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khomthepreditor
Contributor
khomthepreditor
Contributor
Activity
‎May 13, 2019
11:00 PM
To do this, select your clip, go the the Effects Controls window, highlight your Motion keyframes, right click, and look under Spatial or Temporal Interpolation.
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‎May 13, 2019
10:53 PM
While I think Warren Heaton​ is right about the playback glitching being caused by inadequate system specs, I think the core of your problem may lie in your full-res media being mis-linked. Select all the footage connected to proxies in your Project Window, then right click, go to Proxy, and click Reconnect Full Resolution Media. Then browse to find the original full-res files those clips belong to.
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‎May 13, 2019
10:47 PM
Where are you exporting them from? Could you share a screenshot of your original MOV export settings?
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‎May 13, 2019
10:39 PM
Where are these MOV's coming from? Do you know if the alpha channel is bring properly exported?
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‎May 13, 2019
03:28 PM
1 Upvote
You should be able to delete just the mask keyframes and still copy over the opacity keyframes. In fact, an easier way of doing this is to copy your original clip, then Crtl+Alt+V on your target clip, which will pop up a window asking which attributes you want to copy over. That aside, I think your best option is to delete all opacity keyframes or transitions from your existing Legacy Title clips in your timeline, then create nested sequences out of each of those Legacy Titles (select, right click, Create Nested Sequence). That will replace those Legacy Title clips with sequences. Then apply your opacity settings to those nested sequences within your timeline. By doing this, you "hide" your mask settings inside the nested sequences, and can apply the opacity to the nested sequence, so those two effects aren't conflicting on the same clip. I hope this all makes sense but please let me know if you have questions!
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‎May 13, 2019
03:13 PM
1 Upvote
My recommendation would be to try nesting your clip before applying any transitions to that nested sequence. This will prevent multiple effects on the same clip from conflicting with each other.
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‎May 13, 2019
02:57 PM
I like this idea, and this is a simple solution, but will it prevent the distortion caused from layering many audio clips together? Or will it just ensure the final export doesn't go above -3dB? Hopefully that makes sense. In my mind, the best way to keep your audio from clipping is to individually level each effect in your timeline, but depending on how many clips you have, and how much time you feel like investing into this project, it can be a pretty consuming process. This is what we call mixing. EDIT: If you don't feel like going through each clip, you could also select all your clips and bring the gain down by the same amount. I feel like this would be less destructive than using a hard limiter.
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‎May 01, 2019
10:21 AM
Awesome! Glad I was able to help
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‎Apr 30, 2019
02:33 PM
Yep, I'd recommend updating Premiere, restart your computer, then reopen Premiere and look for that window.
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‎Apr 30, 2019
02:12 PM
Hey, what version of PrPro 2017 are you running? The EGP wasn't actually added to Premiere until v11.1, so make sure you're on a version that supports it. If not, you'll either have to update, or use Legacy Titles instead.
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‎Apr 26, 2019
09:37 PM
So the issue seems to resolve itself if I change framing on the stabilizer to "Stabilize and Crop" instead of "Stabilize Only". Still not sure why it was happening in the first place, but the solution works for what I need now, so I'll mark this thread assumed answered. If anyone might be able to shed some light on this, it would still be much appreciated!
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‎Apr 26, 2019
08:04 PM
Hey everyone, I've got a somewhat bothersome bug that's causing angry red "low-level exception (AEVideoFilter:11)" window to pop up in my project almost every time I hit the + or - button. Zooming in and out rapidly causes my "Events" window to go nuts with this thing: Right now, I'm working primarily with 4K (3840x2160) 29.97 H.264 footage shot on a Sony a6300 with my renderer set to CUDA in a sequence the following sequence settings... I've already tried changing the timebase to match the source footage with no luck. I would normally just edit in a 4K timeline, but in this project I'm also working with 720 footage that client insists on using On my timeline, I have two stabilized nested sequences right next to each other, "Stabnest01" and "Stabnest02". Only Stabnest01 seems to be a problem clip, since deleting it from my timeline causes the errors to no longer pop up, while deleting Stabnest02 has no effect. Within Stabnest01, I have only one clip with Warp Stabilizer applied with the following settings: I'm running PrPro 13.1.1 Build 11 on Windows 10 with a Ryzen 7 1700X, Nvidia 1070 Ti, and 32 GB G.Skill TridentZ DDR4-3200 RAM.
