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46

P: Introducing the Project Indigo camera app

Adobe Employee ,
May 23, 2025 May 23, 2025

This post applies to the Project Indigo iOS camera app. 

 

Adobe Labs is excited to share an early look at Project Indigo, an iPhone camera app we've started to develop, to get feedback from the photography community. The app offers full manual controls, a more natural ("SLR-like") look, and high image quality in both JPEG and raw formats. It also introduces some new photographic experiences not available in other camera apps. For more information on the underlying technology, please refer to thiProject Indigo blog post.

 

Before you start with Project Indigo 

  • We recommend using Project Indigo on iPhone 15 Pro/Pro Max or newer devices.
    (Also supported are 12 Pro/Pro Max, 13 Pro/Pro Max, and all 14-series devices.)
  • You should have at least 1GB of storage space left for the app, the downloadable AI Models inside the app, and for captured photos. 

 

Recipes for success when using Project Indigo 

To get the maximum out of your images captured with the app, follow these guidelines: 

  • When reviewing the results, focus on Project Indigo's more natural look (in both SDR and HDR). If you haven’t done this before, try viewing the images on your laptop or desktop device, preferably on an HDR screen. 
  • Capture with both JPEG and raw DNGs with file saving enabled. Project Indigo produces computational photography DNG files, which have the same natural look as JPEG images, but much more latitude for editing after capture. 
  • Take control of the camera with the built-in Pro Controls, including controls that are exclusive to a computational camera: Frames to Merge and Merge Method. These may be intimidating for beginners, but with Project Indigo, you can try them for free, and nothing will break—you can always reset the settings to ‘Auto’ and let the camera take back control. 
  • Go to the Indigo Labs page and play with the latest innovations our team can offer. These are only available on mobile via Indigo! 
  • Be patient! Project Indigo is doing a lot of heavy lifting under the hood, and it will reward you with great photos. In return, it may ask you for a bit of time to set up captures when needed, and to wait a few seconds for the image processing to finish. 

 

Sending feedback 

Please try the app and share feedback in this community forum thread. If you report a problem you encountered, it would help to include details like which device you are running Project Indigo on, what kind of scene you were trying to capture, what you were trying to achieve with the camera, and as much information as possible about what you like or do not like about the resulting photo quality. Our team will continually monitor this thread to track issues and improve future experiences.  

 

To improve the performance and results of Project Indigo, it is important that examples of images that do not meet your expectations are forwarded to the team via your report.  A large variety of file formats are allowed as attachments in these forum posts. The best option is to attach your image's raw file directly to your feedback post. Note that there is a 50 MB limit on an attachment's file size. If your raw file is too large to attach, the best option is to share the file via a file-sharing service (Dropbox or similar) and then share the link in your feedback post. Thank you for continuing to provide feedback on the Project Indigo camera! 

 

Boris Ajdin: Product Manager, NextCam 
 
Posted by: 

 

Rikk Flohr: Adobe Photography Org
TOPICS
iOS: iPhone
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replies 1107 Replies 1107
New Here ,
Aug 15, 2025 Aug 15, 2025

Thank you to the team working on this app, it's so refreshing to see an app that leans even more on computational photography instead of less like so many other apps do. I love the app and am very excited to see what the next updates will bring! I have a few suggestions/feature requests and one question.

 

  1.  It's currently very hard to nail focus when adjusting it manually. It would be really helpful if the app had green/yellow/red focus peaking to help with that.
  2. When shooting in auto mode, it's hard to get both the appropriate focus and exposure right as similarly to the native Camera app, tapping on the screen will set both at the same time. I would love it if tap to focus and set exposure could be separated (possibly with a setting to control this behaviour), allowing me to tap to set both, and then drag out only the exposure or focus to another area on the screen. Check out ProCamera's interface for a great example of this. This would help me nail both settings 99% of the time and not even need to resort to manual mode.
  3. Eposure compensation should be easier to access. This is a frequently used setting, even in auto mode, to justify it being easily accessible without having to go into the manual settings menu. I would suggest moving the "Photo/Night" mode toggle to the side, and putting the "+/-" button front and center right above the shutter button. Again, look at ProCamera's different interface modes for great examples on how to solve this.
  4. If this app is going to rely so heavily on computational photography to the point of overheating most modern phones, a setting should be added to let us choose how much computation we actually want. You don't need to expose the exact parameters or optimizations used behvind the scenes, but just let me choose between 2 or 3 presets that customize how intensive the processing will be. Phrasing this in terms of what trade-offs could be expected could help communicate what each setting entails. Something like "Speed ----- Balanced ----- Quality" – where Quality would be the existing processing that tends to overheat phones, and the other two could be less intensive versions of that, with other priorities in mind.

