Questions

Hello, everyone.First, I am new here, so I might need guidance.I am a fan of a game called Command and Conquer: Red Alert 2, and I decided to mod it. Some of my units needs new voiceovers from voice actors, and some of them contributed to the mod.My question is, how do I make a Walkie-Talkie effect that is almost perfect like the game does?Here is examples of voiceovers with walkie-talkie effect that the Game use:idesmod.waviconmob.wav igisee.wav​ Here is an example of a voiceover for a unit in my mod with no filters (RAW), voiceover by https://www.georgeexley.com/ Invader - Select 1.mp3 I have tried methods, but I can't give even a similar fashion. Hoping more in this community to help me.

マルチトラックセッションの１トラック上においた音声クリップを１００以上ほどに区切って分割してあるのですが、これをCDのトラック分けみたいに、分割したクリップをそれぞれのmp3ファイルとして一括で書き出したいと思っています。できればあらかじめ分割した各クリップにあらかじめ名前をつけておいて、それに基づいたファイル名で書き出しできればいいのですが、もしかすると分割された各クリップを一個ずつ右クリックして書き出すしか方法がないのでしょうか？

I'm experiencing a massivly annoying issue in Adobe Audition 26.3.0.79 on a MacBook Pro (M3 Max, 36 GB RAM).Issue:Audible scrubbing works normally when I first open Audition. However, after working for a short time in a Multitrack Session, audible scrubbing suddenly stops working completely.Normal playback continues to work perfectly. Audio output is fine. Only the audible preview while dragging the playhead disappears.I can reproduce the issue after actions such as:Zooming into the timeline using the MacBook trackpad (pinch gesture) Sometimes after using Shift + Backspace ("Delete and Close Gap" / Ripple Delete)Once the bug occurs:Playhead still moves normally Playback works normally Audio files are fine Only audible scrubbing is goneThe only way to restore scrubbing is to completely quit and restart Audition. After restarting, scrubbing works again until the bug occurs again.This makes precise podcast editing almost impossible.System:Adobe Audition 26.3.0.79 MacBook Pro 16" (Nov 2023

Audio experts, please help me set up the effect so that the clean guitar sound has a reverberation and echo effect similar to the guitar sound in the attached audio file.Thank you.

When exporting a multitrack mix down of the entire session, I go into the format settings and change the bitrate of the MP3 settings from 192 Kbps to 64 Kbps. The export works fine. However, the next time I use multitrack mixdown during the same session the bitrate has been reset to 192Kbps.Is this by design or a bug? I really can’t see a reason for it being by design and it always ends up a file that is WAY too big for my use and I have to go through the process again resetting the bitrate to my desired rate.

Hi everyone,I’ve been doing some testing lately within Audition regarding export settings for web-based audio delivery. While most platforms still default to MP3, I’m seeing a significant shift towards AAC (M4A) for better transparency at lower bitrates.In my recent workflows, I’ve found that a 320kbps MP3 is almost indistinguishable from the master, but the file size can be a bit much for heavy mobile users. On the other hand, a 192kbps AAC seems to hold the high-end frequencies (16kHz+) much better than an MP3 at the same bitrate.I’d love to get the community’s perspective on a few things: When exporting for web or social media, do you still stick to the classic 320kbps MP3 for maximum compatibility, or are you moving towards AAC? Has anyone noticed any significant 'dithering' issues when converting high-sample rate (96kHz) projects down to standard 44.1kHz during the final export in Audition? What's your 'sweet spot' for bitrate where you feel the quality-to-file-size ratio is p

I started a free trial for Adobe Audition through the website. I made an account, set up payment, etc. I got a confirmation email with the order number. I downloaded Creative Cloud and when I go to install Audition the only options I get are, “Free Trial” and “Buy”. There is no download or install option. If I click on “Free Trial” or “Buy” it tells me I already own it and prompts me to “Get Started”. This takes me back to the website where it asks if I’m an individual, student or business and more payment plans. No install options here either. I can get to a point where I can download Audition_Set-up, but this just takes me back to Creative Cloud where the loop starts over. Am I missing something?

My backing track has a soft piece of piano music I want through out my project. Only the first 15 seconds is usable, because after that, the track adds other instruments that I don't want. I can easily cut the first 15 seconds out, and apply the remix function in Audition to extend this to any length I want. And Audition perfectly finds transition points that are seamless. The problem is, I want to preserve the very end of the original audio clip, and tack it on the end. It has a nice outro that ends the track. When I just use a crossfade in Premier Pro, the transition is too obvious. Is there a way for Audition to perform a similar remix function on the end of my outro part of the original, so it also seamlessly finds a way to join these together? As it did in the other remix process?