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‎Apr 26, 2019
06:16 PM
Unfortunately, I already knew that, which is why I noted... with the default destination set to my desired folder on that hard drive, which is a different folder from where the full-res footage is stored Why would AME need to avoid duplicate filenames if it isn't even saving to the same directory? I can see why _Proxy'ing your proxies would be useful, but I tend to try and keep my file names matching as I've had bad luck syncing created proxies to their full res media when the timecodes don't carry over, so I opt to do it by name instead.
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‎Apr 26, 2019
10:43 AM
Are you on Mac or PC? Do you have Viewing Hidden Files enabled?
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‎Apr 26, 2019
09:40 AM
4 Upvotes
Hey everyone, I've been dealing with this annoying "feature" in AME for quite a while, and I really want to figure out how to avoid this. Basically, sometimes when I try to create proxies through Media Encoder, it'll auto-rename my output files to "FILENAME"_1. In the past, I've been fine with just renaming every file after they process so they can relink to full-res media in Premiere based off of name, but I really just want to figure out what I might be missing that's causing this. I'm running AME v13.1, and here are my system specs (although I have noticed this on older versions of AME, and on my PC at home): Let me walk you through my process... Right now, I'm working with footage from a Sony FS7 footage shot in 4K AVCHD, trying to create 1080 DNX LB proxies. I've imported my footage from my media onto my hard drive, and then I want to create proxies on that hard drive, so I created this ingest preset... ...with the default destination set to my desired folder on that hard drive, which is a different folder from where the full-res footage is stored. From there, I'll load the footage I want to transcode into the Media Browser window. I select all the clips, and drag it down to the preset that I just created. It adds them all to the queue, and as you can see, the output files all look fine (no _1's on any of them)... ...buuut, sometimes, I have needed to change the destination folder for the clips after they've been added to the queue, so I select them all and click on where it says "1080 DNX LB Proxies" on one of the clips to make changes to the preset. It gives me the warning, "You are about to edit encoding settings for multiple outputs. The settings of all selected outputs will be replaced. Do you want to continue?" and I hit OK. I browse to "change" the destination folder, but for the sake of troubleshooting, I just reselected the same folder as before. Keep in mind I haven't exported anything from AME to this folder at this point, and yet, once I confirm that "change" in destination, all my output files have been _1'd... I tried starting back from loading the files into the queue, then editing the preset on all clips, and changing the destination folder to a folder on a completely different hard drive, and it still _1's my clips: Is there any way to prevent Adobe Media Encoder from adding a _1 to my clip names when I change the transcoding destination of all clips in my queue? Or is there a better way to change the destination folder without tweaking the preset? Clicking the output file path only opens the destination folder in Finder. Can't wait to hear what you all think!
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‎Apr 24, 2019
11:08 AM
Could you try uploading that image to see if we can replicate the drop in quality on another computer?
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‎Apr 23, 2019
02:03 PM
As in, we literally are unable to help you without all the information.
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‎Apr 23, 2019
02:02 PM
More information needed for someone to help... please click below and provide the requested information -Troubleshooting https://forums.adobe.com/thread/2261475 -Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840
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‎Apr 23, 2019
01:27 PM
1 Upvote
Hmmm, this makes me think it's an issue with Premiere specifically and not CC19 as a whole?