 

Question

 

On that last note, like many people, my only "problem" with the app is how hot my iPhone 16 Pro gets when using it. This makes the whole experience poor, as it either gets uncomfortably hot to hold or the app will just start freezing under heavy load. While my suggestion above is one way I think this could be addressed in the future, I have found a workaround that works with the current version of the app, and wanted to check if this is a viable solution, in your opinion: I found that when I turn on "Low Power Mode" in the iOS Battery settings, the app will make my iPhone significantly less hot during use. This is expected, as Low Power Mode will, among other things, restrict processing and turn off the HDRness of the display in order to use less battery power. This also inevitably means the app will take a little longer to process the final shots, but I would say it's an overall better experience while using it. So my question is: does running the app with Low Power Mode turned on cause the app to compromise on the quality of the captured photos in any way? I think this is a viable workaround until the app can be optimized to not overheat most phones, or until chips get more powerful to run it without any issues, BUT I will only rely on it if that means there's no compromise on the quality of the output.

 

Thank you again for your attention to the feedback shared here, and for making this awesome app! 

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Adobe Employee ,
Aug 26, 2025 Aug 26, 2025
quote
By @pmattos92

Thank you for sharing detailed observations and suggestions. I'll do my best to comment or answer your questions:

  1. Getting manual focus right is tricky, I fully agree. The "focus peaking" feature you are mentioning is nee impossible to implement well. Basically, it is impossible to detect "peak sharpness" of a pixel or image region from a single image. You would need to analize the same scene but with multiple images, captured with focus shifting (i.e., a focus stack). Furthermore, this would heavily depend on the amount of noise in the image signal and zoom level. We tried implementing the feature and doing some quality tuning, but basically it ended up not being precise enough to be useful, which is why we didn't ship it and relied on the focus loupe in Pro controls.
  2. Improving focus and exposure in Auto mode is on our todo list. There are several aspects of it: separating the tap locations for focus and exposure, accounting for the digital zoom (this required changes in iOS which will be available in iOS 26; we will add them then), and adding the exposure compensation slider. All of these are on our roadmap.
  3. As mentioned in #2, we will add EC to Auto mode in one of the upcoming releases.
  4. This is an interesting suggestion. We are working on adding support for user-customizable post-processing parameters, but for computational photography this is for now accessible from the Pro Controls. Namely, in Night Mode, the last Pro Control on the right exposes the Frames To Merge slider: the fewer frames one uses, the faster processing will be, and vice versa. We can think about some more high-level app setting, but in truth, with Indigo we are trying to push the limits of computational photography and of iPhone hardware. We have quite a few additional optimizations to try which may limit or negate the need for customizing the amount of computational photography.

 

Regarding your question, low power mode should not compromize the quality of Indigo captures much, if at all. There may be some impact however, primarily with Zero Shutter Lag captures in Photo mode, where the rate of raw frames the app is able to get from the OS may go down. If there are fast moving scenes, there may be fewer frames to merge, resulting in noisier captures. Other than that, note that in low power mode your display will not show HDR properly, so images may not look good until you disable the low power mode.

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Adobe Employee ,
Aug 27, 2025 Aug 27, 2025
quote
quote
By @pmattos92

 

Regarding your question, low power mode should not compromize the quality of Indigo captures much, if at all. There may be some impact however, primarily with Zero Shutter Lag captures in Photo mode, where the rate of raw frames the app is able to get from the OS may go down. If there are fast moving scenes, there may be fewer frames to merge, resulting in noisier captures. Other than that, note that in low power mode your display will not show HDR properly, so images may not look good until you disable the low power mode.

Clarifying the low power mode a bit. Regarding ZSL capture, we suspect there may be impact on the frame rate of raw frames we may get from the system, but that is not confirmed. In reality, there may be no impact. And on the HDR side of things, the captured images will be processed just the same, it's just that the OS will disable the HDR display output (as it consumes a lot of power) so the images will temporarily look poorer. If you disable low power mode, then those same images will look just fine.

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Community Beginner ,
Aug 16, 2025 Aug 16, 2025

Is anyone using PI on an iPhone 16e? If so, how does it run and what zoom options are available?

Thanks

Lee

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

Is anyone using PI on an iPhone 16e? If so, how does it run and what zoom options are available?

