No it's not possible - .pkf files only do what I described above. ... View more

A couple of scenarios: Clipping will still appear if you exceed the visual range of the system - what should happen is that just reducing the actual level of the signal back into the visual window should result in an unclipped signal. Of course if it's visually overloaded then the chances are that it will also sound clipped, because the physical device you are playing it through doesn't cope with floaating point signals. ... View more

I only have one question, and it's not about settings. Were you recording in Waveform or Multitrack? If you were recording in Waveform view, and you filled the buffer space available (which would certainly give you that message), then yes, you've lost the lot - that isn't recoverable. If you were recording in Multitrack, then that would have been direct to the final file, and even if you get a crash whilst this is happening, you can generally recover the recorded file up to that point.   Recording in Waveform view simply isn't worth the risk unless it's something short and easily repeatable. ... View more

As far as I'm aware, Reason is still a VSTi when it comes to talking to the outside world. And Audition does not support VSTi at all, because it isn't music creation software. So the chances of 'integrating' it look vanishingly small... ... View more

It's not necessarily wrong. What processor does your machine have? The supported ones are:   Intel® 6th Gen or newer CPU – or AMD Ryzen™ 1000 Series or newer CPU Advanced Vector Extensions 2 (AVX2) Support required   The AVX2 requirement is one that catches a few people out - even some relatively recent Intel mobos don't appear to support it. The actual processor recommendations are:   Intel® 11th Gen or newer CPU with Quick Sync, or AMD Ryzen™ 3000 Series / Threadripper 3000 series or newer CPU ... View more

The reply above is incorrect. If you have markers deleted, and want to add another one that initially appears to be out of sequence, then all you have to do is highlight the marker name in the marker list and change the number, so this way you could reinstate the 3 in the example above. It doesn't even have to be a number - this is the label you are altering. It's also possible to change marker positions by sliding them along the track, and although this won't reinstate any missing numbers, it may make the sequence easier to follow.   Audition does query the marker list and add the next number in the sequence - but it doesn't care where you place it. If you want to do more complex edits then you have to export the marker list to a spreadsheet. To do this, download CueListTool (free) which will give you this option. It's then going to be possible to reorder by any criterion you choose. CueListTool will give you the option to replace the existing one with your revised version.   And Markers have been like this forever; they are not going to change. ... View more

Completely rewritten when Adobe took it over, and everything even vaguely related to music creation was removed when it was rewritten again to be dual platform. ... View more

Unfortunately there are far too many possibilities here to go through them all. Hot favorites are things like Antivirus software scans, Wifi polling and out-of-date video drivers, but there are loads more. Yes, it could be a buffering issue. The thing to do about that is something we recommend anyway, and that's to create a new folder for your temporary drive (you can set this up in Edit>Preferences>Media and Disk Cache (the top entry). Ideally it should be on a drive that the OS can't see - like an external SSD.   But there are loads of other possibilities. It's worth checking out how to optimise your computer for audio anyway - a google search will reveal quite a lot of suggestions. But because we don't even know if this is a Mac or a PC you are talking about, we can't really go any further than this. ... View more

You should be able to do this using the Delete Silence and Mark Audio options, but whether this would be precise enough as an automated process is doubtful. As for how to proceed, you need to look here and here (to find out about markers).   In future it's best, if you want to break a CD into tracks, to remove the check from Extract to Single File in the popup box for ripping. This way, each track will result in its own file anyway. ... View more

Sorry - Audition does not have anything called a 'Context' menu. I should have looked a little further.   As for the original issue - Ctrl-Z (or assign a single key to it) is pretty easy... ... View more

[Mod note: Moved to what I think is an appropriate forum - ie, not Audition!] ... View more

Have you checked to see if there's a video driver update for your machine? This is a common cause of things like this happening. ... View more

It's no good asking us - we're a U2U group hardly ever visited by the developers. Something you might try is sending your message to audbugs@adobe.com and you could also try posting on the Audition beta forum, which I believe they are rather more likely to look at. ... View more

I had a look at the H5 instruction book, and it has a list of allowable characters for a file name, and a period "." is not in the list. Quite reasonably, as it is used to distinguish between the name and its extension. So in Zoom's example, their file names always start with a number. So I suspect that SuiteSpot is quite correct, although I don't see why it can't be an MP3 - the only difference in the Zoom naming protocol between mp3 and wav is the extension. The other possibility of course on an H5 is that these are multichannel interleaved mp3 files. Ultimately the best way of dealing with any of these files is to use the H5 as the file reader - in other words use it as an interface. Or just do as SuiteSpot has offered and send him the file. If anybody can sort it out, he can! ... View more

You don't have to use Premiere - you can use the online version if you like... Enhance Speech    And I'm afraid that you do have to believe it, because it's true. ... View more

I'd be more intrigued to see what's at the top of the list, not the bottom... ... View more

Have you tried right-clicking on the Play button and removing the check from Return Playhead to Start Position on Stop? ... View more

One thing I can suggest is to run Sysinternals Process Monitor (you can download it free) and run a process tree on Audition, although it's not altogether easy to get sensible results. It's something you might want your computer tech at whoever built it for you to run and interpret. Also, just looking at Audition's log file might give you a clue, especially if you find a point where the number of ticks dramatically increases. ... View more

