Questions

Not sure if I can sell it and would probably need to check it out with Adobe, this lot cost me a lot of money CS4 - 5.5 and 6 upgrade and I'd like to get something back (now retired).

Why my internet explorer cannot play flash video?

After using Audition 6 for years, finally broke down and gave Audition CC a try.It just isn't worth what Adobe is asking for it.I won't try and debate you out of it.  Clearly your market research shows enough people are willing to pay it.  I mean, not only did I think it was overpriced before, but now you had the audacity (get it? "Audacity"?  The free sound editor) to actually raise the price even more.Oh well. I have money burning in my pocket and am more than willing to pay a subscription for it.  I do with Microsoft Office, which seems to manage a year's worth of sub for $70, not the $239.88 you're asking.But you're going to have do to a lot better than $19.99/month.  Especially considering that once I let the subscription lapse, I lose access to all my work structures.  (Movie Magix keeps the software running after the subscription lapses, you just don't get updates anymore.)Clearly, some people feel that price is worth it.  I won't try to talk t

Do any forum users or Adobe staff know if Premier Pro is going to be optimised or upgraded to match or better the rendering and export performance of Apple's final Cut?From all reviews I have seen, it seems Premier Pro is way behind in this area and is considerably slower. As I understand it, given the same hardware, Final Cut is much faster as it has been optimised. As CS is one of the leading software packages for creatives, I am surprised that this performance issue has not been addressed by Adobe by now. Maybe it is more difficult than appears but I would still like to know what, if anything, is being done or planned to close the gap.I would have thought this is really important to most editors and Adobe would be trying to achieve the best performance and be the class leader.Thank You

Contact the Better Business Bureau and complainAdobe Systems, Inc. | Better Business Bureau® Profile The first Adobe staff member I got in contact with over my escalation shrugged me off and told me to contact the regular support (????)It's ok though, I can keep writing in complaints...

I'm so sorry,You're going to hate Premiere.It will give you problems you never imagined you would have while editing.

Red Frames on a Proxy?????Wow!!! Hope I never see that (and know I will be seeing it by this weekend)Can't wait for Adobe to act like red frames on a proxy they created isn't their problem, just like every other problem their software has.

Da vinci resolve 15.

Ask for your rental money back. Put it towards owning a fully functioning editing program. Nothing worse than a monopoly.

We had a 100% Functional PIPELINE making high quality videos for over a Decade using your suite..Now I'm dealing with a major blow to my services because of your severe lack of testing software prior to launching.I just lost $40k on a project due to your incompetent version of the latest PREMIERE constantly crashing and for random reasons only to be assured from your TECH SUPPORT "It's not a problem.."  Guess what? When you miss a deadline.. Clients Don't care - They just demand RESULTS.Hundreds of Projects I have delivered and this is the first time this has happened due to overly abundant bugs. At this point, I would rather deal with my EX wife than to OPEN a new PROJECT in PREMIERE.. or even just gamble in Vegas at a high stakes table.. The work around's from Tech Support in your India offices are pathetic and just more band-aids on top of more Band-aids..Reluctantly - I am forced to find MORE RELIABLE Editing software after being a PREM user for nearly 20+ years..that's right.

Sadly, Adobe talks professional, but delivers consumer. That’s why many in the industry stick with other accepted pro solutions. If Adobe could just grasp how much they are losing both in both revenue and goodwill and took action, they could take over the world...

Welcome to Premiere CC, the most crash-prone application since the 1980s.

After Effects doesn't work no matter what.The people working on it have no clue what they are doing, and never will.and the support on this forum only will tell you how to work around Adobe's problems then treat you like you're stupid for not knowing the program doesn't work the way you expect it to, and treat you like you're out of line for expecting the software you pay monthly for to work.There is billions of dollars to be made by whomever can just release a software suite that works.. Adobe just can't make the cut.

All CS4 and CS5 users. All of a sudden are you having activation issues even though you been using CS5 or CS4 for years. Via your Adobe account they are causing the new activation errors on your PC so you will change to the Creative Cloud rent by the month for the rest of your life version of your suite. Fortunately for all of us this is being investigated by the government.,

Mod Notes: Branched. Re: the Unofficial Troubleshooting GuideThanks for writing this Jim, it's very thorough and useful.What I'm about to say isn't aimed at you, but at Adobe.----I think it's a massive shame that this guide needs to be written. All the fixes you list are work-arounds to faults in Adobe's software. The problems aren't aren't caused by users making mistakes or not understanding things, they're down to bugs in the (expensive) Adobe product.Adobe themselves could never write this guide, because it would have to start with, "We know our software is very buggy and often crashes. We're not going to fix it, but here are some ways to minimise the pain we're causing you..."

