Thanks Steve, So, is it the case that when I double click on the part of a track, I want to edit, and it automatically opens in Waveform view, I'm not then editing the same track area in Multitrack view? I'm probably being really naive here but that's what I imagined it was doing.
If that's not the case, how can I best learn the workflow of making corrections to a Multitrack recording please?
For instance, I've tried to stick to working in Multitrack to remove breath sounds and mistakes etc but its more fiddly than in Waveform view. ie I've tried using the razor to cut the noise out, but then have to fiddle around butting the resulting bits together. Sometimes the whole track slides, but I've not figured what I've wrongly slecected to do that. I've also tried putting the dots on (keyframes?) If I do 4 I can drag th evolume down on the middle two to cut the volume, but then may have protracted silence.
I've seached and watched lots of videos, but my way of learing would ideally be to be shown, or coached, while I try and work. To date, I've not found anyone who can do that at a price I can afford. So, I'm very grateful fo the help yo provide in this community.
Steve
In Edit>Preferences>Multitrack clips, there's an option at the top that says 'Synchronize Clips with Waveform Editor'. If you have a check in this, then when you double-click on a clip, the whole file it came from will be displayed, but the cursor will be at the point in the file that it is in in the multitrack clip.
People have different views on what you should edit where. My take on it is that you do temporal edits in Multitrack, but anything that's purely processing of the sound, especially de-umming, NR, or anything like that is fine to do, relatively easily, in Waveform. The advantage of this is that you haven't disturbed the time flow of the file this way, so any edits you've done in Multitrack will remain intact. The edits you do in Multitrack, with a few exceptions, should be structural; in other words selecting bits of the file and putting them where you want. The obvious exceptions will be any effect where one track is informing another - so ducking, and any form of sidechain dynamics processing. Actually you don't get a choice; they are only available in Multitrack. The other exception is that any effect (like reverb) that you want to apply across a mix - or several tracks if you use a bus - can also only be applied in Multitrack.
I don't quite see what is difficult about removing mistakes in Multitrack (except for a philosophical point). Highlight what you want to remove in a clip and hit the Delete key. It's gone, and all you have to do is join up the gap, which isn't exactly difficult... The philosophical point, incidentally, is that editing isn't about removing mistakes - it's about selecting and arranging the material you want to include. That's important, because inherently this makes you more selective - or at least it should...