Thanks

Lee


By @leed24280355

On 16e the app should run just fine. Since that device has only one lens, the zoom options are 1x and 2x, with maximum zoom being 5x. For the selfie camera they remain the same.

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Community Beginner ,
Aug 16, 2025 Aug 16, 2025

If I set an exposure compensation value via the pro settings in the app, next time I restart Indigo, that EC value persists, even though the app is no longer in 'pro' mode. I would have thought the correct behaviour should be either

  • Persist the EC value on restart *and* go back into 'pro' mode
  • Stay in auto mode on restart with the EC value reset to zero.

Lee

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

If I set an exposure compensation value via the pro settings in the app, next time I restart Indigo, that EC value persists, even though the app is no longer in 'pro' mode. I would have thought the correct behaviour should be either

  • Persist the EC value on restart *and* go back into 'pro' mode
  • Stay in auto mode on restart with the EC value reset to zero.

Lee


By @leed24280355

Lee, I tried reproducing this issue but couldn't (assuming I understood you correctly). I tried the following:

  1. Set the EC to +3 in Pro controls
  2. Pause or kill Indigo
  3. Start Indigo
  4. Observed that the viewfinder may start brighter (it perhaps uses the last used exposure time and ISO values), but it quickly recovers and exposes correctly for the scene.

Are you noticing a different behavior than that? If so, can you elaborate more on the exact steps you use and exactly what you are observing as a result. Thanks

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Community Beginner ,
Aug 26, 2025 Aug 26, 2025

Hi Boris

I can confirm that I see the same behaviour as you. What I think I was observing was that, after a restart of Indigo, it is indeed in auto mode (which is fine) but if you press the icon to go back into Pro mode, you get the same settings that you mave made in the previous instance of Pro mode. So any changes to settings (EC or shutter speed, iso etc) in Pro mode are 'sticky' and are retained for the next time you go into 'Pro' mode.

I assume this is the expected behaviour? It just means that if you don't use Pro mode for a while and then click on the icon for it, you may forget that settings have been made there and retained. Perhaps this is just an awareness thing on the part of the user, one can always do a manual reset when entering Pro mode - to be fair the icons for any changed settyings are highlighted in yellow, so I guess it is easy to see.

Another option is maybe to have a setting that switches on/off  'reset Pro mode settings on restart' or similar.

Lee

 

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Adobe Employee ,
Aug 26, 2025 Aug 26, 2025
quote

Hi Boris

I can confirm that I see the same behaviour as you. What I think I was observing was that, after a restart of Indigo, it is indeed in auto mode (which is fine) but if you press the icon to go back into Pro mode, you get the same settings that you mave made in the previous instance of Pro mode. So any changes to settings (EC or shutter speed, iso etc) in Pro mode are 'sticky' and are retained for the next time you go into 'Pro' mode.

I assume this is the expected behaviour? It just means that if you don't use Pro mode for a while and then click on the icon for it, you may forget that settings have been made there and retained. Perhaps this is just an awareness thing on the part of the user, one can always do a manual reset when entering Pro mode - to be fair the icons for any changed settyings are highlighted in yellow, so I guess it is easy to see.

Another option is maybe to have a setting that switches on/off  'reset Pro mode settings on restart' or similar.

Lee

 


By @leed24280355

Lee - correct, this is the expected behavior. The logic behind the decision was simple: if the user is in a session where they capture with Pro Controls on in the same/similar situation, then their selected values should be honored between app restarts rather than forcing them to manually set it every time. On the other hand, if they want to start from scratch, they can long-press on the Pro controls icon and quickly reset all. Having said that, we will be working on adding overall app preferences for which settings should be sticky across app launches vs which should change. This should include which lens to use, which mode to be in, Pro controls, etc.

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New Here ,
Aug 16, 2025 Aug 16, 2025

I have one photo in my Apple Photos library whcih has bad metadata and has 2028 as its date. So after I take a photo with Indigo and click on the photo thumbnail in the bottom left my future dated photo appears instead of the photo I just took. Obviousely a problem on my side but...

iOS 26.0 (23A5318C)

iPhone 16 Pro Max

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

I have one photo in my Apple Photos library whcih has bad metadata and has 2028 as its date. So after I take a photo with Indigo and click on the photo thumbnail in the bottom left my future dated photo appears instead of the photo I just took. Obviousely a problem on my side but...

iOS 26.0 (23A5318C)

iPhone 16 Pro Max


By @phydie

This is as expected - Indigo is reading the camera roll to find the images for the filmstrip. Under normal circumstances, it is expected that the last image captured with Indigo is the newest, and that will be shown. If you have a photo "from the future", then there is no way for the system to know that is not what you want shown. We are working on adding album support for Indigo captures which may help with this.

