Copy link to clipboard
Copied
can someone explain to me how to have 2 or more different clips on the same track and be overlapping WITHOUT one cutting the other off. ive got a set of vocals that overlap but i need the 2nd one not to cut off the first
Copy link to clipboard
Copied
In a session: Make sure that no clips are selected, otherwise you can't set this up. When this is the case, go to the Properties box and the session info will be displayed (instead of clip info, hence the deselection). Now go to the Mixing tab and twirl it down. Here you get a checkbox which will enable this to happen.
Personally I find that having it operate this is very confusing - it is, after all, why Audition has an infinite amount of tracks available! And I know I'm not the only one...
Copy link to clipboard
Copied
can you explain this a little better..where is the properties box? and the mixing tab?
i understand i can have a ton of tracks, but id like to reduce the amount of cpu used for effects by not needing to apply the same effects on each track
Copy link to clipboard
Copied
In Multitrack view, go to the Window menu, and make sure that there's a check in Properties. Now, the Properties tab will appear - by default I think it's in the same group of tabs that has the Effects Rack in it. Select it, and proceed as above.
But most significantly here is that it seems that you haven't really understood how Multitrack works, because if you had, you wouldn't be worried about this at all! If you have a load of tracks that you want the same effect, or effects, on then what you do is send them to a bus track, and put the effect on that instead - just the once. You can send any amount of tracks to that, and this way you can keep them on separate tracks and not piled up on top of each other. Creating a bus track is easy; Multitrack menu>Tracks>Add Mono (or Stereo) bus. Then in the output selection for all the tracks you want to send, select the bus you've created instead of Master. Put the effects you want in the bus track, and they will apply to every track you've sent to it. It's then routed to the Master output. There is a lot more flexibility available as well with buses if you use track sends - you can achieve some really complex routings like that.
Copy link to clipboard
Copied
Find more inspiration, events, and resources on the new Adobe Community
Explore Now