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‎Apr 23, 2019
01:17 PM
Ooh, one more thing I noticed from your OP... Surprisingly the mobile phone videos are quite ok compared to the original, but also not perfect. I feel like, the better the original quality of the photo or video, the higher is the loss of quality after export. You may also be dealing with different codecs from your different sources. If all else fails, you may want to transcode all your footage to the same codec before bringing it into Premiere.
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‎Apr 23, 2019
01:10 PM
1 Upvote
Alright so there are a few different things at play here, let's see if we can unpack it all... First I'd start with your sequence settings. Make the sequence resolution match what your export resolution. Making the sequence resolution far higher than your media will mean you may have to scale that media up to fill the frame, which means a loss in quality. That shouldn't be an issue with your camera photos at 4272x2848, but it looks like that's what's happening in your second set of example pictures. Next, I'd look at your export settings. The main thing that's probably holding you back is your bitrate. To export 1080p60 H.264 at a decent quality, you're going to want at least 12 Mbps. You were on the right track here... After some research, I tried to adjust following: Profile: High Level: 5,2 Width/Height: 3840/2160 Target bitrate: 20 Max bitrate: 22 ...but your downfall was upping your resolution as well as your bitrate. Also, I'm assuming those are adjustments to your export settings, not your sequence settings? Target 20, Max 22 should be fine for 1080p60, but you lose quality by trying to squeeze a 4K export out with that bitrate. Try exporting 1080p60 at Target 20, Max 22, and that should help the loss in quality you see in the first set of example pictures. Finally, as for the color shifts in your exported videos, what program are you using to view them? Whatever media player you're using to play them back may be messing with your color, so it may be an issue there instead of with Premiere.
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‎Apr 18, 2019
03:17 PM
doesnt seem reasonable given my hardware Well, what is your hardware? exporting a 720p video around 700mb is taking 3+ hours That seems awfully large for 720. How long is the sequence being exported? What codec are you using? What are the rest of your export settings?
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‎Apr 17, 2019
11:48 AM
Hey! Double check your sequence settings and your title dimensions both match, and what are your export settings?
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‎Apr 15, 2019
12:01 PM
Sweet! Glad you were able to figure it out
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‎Apr 15, 2019
10:18 AM
1 Upvote
That actually shouldn't matter. H.264 is a good codec for uploading to YouTube, so aim for that. If you're exporting 24-30fps, 10-15Mbps should be good for bitrate; 15-25Mbps for if you're doing 60fps.
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‎Apr 15, 2019
10:05 AM
Are you exporting directly out of Premiere? Try hitting queue instead of export at the bottom of your export settings, and it'll send your export to Adobe Media Encoder (make sure it's installed!), which may be able to handle the export easier.
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‎Apr 12, 2019
02:42 PM
Are you working with high-res footage? Try going to the dropdown menu below the Program Window, and changing it from "Full" to "1/2" or "1/4". You might be dropping frames if you computer is having difficulty rendering the full resolution of your footage, so that allows it to be previewed at a lower res, which should hopefully smooth out your playback.
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‎Apr 12, 2019
10:56 AM
By the way, there is easier way to do this in the future. Before you even start the new AE comp, find the clip you'll be replacing in your timeline, right click, then Replace -> After Effects Comp. It'll open AE and start a new comp with that clip already dropped in, and any changes you make to that AE comp will be instantly reflected in your Premiere project. You can read up more on Dynamic Link here: Share media between Premiere Pro and After Effects using Adobe Dynamic Link
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‎Apr 12, 2019
10:52 AM
Import your AE Comp into your project. Click the comp to make sure it's highlighted. Then, find the clip in the timeline you want to replace, right click on it, and go to Replace -> From Bin, and it should drop your comp into the timeline in place of the clip. Now, to be able to do it across all instances of the clip, I'll have to do some more poking around, but you can try selecting all instances of the clip in your timeline and try right click, replace. Hopefully this helps!
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‎Apr 12, 2019
10:45 AM
Try relocating your project file, or renaming the folder that contains the project file.
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