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Explorer ,
Aug 16, 2025 Aug 16, 2025

To prevent oberheating and battery drainige please provide a switch to stop zero lag shutter. I am using iPhone 15 Pro

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Community Beginner ,
Aug 17, 2025 Aug 17, 2025
Yes. There needs to be a standby mode where there is still an image preview on the screen. Then when you’re ready, zero lag mode can be entered.
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Adobe Employee ,
Aug 26, 2025 Aug 26, 2025

@Winfried Heyland @malcolmb59383665 we are looking into technical feasibility of disabling ZSL functionality to save on power. We are hesitant to do that before we've exhausted other battery saving measures - please stay tuned.

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New Here ,
Aug 18, 2025 Aug 18, 2025

Loss of Indigo Embedded Camera Profile after backing up DNG files to iCloud

 

I’ve noticed an issue with the DNG files captured using the Indigo Project app. On the iPhone/iPad, these files correctly carry the embedded profile Indigo Embedded Camera Profile.

 

The problem appears after backing them up to iCloud:

 

  • Once downloaded again (either to a computer or even back to the same device), the embedded profile is no longer present.

  • When importing into Adobe Lightroom, instead of loading the original Indigo profile, Lightroom defaults to Adobe Color or sometimes Apple RAW.

 

This results in noticeable color shifts compared to what the Indigo app originally captured.

Is there a way to preserve the Embedded Camera Profile during iCloud sync?

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Adobe Employee ,
Aug 22, 2025 Aug 22, 2025
quote

Loss of Indigo Embedded Camera Profile after backing up DNG files to iCloud

 

I’ve noticed an issue with the DNG files captured using the Indigo Project app. On the iPhone/iPad, these files correctly carry the embedded profile Indigo Embedded Camera Profile.

 

The problem appears after backing them up to iCloud:

 

  • Once downloaded again (either to a computer or even back to the same device), the embedded profile is no longer present.

  • When importing into Adobe Lightroom, instead of loading the original Indigo profile, Lightroom defaults to Adobe Color or sometimes Apple RAW.

 

This results in noticeable color shifts compared to what the Indigo app originally captured.

Is there a way to preserve the Embedded Camera Profile during iCloud sync?


By @Juan_Batiz4360

Thank you for reaching out with this problem. We tried to reproduce it by backing up Indigo DNGs to iCloud directly and we found no issues: the DNG structure is fully preserved, including the profile. However, if we use Apple Photos app to back images app, then we see the problem you are describing, so it seems that the cause of the issue may be with Apple Photos app - is that how you are backing up your DNGs to iCloud? If so, try switching to backing up manually or through another mechanism, and we will follow up with Apple on this issue.

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Community Beginner ,
Aug 19, 2025 Aug 19, 2025

Further to the issue o losing the Indigo profile. This time I am using Lightroom Classic and, having transferred a DNG to my hard drive, I import it into LR Classic. I see the Indigo profile as expected.

If I immediately click the 'Reset' Button at the bottom of the Develop module, the Profile changes to 'Adobe Color'.

If, instead, I go to the history panel and click on the 'Import' line, the Indigo profile does re-appear. So, in LRC I can get it back via the history panel but in LR Cloud, there is no history panel in which tgo do this.

Lee

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

Further to the issue o losing the Indigo profile. This time I am using Lightroom Classic and, having transferred a DNG to my hard drive, I import it into LR Classic. I see the Indigo profile as expected.

If I immediately click the 'Reset' Button at the bottom of the Develop module, the Profile changes to 'Adobe Color'.

If, instead, I go to the history panel and click on the 'Import' line, the Indigo profile does re-appear. So, in LRC I can get it back via the history panel but in LR Cloud, there is no history panel in which tgo do this.

Lee


By @leed24280355

Hi Lee, we are following up with the Lightroom team and will try to get the treatment of Indigo inside the Lightroom ecosystem sorted out asap.

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New Here ,
Aug 19, 2025 Aug 19, 2025

Any news on Android development?

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

Any news on Android development?


By @julian98A2

Android is on the team's roadmap, but further development on iOS is the current priority. We have a lot more computational photography to add and feature to build around them, focusing on a single platform is necessary for the time being.

