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dereka61993927
Participant
October 15, 2018
Answered

Different Audio Levels Going Back and Forth Between Multitrack and Waveform

  • October 15, 2018
  • 1 reply
  • 2673 views

Hello,

When editing in multitrack, I oftentimes go to waveform to edit. However, when going between the two the audio levels are very different (Waveform lower) so I have to continually turn the computer audio levels up and down, up and down. Any ideas?

Thanks,

Derek

    This topic has been closed for replies.
    Correct answer SteveG_AudioMasters_

    It depends mainly upon two things, this. Firstly, the settings on the Multitrack mixer panel, and secondly the pan law setting you used when setting up the multitrack session.

    If the mixer levels are set so that all tracks at at 0dB, and the pan law was set to L/R cut - Logarithmic, then all the levels will transfer between Multitrack and Waveform views correctly.

    But if you created the session with the multitrack pan law set to -3dB center, then the track will appear to be 3dB lower in level in Waveform view. This is because panning is effected by using equal power settings, and compensating the channel levels accordingly. What this means in practice is that the level of each channel has to be reduced in Multitrack view to take account of what happens when the pan control is advanced fully to one side - that's the point where the channel level will appear 'correctly'.

    L/R cut - Logarithmic doesn't do that - it achieves panning by reducing the amount of the other channel, and leaving the first one alone.

    These settings only make a difference if you are actually panning a mono source across a stereo sound stage. With the -3dB center setting, the sound will remain at the same apparent level right across it, as the apparent increase you'd get in the centre (dB addition) is compensated for. With the L/R cut, the law is somewhat different, and the panning won't be as smooth at all. If you are only placing a signal into a sound field and not moving it, it makes no difference which you use - until you do what you're doing, and jumping between Waveform and Multitrack.

    One 'solution' to this that works reasonably well is to use -3dB center for your setting, and advance the master fader to +3dB. The apparent level between the two playbacks should remain the same. But this means that you have to have the channel fader also set to 0dB, otherwise all bets are off as to what you hear.

    Incidentally, the information about which law you used is written into the session file, and also you won't be able to get the results from any change you make until you've shut down and restarted Audition. That catches out a few people. I believe it's possible to edit your session file to make it use the other law, but we'd need Suite spot to remind us how to do that, I think...

    1 reply

    SteveG_AudioMasters_
    Community Expert
    SteveG_AudioMasters_Community ExpertCorrect answer
    Community Expert
    October 15, 2018

    It depends mainly upon two things, this. Firstly, the settings on the Multitrack mixer panel, and secondly the pan law setting you used when setting up the multitrack session.

    If the mixer levels are set so that all tracks at at 0dB, and the pan law was set to L/R cut - Logarithmic, then all the levels will transfer between Multitrack and Waveform views correctly.

    But if you created the session with the multitrack pan law set to -3dB center, then the track will appear to be 3dB lower in level in Waveform view. This is because panning is effected by using equal power settings, and compensating the channel levels accordingly. What this means in practice is that the level of each channel has to be reduced in Multitrack view to take account of what happens when the pan control is advanced fully to one side - that's the point where the channel level will appear 'correctly'.

    L/R cut - Logarithmic doesn't do that - it achieves panning by reducing the amount of the other channel, and leaving the first one alone.

    These settings only make a difference if you are actually panning a mono source across a stereo sound stage. With the -3dB center setting, the sound will remain at the same apparent level right across it, as the apparent increase you'd get in the centre (dB addition) is compensated for. With the L/R cut, the law is somewhat different, and the panning won't be as smooth at all. If you are only placing a signal into a sound field and not moving it, it makes no difference which you use - until you do what you're doing, and jumping between Waveform and Multitrack.

    One 'solution' to this that works reasonably well is to use -3dB center for your setting, and advance the master fader to +3dB. The apparent level between the two playbacks should remain the same. But this means that you have to have the channel fader also set to 0dB, otherwise all bets are off as to what you hear.

    Incidentally, the information about which law you used is written into the session file, and also you won't be able to get the results from any change you make until you've shut down and restarted Audition. That catches out a few people. I believe it's possible to edit your session file to make it use the other law, but we'd need Suite spot to remind us how to do that, I think...

    dereka61993927
    Participant
    October 15, 2018

    Thank you, I will try this out.