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khomthepreditor
Contributor
khomthepreditor
Contributor
Activity
‎Jun 05, 2019
03:24 PM
Make sure your drivers are up to date, starting with your GPU. Pull drivers directly from the manufacturer's website, NOT Windows Update. Hope this helps!
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‎Jun 05, 2019
03:03 PM
Cool, also do be aware Nvidia offers creator-ready drivers geared towards content creation instead of gaming, but I've had issues with them in the past, so maybe just make sure you have the regular driver downloaded as well.
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‎Jun 05, 2019
09:48 AM
What GPU do you have? You'll want to update your driver, directly from the manufacturer's website ideally.
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‎Jun 04, 2019
04:49 PM
2 Upvotes
I had an annoying error similar to this awhile back. It looks like you have a stabilizer applied to a clip with a transition on it. Warp Stabilizer doesn't play nice with other effects. When I had this issue what ended up working as a workaround was: Nest the original clip, without a stabilizer or transition (or any other effects) applied. In the nested sequence, apply the stabilizer, setting it to "Stabilize and Crop." Let it analyze. In your main sequence, scale the stabilized video up to fit the frame. Apply transitions/any other effects. Let me know if you have any questions!
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‎Jun 04, 2019
04:26 PM
Revert back to the last version that worked!
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‎Jun 04, 2019
04:24 PM
Good point. Tomy-rex​ if you have the clip's time warped at all, or any opacity keyframes applied, break those down into separate nested sequences. Also maybe try disabling opacity keyframes?
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‎Jun 04, 2019
04:12 PM
As a Windows+PrPro user for almost a decade, this is definitely something I've had to live with, and figured it's just a part of working in Premiere on Windows. Usually it hasn't been an issue for me in terms of time, even when dealing with ~3-4TB of RED footage. Worst case scenario, find the first clip, hit okay, and grab a sandwich while you let it process. I think the issue here is that you mention "The media is all stored on external driveS." Do you have footage for one project located across multiple external hard drives? That would be why it take such a long time, and why you have to relink each drive separately. I'd recommend getting a portable RAID setup, or if it's moving between computers in the same building, look into setting up an NAS (server), and just connect your computers to that.
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‎Jun 04, 2019
04:00 PM
Hey. So it seems your computer is having trouble handling the footage in some way. This may seem obvious, but there are plenty of possible causes for this. To be able to diagnose what's going on, the main pieces of information we need off the bat are: System Specs CPU RAM GPU Storage PrPro Version No. Footage Resolution Framerate Codec Update us with that info and we can try to start troubleshooting. In the meantime, one quick-and-dirty fix would be to try trashing your preferences: FAQ: How to reset (trash) preferences in Premiere Pro?
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‎Jun 04, 2019
03:15 PM
As Rodney mentioned, filesize is determined by bitrate x video length. So your solution is to adjust your bitrate in your export settings, which can be done in a number of ways. But, there's some missing info here... 1. What resolution is your original footage? 2. What resolution are you trying to export to? Also, if you can post a screenshot of your export settings, that would help a ton! We can suggest how to export, but it'll be easier if we can point you where to go
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‎Jun 04, 2019
12:53 PM
1 Upvote
It definitely takes some research and knowing what you're doing to BYO rig. There are services out there that allow you to design your computer, and then have the company assemble it. A quick Google search brings up CCL Computers: http://www.cclonline.com/pc/​ and the ever-reliable Puget Systems: https://www.pugetsystems.com/configmenu.php but I know there are other options out there. I did a new build back in December with about ~$1,500, and I'd be happy to share my research and part list with you as a jumping off point. And of course I can answer any questions you might have! But, seeing as you'll be traveling, you may just want to go with a laptop. MBP's are popular, but Nvidia just announced a new line of Studio laptops that's meant to be a MBP competitor starting around $1,600. They release later this year (month?), so that might be something to check out: New NVIDIA RTX Studio Laptops Provide Desktop-Class Performance | NVIDIA Blog
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‎Jun 04, 2019
10:34 AM
1 Upvote
With $3,000 you can definitely build a pretty decent PC that will be more modular and last longer than a Mac. Let me know if you need any suggestions, although I am sure there are plenty of smart people in this forum more knowledgeable than myself
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‎Jun 04, 2019
10:28 AM
MOV would just be the container, which likely isn't affecting playback. Do you know what codec your footage was shot in? I'm not sure the best way of going about checking this natively in Windows 10, but if you have VLC Player installed, open your footage in that, click on "Window" at the top of the screen, then go to Media Information, then the Codec Details tab. Also framerate and resolution would be helpful info as well! Jim​ mentioned using Cineform proxies, which would likely solve your problem. If you have any questions on that workflow, I'm happy to help you out. Also, do make sure all your drivers are up to date, and like Mike said, you'll probably just want to enable CUDA as switching to Software Only didn't make a difference for you.