I was succesfully running Adobe Audition in Windows 7 thru a Fire Pod to record. All was well until I finally had to upgrade to Windows 10. It wouldn't run Audition, so I purchased an upgraded version of the fire pod - Studio 1824c. They are not playing together well at all!I can start a new session & arm the channels I want to record on. However, all chanels pick up all the inputs without seperation, even if I arm all 8 chanels with only 3 of them containing a signal from a vocal or an instrument. How can I fix this?

I’m running Audition on a powerful computer - 9900x 12 Core processor, 64 GB DDR5, Samsung 9100 NVMe SSD, Windows 11, etc…  The Windows, Creative Cloud, and Audition installations are clean and updated, as are all drivers, etc.Audition takes close to fifteen seconds to open the first time I run it after startup or reboot.  After that, it opens almost instantly.  I’ve performed a Shift startup which resets everything, and a full uninstall/reinstall.  I’ve also cleared the cache.  The issue remains.Any ideas?

Why does my Amplitude Statistics look like this? I have so many numbers showing  in Peak Amplitude and I can’t see them all? first screen shot.Training videos always show this number as something like this, second screenshot.The file is in Mono.

We're seeing an issue with registerKeyEventsInterest() on macOS in an Audition CEP panel.On panel initialization, we call __adobe_cep__.registerKeyEventsInterest() for all relevant key codes (including metaKey) and handle Cmd+C/V/X/A ourselves (execCommand() / navigator.clipboard) . This works correctly, we able to copy and paste the text inside the panel.However, after the user performs a Copy operation inside Audition itself (e.g. Edit → Copy or Cmd+C on a clip), the panel stops receiving Cmd key events entirely. Clicking back into the panel or re-focusing an input doesn't help.Is this expected behavior? We don't see this issue in other Adobe applications, such as Photoshop and Premiere. Is Audition expected to behave differently? OS: MacAudition version: 2026Plugin framework: CEP 

Hi everyone — I’m editing/mixing a film in Adobe Audition 5.1 after sending my Premiere Pro sequence to Audition, and I’m running into a major issue where Audition is not properly reading some of the audio files, especially music cues.The files play normally in Finder and in other apps, but inside Audition they either won’t open correctly, show no waveform, or appear as extremely short clips. In the Files panel and Properties panel, Audition is showing these WAV files as having 0 duration, even though the source audio is several minutes long.The files appear to be standard WAVs:Sample Rate: 48000 HzBit Depth: 32-bit floatFormat: Waveform AudioChannels: mono or stereoThis does not seem to be a simple 44.1/48 kHz mismatch, because the project and files are both 48 kHz. The issue seems to be that Audition is interpreting the source files as empty or zero-length. Many of the problematic files are Premiere/Audition-generated “Extracted” WAVs from the Send to Audition workflow.I’ve tried exp

In Adobe Audition 2026, two microphones are plugged into separate inputs on an M-TRACK DUO with two audio tracks on separate channels, output via USB to Audition.  The tracks show up on the editor and volume meters, but I cannot hear the audio  through the headphone jack on the M-AUDIO or on the Mac Studio.  All levels have been set correctly, and Audio mapping and hardware settings are correct (see screengrab).  This configuration has worked fine in recording sessions and playback, but suddenly does not.  On a deadline;  PLEASE HELP!!Thanks VERY much. Rob

Adobe Audition recording frequency cutoff at 11-12 kHz — Audacity on same setup records full 20 kHzSetup:Sennheiser MKH 416 → Apollo Twin X Gen 2 → Adobe Audition on MacThe problem:Frequency analysis in Audition shows a hard cutoff around 11-12 kHz. Audacity recording through the exact same Apollo Twin shows full frequency response up to 20 kHz. The problem persists in Audition regardless of settings.What we've already tried:Verified sample rate is 48000 Hz in Audition, UA Console, and export settings Switched Apollo input from LINE IN to MIC IN with 48V phantom power enabled Removed all UAD plugins from the channel strip completely Turned off LINE INPUT GAIN in Apollo hardware settings Changed I/O Matrix routing from AUX1 L to MIC/LINE/HIZ 1 Turned off the high pass filter on the Apollo channel Reset Audition preferences using Ctrl+Alt+Shift on launch Manually deleted Audition preference files from Library folder Fully uninstalled and reinstalled Audition including removing preference

Hello. Does anyone have the Adobe Audition 2020/2021 version available for download? My operating system is Windows 10 Enterprise LTSC 1809 (2018) Build 17763.1. Thank you very much!

