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Participating Frequently
July 3, 2018
Question

editing features for radio documentaries

  • July 3, 2018
  • 2 replies
  • 776 views

Hello,

I am producing radio documentaries and can't find features, in an Audition CC Multitrack session, that are really needed for this kind of work (which do exist on more orientated radio production editing softwares). I went through Audition tutorials without success...

Merging and un-merging clips in multitrack session:

I would like to merge several clips into one single clip, to get the visual appearance of a single clip BUT I need to keep the ability to un-merge it in separate clips in case I need to make a new edit.  When clips are merged together with the 'merge clips' command, they become a new clip with no way back. Is there any way of getting a visual appearance of a merged single clip without physically producing a new clip ?

Preventing clips in a group from crossfading with the next or previous clip when moving the group on the timeline:

After grouping clips together (cmd-G), is there any way of blocking the clips inside a group from moving a bit or crossfading when I move the group on the timeline or on another track ?

Thanks for your help,

cheers, Laurent

This topic has been closed for replies.

2 replies

ryclark
Participating Frequently
July 3, 2018

Rather than merging the clips leave them in place where they are on their own tracks as you want them. Then instead of Merging the clips do a Mixdown to new track. This will give you the appearance and sound of the 'merged' clips without destroying any that you may need to redo later. You can then just Mute the tracks that the clips came from and just listen to the Mixdown version. A bit like pre-rendering a set of video clips.

This is the whole beauty of working in Multitrack in Audition which is what it is meant for, not just for music editing. All your work is saved as a session file which is non-destructive to the audio files and can be gone back to and changed at any time. the only time a new permanent file is created is when you Mixdown or Export.

As it is some musicians complain the opposite to you in that Audition is too orientated towards speech and FX editing for making music!

SteveG_AudioMasters_
Community Expert
Community Expert
July 3, 2018

laurentK  wrote

Hello,

I am producing radio documentaries and can't find features, in an Audition CC Multitrack session, that are really needed for this kind of work (which do exist on more orientated radio production editing softwares). I went through Audition tutorials without success... 

Audition is more widely used for radio editing than any other software on the planet, and has been for a long time. For you to claim that it's not as oriented as other software is slightly far-fetched, I'm afraid, and it's not exactly the way to endear yourself to anybody who might be able to help you...

Merging and un-merging clips in multitrack session:

I would like to merge several clips into one single clip, to get the visual appearance of a single clip BUT I need to keep the ability to un-merge it in separate clips in case I need to make a new edit.  When clips are merged together with the 'merge clips' command, they become a new clip with no way back. Is there any way of getting a visual appearance of a merged single clip without physically producing a new clip ? 

Yes, the 'merge clips' does this, and it also warns you that it's going to. But you will also observe that in the files list, the original clips are all still there, and since you would be attempting to remake your sequence anyway, it wouldn't be so much of a problem to put them back. What you are asking for is only a 'visual' effect; there's nothing functional about it. The norm is to create the mix sounding the way you want and mix that down to a single file, and save the session. If you need to go back, then all you need to do is re-open the session - no need to unmake anything.


Preventing clips in a group from crossfading with the next or previous clip when moving the group on the timeline:

After grouping clips together (cmd-G), is there any way of blocking the clips inside a group from moving a bit or crossfading when I move the group on the timeline or on another track ? 

This, on the other hand, shouldn't be happening. Others have commented on it, and we suspect that it's a bug that's being fixed; it doesn't normally do this at all. If you group clips, then the entire group should stay as you have it when you move it; there should be no relative movement within it at all.

laurentKAuthor
Participating Frequently
July 3, 2018

Dear Steve,

Thank you very much for your reply. Sorry if my English is not so good but I didn't meant to criticize Audition for radio. I am actually testing it to see if we can move from Sadie to Audition CC.

Editing radio documentaries is a bit different from editing music : I think it is closer to editing a feature film with hundreds of clips with cut and fade transitions and sequences that you move many times from one place of the timeline to another. Do do this, you need very flexible tools maybe not so useful for music production but which can be found in video editing softwares like Premiere Pro.

For example, I have here on my timeline a  short 30 seconds sequence of a speech which is made of 17 clips, with 'cut' and a few fades transitions between two clips and I already know that I might do several more edits in these clips later before finishing my documentary. Therefore re-importing clips from a 'merged' clip as you suggest is not so great as it is complicated and I would also loose all the fades I have done in the first place...

Thank you also for explaining that the clips changing place in groups when they are moved on the timeline is a bug that should be fixed. Have you got an idea when it should be done (this behavior drives me crazy) ?

I will keep continue to explore Audition during a few weeks  before taking a decision on the choice of software we should do. If anyone use Audition in a similar way we do, I would be really happy to hear from her or him !

Thanks for your help...

SteveG_AudioMasters_
Community Expert
Community Expert
July 3, 2018

Editing radio documentaries is a bit different from editing music : I think it is closer to editing a feature film with hundreds of clips with cut and fade transitions and sequences that you move many times from one place of the timeline to another. Do do this, you need very flexible tools maybe not so useful for music production but which can be found in video editing softwares like Premiere Pro.

I've spent years editing radio, and even longer editing classical music, and I'd say from experience that there's far less difference than you might think. With music of that nature, every edit is a carefully timed crossfade and having 50-70 edits in not much more than a minute is by no means unknown. And often you have to blend atmos tracks with edits as well.

SADIE and Audition are essentially doing the same thing, but inevitably in different ways. The developers have a long history of not doing things the way that it happens in other DAWs if it can possibly be avoided - that way you don't get screwed with a copyright claim. Last time I looked, SADIE was fearfully expensive for what it is, the 'decent' version even without any hardware costing way over a thousand $/£. Any way up, Audition is much better value for money, especially when you consider that you get the whole suite of everything thrown in. Okay, it's an unavoidable subscription, but you can afford that for several years before you get anywhere near the cost of SADIE. And when you've got used to it, there's no way you'll tell any difference in the output.