If you've got UseAdobeCleanFont, then you should have AdobeCleanFontSize at the other end of the list - on a PC it's the seventh item down. Make sure you don't have a check in the box at the top right corner of the Console, or you'll only see altered values, not the whole list. ... View more

One of the major issues with doing anything like this is synchronisation. In order for the whole arrangement to work, multiple feeds have to go to output devices that aren't synchronised, and this inevitably involves the use of buffers. If you have two tracks in Audition feeding two separate outputs, the only way to get them synchronised is by ear - and it means that you'll inevitably hear the 'slowest' feed first, with a delay on everything else.   That is the real issue with trying to do anything that's 'non-standard' - it's a bit like a dog walking on its hind legs. It'a not done well, but you are suprised to see it done at all. And there will inevitably be compromises. ... View more

There's a world of difference between multiple busses - which are virtual, and only exist in software - and multiple hardware outputs, I'm afraid. Like, no actual relationship at all...   Audition has an ASIO engine, and one of the basic conditions of ASIO is that you can only use one physical device with it. This usually works fine, because you can get multi-channel sound devices, which pretty much satisfy most people's reqirements. That said, what you want to do may be possible, but will need to be set up carefully. On top of that, Windows really doesn't want you to use more than one internal output at a time.   Are there solutions? Possibly, but no guarantees. Initially, what you have to try is to use a different output driver system, and there's basically only one that will work with Windows. Fortunately it's free - it's called ASIO4ALL. What it does is to provide a virtual interface between Audition's ASIO engine and whatever hardware you happen to have attached to your computer, and it bypasses most of the layers of the Operating System. To use it you have to alter your Audition device class to ASIO, and then it should be listed. It's worth doing this anyway, because ASIO4ALL has excellent diagnostics, and will tell you at a glance what it's actually possible to connect to.   You can find it here: ASIO4ALL but I must reiterate that there are no guarantees. The only other possibility is more expensive and seriously complicated - it's called Virtual Audio Cable, and essentially does a virtual rewire of your computer's innards. I really wouldn't go there unless you are desperate. I believe that there's also another program from the same stable called Voicemeeter that may be easier to set up.   But, you are fighting the OS - Microsoft really doesn't want you to do this. The only really effective solution is to get a multi-output sound device with an ASIO driver, and have all your outputs from the single device. This has the advantage of getting around all of the synchronisation problems (yes there are some) that you have with multiple hardware devices. ... View more

So if you close your edited file in Waveform view, and reopen it, does it sound just the same? If it does, then you haven't inserted the right track into your Multitrack session. If it doesn't sound the same, then you haven't succeeded in saving it correctly. There really isn't any more to it than that. If you place a file into Multitrack view, and do nothing to it, it will play just the same as it does in Waveform view.   The way to tell whether a track has been saved in Waveform view is easy - it won't have an asterisk at the end of the name in the Editor tab, or in the Files list. If you right-click on the file in the files list, you get an option to insert it directly into your multitrack session - no need to drag anything, or accidentally pick up the wrong file. ... View more

Multitrack is just a selective, sophisticated file player. Because it's selective, you don't need to clip out anything from a file - you just select the bit you want to play, place it at the point you want it to, and off you go. If you want to use a section more than once, that can be done too - just place the file again and select the bit you want, either by. This form of editing is called 'non-linear' - you can put anything wherever you want, and the original file remains untouched. And you can add more files to a session as well - creating a complete multitrack mix.   Recording in Multitrack is a good thing to do - it's written direct to file, which isn't what happens in Waveform view. In Waveform view, anything you record is written to a temporary file, and not actually saved in its final form until you save it. There can be some significant issues with this. Waveform view, unlike Multitrack is destructive - any changes made to a file become permanent when you resave it. If you make Waveform view cuts to a file that you've been using in Multitrack, you'll get a warning, because that can directly influence the way you've placed parts of it in your Multitrack session.   So, you can't actually delete any part of a file in Multitrack, and in Waveform, if you do delete part of a file that you're using in Multitrack, it can screw you up! Once you've got your head around this, it's relatively straightforward, and makes a lot more sense. ... View more

The video rate thing is just an additional point. Your session was set up as 48k according to the .xml file. Your audio is at 44.1k. Therefore, your 44.1k audio will be resampled to 48k to work in the session. As far as synchronisation is concerned, Audition has, in the Clip menu, Automatic Speech Alignment. It works very well - sometimes even on singing.   But you really do need to sort out your workflow, I think. ... View more

I think you have a number of problems with this. Yes, you have probably confused Pluraleyes, but I can also see that you are trying to run NTSC at 25fps. Whilst this is not impossible, it's completely non-standard - NTSC generally runs at 30fps, or at the 29.97 drop-frame rate.   If you are going to do audio for video, then everything should run at 48k, otherwise you are absolutely asking for trouble.   What I'd suggest is that for editing purposes, you convert all of your audio to 48k copies, and use these in a 48k session. If you do this, then Audition won't make copies of them. ... View more

Sorry, that doesn't meet the original request at all. All you have done is time-locked the clips, which still allows messing about with the settings in them, and also dragging them elsewhere in the session. My original statement about this stands - you can't lock a track. ... View more