Does anyone know how to change the numeric decimal places in amplitude statistics back to normal? Mine changed out of nowhere to really long format and I cant get them back to the way they were or default. Thanks./ 

I've already seen this question asked but it was a post five years ago and apparently it still hasn't been addressed - why not allow saved presets in the save as dialogue box why should I have to keep changing every recording that I'm making (or that I'm editing) only in the WAV format. I developed or tried to develop a workflow of duplicating a .m4a file, selecting all of the audio, deleting the audio, recording a new podcast with that duplicated file name, and then hoping just to do command us to save still in the .m4a/16 bit format that the original file was in. But no. Audition really wants to make everything a WAV file or to force me to make multiple menu selections so that I can save as .m4a - which in the situation that I tested today was the difference between a 50 minute record recording that would have taken up 560 MB as a WAV file versus only 100 MB as a .m4a file… but I had to go through the process of selecting a different file type and then a different bit depth and then

This is a problem that has persisted for a long time now, and it’s so frustrating.  I do a lot of work in waveform mode, cleaning up narration audio, and what always happens within a few minutes of starting, the audio begins to crackle.  This does not effect any audio or video outside of premiere, but while working with the audio it sounds like an old record player.  This is not an intrinsic quality of the audio itself, but something happening during playback. I am using Windows 10, an AMD Ryzen 5 3600 6-core CPU, and GeForce 4060 Ti GPU. I have 64G of DD4 RAM, with less than 30% utilization while using Audition, using only about 18G with a 46G cache. While using the program I have 52G ram reserved for audition, using an SSD with about 160G free space as primary cache. In Task Manager, audition is only using about 200M ram.  CPU usage is negligible. So I can’t imagine that the problem is with ram, cache, or CPU, and for that reason, I don’t know how to stop it from happening.  I should

Hi everyone, I'm a podcast editor working with AU on a Dell notebook that seems to have a pretty solid configuration for the job. However, I constantly have performance issues that annoy me and slow my workload down.I would like to understand what might be causing this and if there is something I could do to minimize or prevent this from happening. The main problems are: a short lag when I move several clips on the timeline at once and a tiny delay between pressing play and having the audio to be reproduced.I usually edit shows that run from half an hour to one hour. Our main product is a daily news podcast, with two hosts, one interviewee (sometimes two), and a track for actualities. soundtrack does not run through the entire show, only as bg for the opening and closing sections and for short moments between segments of the interview.One action I use quite frequently is "selecting all clips after / before the played" to move them where I need. I know "ripple delete" has a similar effe

Hi everyone, I am trying to understand my turntable’s frequency response and to this end I have a sweep from the CBS STR 100 record.The sweep (for each channel) is constant amplitude below 500 Hz and constant velocity above that. I am trying to find a way to spot the gaps in the frequency response but on the volume curve there is a line rising up to 500 Hz and descending after that (as it should!). How could I tell Adobe Audition to show me the exact frequency response curve please? Is it even possible? Thank you!

I’m trying to mix radio liners, but Adobe Audition 2026 (26.0.0.56) is ruining them by applying an echo effect on every one. It seems insane! And it’s driving me close to the same precipice. Maybe I should just switch back to a stable version like 2024?Any clip on the Flanger track gets an echo effect. There are absolutely no clip FX, and you can see the track FX in my screenshot. Even with Flanger turned off, the echo happens in the mixdown (not in the SESX itself).  

I have been asked to begin exporting episodes of a podcast that I edit in .aac format to meet the requirements of a new hosting service. However, Audition will not let me do so. When I select “MPEG 2-AAC (*.aac)” in the Format dropdown, I get a yellow warning sign next to the “OK” button that reads “The currently selected filter cannot save all files in the needed format” which is preventing me from progressing. I have tried a few things.I exported the file as an .mp3 and then opened it in Audition and exported that file as an .aac file. This was rejected by the host, saying that it was not encoded as an .aac file. I used Adobe Media Encoder to convert the .mp3 file to .aac. This was rejected by the host with the message “This file has an M4A extension but it does not appear to be an M4A file based on its contents.” Any help on how to proceed with exporting the file as .aac would be appreciated. Included below is a screenshot of the Export Multitrack Mixdown dialog box. 

Hello friends!I got a video recording I have to edit and the audio is...OK. But it kind of stutters and chops like it was recorded with pretty bad latency or a slow computer. I don't want to ask for another recording since they did an excellent performance and the audio isn't a deal-killer. But it drops to almost silent at several points throughout, making the whole thing sound rough, choppy, and stuttery.Any chance to intelligently repair those tiny little gaps? I'm looking for the opposite of noise reduction I guess! --------Intel(R) Core(TM) i9-9980HK CPU @ 2.40GHz 2.40 GHz32.0 GB RamAudition 23.1.0.75

Hi all, I recorded a 20 song compilation with Audtion and when the compilation was burnt I loaded the CD-R into my PC to play and all I had was 20 files of non music files. Each one sounded different but there wasn’t any music to be found. The knock on effect of this has caused the 20 songs on my hard drive to sound completely the same as the CD-R. Can I get the 20 songs on my hard drive sounding back to normal. Please find attached one of the 20 songs.