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Step-by-Step: Designing Graphics for HLG Workflow
1. Set Up Your Project for HLG
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After Effects:
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Go to Project Settings > Color.
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Set Working Space to Rec.2100 HLG.
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Enable Display Color Management if you're using a reference HDR monitor.
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Premiere Pro:
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In Sequence Settings, choose Rec.2100 HLG as the color space.
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Make sure your timeline and export settings match this color space.
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2. Designing Graphics in HDR
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Use 32-bit color depth in After Effects for full HDR range.
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When creating logos or motion graphics:
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Avoid pure white (255,255,255)—it can clip in HDR. Use slightly lower luminance values.
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Use linear gradients and soft glows to take advantage of HDR’s dynamic range.
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Keep contrast balanced—HLG is designed for broadcast, so extreme highlights should be used sparingly.
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3. Importing Assets
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If you're importing logos from Illustrator or Photoshop:
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Convert them to HDR-compatible formats (e.g., PNG with linear color profile).
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In Photoshop, set the document to Rec.2100 HLG under Color Settings and export in 16-bit or 32-bit formats.
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4. Previewing HDR Correctly
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Use an HDR-capable monitor with proper calibration.
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In Premiere, enable HDR display output under Preferences > Playback.
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In After Effects, use the Lumetri Scopes to monitor brightness levels and avoid clipping.
5. Exporting for HDR Delivery
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Use HEVC (H.265) or ProRes 422 HQ/4444 with HDR metadata.
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In Premiere:
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Go to Export Settings > Color Space and choose Rec.2100 HLG.
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Enable HDR Graphics White at 203 nits (standard for HLG).
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Tips for Seamless Workflow
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Use Essential Graphics Panel to build reusable templates with HDR-safe colors.
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Dynamic Link between AE and Premiere preserves color space—just make sure both projects are set to HLG.
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Test your exports on multiple HDR devices to ensure consistency.
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