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Explorer ,
Aug 20, 2025 Aug 20, 2025

I finf that images shot and edited in Pi end up with a magenta tint in the saved file. Is there a way to avoid this outcome?

 

Also, could the app clarify whether the editing in Pi  is applied to to the dng, jpg or both?

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Community Beginner ,
Aug 20, 2025 Aug 20, 2025

 As I follow this thread, have noticed many experiencing color consistency issue.  When exporting the Indigo raw using LR Moibile, I then export the DNG to my Mac. I color grade the DNG in CaptureOne, my editor of choice.  I've found that the unadulterated Indigo raws then require me to very heavily color grade the raws back to what would be considered normal.  

 

Using this method, which takes a s - - t load of time, there are zero profiles or settings in the raws to work with.  Very tedious but to me, it almost feels like a piece of art when I process the graded raw to a final image file.  Just like the old days!  

 

If I don't want or need t take the time, I just use the jpgs for down-and-dirty results.  In this reply, I attached a very heavily graded pic of my home town.  The original raw was very flat, and looked quite underexposed. Took me 30 minutes to grade, color correction +saturation, contrast and lots of selective masking.  The final image file looks like something I could've captured on my Sony A7rV.  Indigo is a fun camera app but to me, requires a lot of back-end color grading to make images look super.

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

 As I follow this thread, have noticed many experiencing color consistency issue.  When exporting the Indigo raw using LR Moibile, I then export the DNG to my Mac. I color grade the DNG in CaptureOne, my editor of choice.  I've found that the unadulterated Indigo raws then require me to very heavily color grade the raws back to what would be considered normal.  

 

Using this method, which takes a s - - t load of time, there are zero profiles or settings in the raws to work with.  Very tedious but to me, it almost feels like a piece of art when I process the graded raw to a final image file.  Just like the old days!  

 

If I don't want or need t take the time, I just use the jpgs for down-and-dirty results.  In this reply, I attached a very heavily graded pic of my home town.  The original raw was very flat, and looked quite underexposed. Took me 30 minutes to grade, color correction +saturation, contrast and lots of selective masking.  The final image file looks like something I could've captured on my Sony A7rV.  Indigo is a fun camera app but to me, requires a lot of back-end color grading to make images look super.


By @chrisd40442477

I am not sure I fully understand your workflow. In order for me to help, it would be good to know exactly:

  • How you are getting Indigo photos to Lightroom (and which version of Lightroom are you using)?
  • How are you exporting the image from Lightroom?

 

Since you are using CaptureOne for color grading, note that they most probably do not support the full DNG standard, which includes tone and color look up tables. Indigo uses both, and without them the image will indeed look flat. I am curious if you see a similar issue with DNGs opened in Lightroom, or if this is a problem when you workflow uses non-Adobe tools.

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Adobe Employee ,
Aug 25, 2025 Aug 25, 2025
quote

I finf that images shot and edited in Pi end up with a magenta tint in the saved file. Is there a way to avoid this outcome?

 

Also, could the app clarify whether the editing in Pi  is applied to to the dng, jpg or both?


By @David 101

To clarify - is the magenta tint there when you edit an Indigo image in Apple Photos, or some other tool? If it is Apple Photos, then this is a known issue. Apple has fixed it as of iOS 26 Beta 4, but they will probably not be back-porting it to iOS 18.x.

Regarding the second question, which file gets opened depends on the path you take to open it. If you are capturing JPEG+DNG, then:

  • If you click on "Edit in Lr" in Indigo's filmstrip, a DNG will be opened in Lightroom mobile app for editing.
  • If you go to Apple Photos and edit an image, a JPEG will be edited.
  • If you share an image from Apple Photos to Lightroom, a JPEG will be opened, NOT a DNG!

We are working on enabling DNG-only capture, as well as saving JPEG and DNG as separate files, so you can see both on the camera roll and decide which one you want to work with.

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Explorer ,
Aug 21, 2025 Aug 21, 2025

I have a home grown DNG file "developer" program that I try to keep up-to-date. I have made a couple of updates to it to support Project Indigo files (like WarpRectilinear2). I have noticed that in some instances the DefaultCropSize tag in an Indigo file is all zeros. That is, the numerator and denominator values in the two rational values are zero, leading to NaN values. I'm running Indigo on an iPhone 15 (not a Pro or Pro Max). The problem seems confined to the front camera and the back wide camera (not the ultra-wide camera and not the wide camera in 2X mode). I import the Indigo files directly from the phone into the latest version of Lightroom Classic, then run them through my program. Thought you'd like to know. 

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