I made this video showcasing the truth about Adobe Premiere Pro, it is ridiculous that still in 2018 Adobe fails to utilize more of the GPU performance to offload from the CPU.  In Davinci Resolve I can have 2 Titan X running in SLI and it will crush everything I throw at it.  Heck even with just 1 Titan X playback is ridiculously smooth. Why can't we get that exact same performance?  However, if you're using a Mac, it's not all that bad.  Now before you say oh your PC is configured wrong or I'm doing something wrong, watch the video, I sent this to Puget Systems, who were the ones that built my PC, they have thousands of hours of experience building top of the line PC's EXCLUSIVELY for Adobe Premiere, just visit their website and see the hours of data they have.So when they tell me they ran tests on the files I sent them and the iMac Pro still beat their top spec system, they've confirmed it's bad optimization on software.  Also, read all of the comments from

Yesterday I experienced a great weight being lifted from my shoulders. After, quite literally, years of suffering beneath the yoke of a certain NLE with which all of you are familiar, I took a giant step for mankind. Here it is: I fired up that relatively new competing program made by dark magicians.Stay with me.First, I read a very short "get started" article. Then I opened the new program, imported a bunch of 4k (repeat, 4k) and commenced to recreate part of my current edit in "the other program".It could not have been easier. I was truly shocked. My deepest shock was that, during my 8 hour session, there was only one crash. Otherwise, I was able to run 4k with zero hiccups and no problems whatever. I was doing dissolves, I did superimpositions, I used Gaussian Blur, I used Glow, I did a speed ramp up an down for fun, I flipped around a 4k four track video timeline with no lag and, as my astonishment grew, I realized that this was the first problem free editing session I'd experience

There's a court filing by Dolby somewhere that has been posted elsewhere. When you are credibly threatened with legal suit by a large company over the continued use of their product in yours, what the heck do you expect someone to do?So ... when Dolby requires Adobe to immediately stop allowing use or access of "their property" ... in this case, coding to process ac3 audio ... do you expect Adobe to simply ignore the legalities of the situation?And ... in that case ... I'm trying to figure out why Adobe is to blame here. Dolby is the company requiring Adobe shut off access or use of anything whatever relating to ac3 in their product (PrPro). Why aren't you complaining to or about Dolby? Would seem at least logical. Or at the very least, acknowledging this is a two-party dance and allotting the blame between them.Neil

I want to recreate a 3d scene with people moving from room to room in a house. What software would be best to use?

It's been a long time since I was involved with broadcast tv, Are title and action areas still used? Watching both the football world cup and F1 all of their captions are outside the safe area.

Thank you Adobe, for still not fixing this unbelievable C200 workflow in your latest update. Other big problems like fixing the Black Magic file workflow still are not solved either. It's hard to work professionally under these given circumstances, everything takes ages and workarounds which makes you lose credit with your client.Just wanted to let you know I'll switch to Da Vinci Resolve for future projects and skip my Adobe subscription because though I love your product, I cannot afford losing jobs because of some unability to fix some basic problems.BestPhil

This is total garbage!!!!Adobe should have gone back to GRAPHICS/TITLE software that works! We have been putting up with re-installing and AVOIDING their title software for over a year. Time to switch to different software and stop paying Adobe $79 a month.Creative Cloud is a pile of unreliable garbage re-engineered by the Adobe Engineering Team from Hell. Paul Rosa

There’s a lot of things I’ve loved about using Premiere over the last ~15 years, but the overwhelming amount of bugs is not one of them. It’s more buggy than any other established software I use on any of my devices - by a long way. It doesn’t feel right to charge a subscription to me when I’m having to deal with multiple workarounds and bugs that really get in the way of my work and deadlines. Why not just test it more? Have a community of beta testers to find the problems before releasing new features to everyone. Most of us would prefer more reliable software than software with experimental new innovations which we can’t rely on for our work. Here’s some of my latest bugs (can your staff submit the bug reports or do I have to?)Thanks Bin window: Search filter doesn’t workhttps://drive.google.com/file/d/1ZHqF-BvelpUtgLESRFh5UXdJVCubs6M6/view Persistent filter (can’t delete it!)https://drive.google.com/file/d/1c_cx6tqeyqg64cLERhQjw7VddNkxMFdd/view Phantom waveforms on audio files: htt

That's awfully good of you to recommend that course of action. I see that you are "Staff". [Comment removed: edited for content].Here's the scoop: you know very well that reporting a bug to Adobe is pointless. I have spoken recently with a developer of plugins who said that there are bugs which he has been trying to get Adobe to fix for 4 years. That's four years.Indeed, the whole Premiere Pro edifice is so shaky that anyone editing other than simple cuts will immediately face never ending crashes. If you plop more than, say, 4 plugins into a shot you will face massive rendering times and system collapse. I believe that this is because Premiere Pro, in current form, is compromised by the fact that it is about 20 years old (possibly more) and the foundation is weak. All sorts of turrets and crenelations have been built onto this castle - including renaming and repackaging it. These changes are simply lipstick on a pig.It is my belief that Adobe is intentionally and negligently selling a

Hi guysI just saw that Sy has been discontinued and is going the way of OnLocation. It's a shame, but I'm not surprised. It seems Adobe wanted this one to die for a long time. I tried to use it several times, but the support and guidance was almost non-existent. It could have been a valuable part of the Adobe's so called creative process for video and related work. The fact it did not tie into other products isn't Story's fault...