improved artboards, which benefits web designers (and myself, actually), although they've had some trouble getting their web-related export features to work flawlessly and also have all the function of SFW. I'm sure I could go on. IMO, their Layers panel functions are the best of any, and they are expanding on the promise of the Properties panel, if slowly.

I believe it's a good idea to try to remember these things for two reasons— if we remember what they have done, even when it isn't what each of us individually can incorporate in our own workflows, we remember that some features are getting much better, much more useful — and more importantly, we don't say we might as well give up. Not if we're going to keep using the software. Give up if you think Affinity Photo will do everything you need at a lower cost and better, but otherwise, keep hounding them. They do read this stuff and try to come up with a list of priorities that will benefit most of their customers some of the time.

I want Adobe to double Photoshop's team, but then I also think they should triple Illustrator's, and I'm sure the Premiere Pro folk would say the same.<G> It's not gonna happen. But if we say to each other "give up," it's never going to happen. We need the numbers on our side. We need the votes to move it into a slot that hopefully will make it a feature within this decade. In the meantime for painting, a lot of people still have Painter, and it still exports PSD files. And if you want to read what people think about Painter with each release, they have a forum for that. It's not pretty, I can tell you, and it's anything but cheap.