Monitor suggestions for student going into the work world soon

My vote is for Eizo Coloredge, specifically a CG prefixed model. If that’s in your budget that’s the graphic arts industry-standard device.

I hope this helps
neil barstow, colourmanagement net - adobe forum volunteer - co-author: 'getting colour right'
google me "neil barstow colourmanagement" for lots of free articles on colour management

We keep coming back to the same basic problem: Most of the characteristics that really matter in practice, aren't in the specs. There is no standardized way to measure it, so that it can be judged by the customer in advance. Not only panel uniformity, but also highlight/shadow separation, tone curve irregularities/banding etc.

If the panel is like the screenshot I posted above, wide gamut doesn't help. Hardware calibration doesn't help. 10 bit depth doesn't help: it's still an expensive doorstop.

The budget models seem like stellar buys judging by the specs that are available. And that's all these reviews seem to be about. But that's not even half the story!

Eizo and NEC both seem to take the position that they have a reputation to protect. So even their budget models (yes, even Eizo has budget models), can generally be relied upon. With the others, take your chances. With luck, you get a good one.

Take a look at buying guides online, they usually have a lot of good info. For example, petapixel has one

https://petapixel.com/best-monitors-photography-photo-editing/

You are mainly limited by your wallet. Sony makes high-end graphics-grade displays (mainly for video production) with insane prices tags. https://www.bhphotovideo.com/c/products/sony-production-monitors/ci/5999?sort=PRICE_HIGH_TO_LOW

If your work will be photography based, don't be misled into buying a monitor with too high a pixel density. For photographic work you need to be able to see image noise and judge sharpness when images are mapped to screen at a 1:1 ratio (i.e. 100% zoom in Photoshop). That means a pixel density between 100 and 130 pixels per inch. A 27 inch monitor with 2880 x 1440 pixels has a density of 109ppi so falls right in that sweet spot.

The next thing to look at is uniformity i.e. can the monitor display uniformally corner to corner without any discolouration. It is surprising how many monitors cannot do that, due to the cheap panels they use. The last thing you want is to be adjusting colour and lightness on a monitor that is falling away at the edges and displaying both colour and lightness incorrectly.

Next, the ability to display a wider gamut is useful as you can see more of the colours captured in your images - but be aware that you must use colour managed software (which includes Photoshop) on a wide gamut display.*

You will see 10 bit/8 bit mentioned (sometimes 10 bits per channel is described as a 30 bit monitor). A 10 bit/channel display connected via a GPU and application capable of supporting it, will display smoother gradients than those on an 8 bit display- but I would put uniformity above that requirement.

* Finally, budget for a calibration and profiling tool, e.g. the i1 Display or similar. That way you can rely on your images in Photoshop being displayed correctly and, in turn, you will adjust them correctly.

Dave

The specs that define the Apple Studio Display (compared to budget displays) are 5K resolution, wide gamut (P3), HDR-capable (600 nits), and factory-calibrated with reference modes. There are not many 5K displays out there, but just this week both Dell and Samsung announced new displays with specs similar to the Apple Studio Display. Price hasn’t been announced, but they won’t be cheap. However…

It is not necessary for a photographer/designer to match all of the specs of the Apple Studio Display (for example there is no requirement for 5K resolution, it’s just nice to have). Instead, you should buy with your future career in mind. For example, if your work will be all print and web, you don’t necessarily need 5K resolution or HDR-capable, and that would drop the budget a lot. If your future work will require HDR because your clients will require them to look right on the latest high-end phones and TVs, then you do want HDR. If your work is all for websites/social media, you might not need wide gamut color or HDR, just a decent sRGB display.

For general photography and design, wide gamut (P3 or Adobe RGB) and accurate calibration are the highest priorities. Some examples would be the BenQ PhotoVue/DesignVue and Eizo ColorEdge CS/CG displays.

If most of your future work will be print and web, don’t be influenced by a display’s maximum brightness. Very high maximum brightness matters only for HDR, and print work should be done at medium brightness or lower to avoid dark prints.

If you can’t afford any of the above, then get a good midrange display ($500–900), but also get and use a profiler/calibrator such as the Calibrite ColorChecker Display to make sure it has a reasonably accurate display color profile.

The M1 Mac mini is a great little computer, but it’s also starting to get old. Try to hold out until March to see if Apple holds an event that rolls out newer Macs, because if Apple releases a newer Mac mini you will really want that instead. Another alternative is the current base model (USD$1999)of the Mac Studio. Although it’s more expensive than a Mac mini, the base model has enough memory and processing power that you might not have to upgrade anything in it; out of the box it should last a number of years longer than an upgraded Mac mini.