Select Subject, Select & Mask operation
I have experimented with the new Select Subject option and worked extensively with the Select & Mask tools.
Selecting a flying beach ball in a blue sky is easy enough, but these tools seem to require such contrasting tonal values that most real life selections still fall short. But maybe I just haven't mastered the tools yet.
I still rely most heavily on a combination of contrast masks, pen tool paths, magic wand, and whatever works best for complex subjects. When creating masks for human hair or anima fur, I use custom brushes, and often re-create flyaway or longer wispy hairs. I get excellent results, but it is painstaking.
The refine Edge tool never seems quite as "Smart" as I hope it will be.
I have a stock image of a very furry Bison which has already been masked (carefully) but saved as a single layer JPG on a white BG. Select Subject did a poo job 0n this, and refine mask til have a hard time-even against the white BG.
Any tricks or suggestions on getting better silo's of hair/fur detailed for highly print work? (or should I just stick to finessing details by hand?)
Thanks