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‎Jun 04, 2019
08:11 AM
1 Upvote
What type of footage are you working with? And where is it located?
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‎Jun 03, 2019
03:41 PM
Hey all, Working on a project right now that contains 8K RED footage, along with 4K ProRes 4444 from a DJI Inspire. All the RED footage had proxies shot alongside full-res media in-camera, so that isn't an issue. But now I'm trying to create 1080 proxies based on the Inspire footage, which is where I've run into a snag. A handful of the clips have been spanned, meaning one clip was split into (at least) 2 .mov's within the same folder by the drone when it was filming. This is essentially how R3D clips work as well, but Premiere has a built-in way of grouping those spanned files together into one complete clip. Unfortunately, Premiere/AME doesn't look at DJI footage the same way, so when I go to import the files I need to create proxies for, it imports the spanned clips separately. This won't work for creating proxies, as I'll get a separate proxy for each spanned clip, when I'd rather have one proxy for the grouped/processed spanned clips as a whole. I hope that makes sense. In my mind, the best workaround would be to bring those spanned clips into a project, line them up in a timeline, nest them, and then create one proxy based on that nest. Would that work? Or is there a better way? Let me know your thoughts Thanks in advance for your help!
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‎Jun 02, 2019
06:17 PM
Was going to say, that's a 7-year-old CPU...
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‎Jun 02, 2019
06:09 PM
Are all your drivers up to date?
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‎Jun 02, 2019
06:06 PM
Another thought is that maybe this is the effect of some bad frame blending? Try switching between the "Time Interpolation" options in the dropdown at the bottom of the export dialogue window.
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‎Jun 02, 2019
06:04 PM
I've read that iPhone footage can cause some issues with variable frame rates. Maybe that might come into play?
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‎Jun 02, 2019
06:03 PM
Hey, sorry, I was trying to edit my original comment as I just saw that
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‎Jun 02, 2019
05:59 PM
So this appears to be interlacing. Since your export settings are set to progressive, this leads me to believe the source footage was shot interlaced? Or maybe it was placed in an interlaced timeline? What are your sequence settings? And what was the footage originally shot on?
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‎May 30, 2019
02:34 PM
What is your storage setup? Where are your project files, cache files, program files, and media all located?
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‎May 29, 2019
09:10 AM
Right, so going back to my original question: When exactly do you see the change occur? Is it when opening a project for the first time after having it closed? When clicking between tabs? When changing your workspace? You answered: Normally clicking between sequences and doing edits. And yet now you say: When I open the program they are often totally rearranged from when I last left them. ... So are these changes happening when you have the project open and you're clicking between sequences/doing edits, or do the changes occur between closing and reopening your project? Or both? Because depending on when your tabs are rearranging themselves, it's either human error, or something wrong with the program.
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‎May 24, 2019
01:57 PM
Do you visibly see those tabs rearranging themselves? They shouldn't just move around on their own.
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‎May 24, 2019
12:57 PM
When exactly do you see the change occur? Is it when opening a project for the first time after having it closed? When clicking between tabs? When changing your workspace?
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‎May 14, 2019
08:07 AM
I don't think it's offline necessarily, just that maybe the timecodes aren't lining up? I've seen it happen when updating versions, even without proxies in the mix.
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‎May 14, 2019
12:06 AM
One more thing, have you changed how you import files at all? Sometimes errors happen when pulling things in by going File->Import (or Ctrl+I), so maybe try importing by clicking and dragging from your Media Browser?
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‎May 14, 2019
12:03 AM
True; it almost 100% had to do with the update. I see the pro's recommend you never upgrade while you're in the middle of a project. And make sure auto-updates are turned off
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‎May 13, 2019
11:53 PM
Additionally, a simple fix may be to just luma key out anything not white, and you should be left with a clean MOV in your Program Monitor.
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‎May 13, 2019
11:52 PM
I don't think that's quite what I'm looking for, but your screenshot gave me a hint as to what might be your issue. It looks like there's a slight shadow around the white portion of the video; I imagine that's affecting how the background keys out within premiere since those shadowy pixels will be a lower value (darker) than the rest of the blue being keyed out. Where did you originally get this clip? Did you create it yourself? Is it downloaded from the internet? Is it from a friend or colleague? I ask because if you can access the project files of the original composition, you could delete that shadow and the background should export and key out cleanly.
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‎May 13, 2019
11:01 PM
1 Upvote
Maybe as that person's boss you should be preparing them and advising them of best practices? Establishing naming conventions? Etc.
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