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hello.ahay
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‎Apr 25, 2024
09:42 AM
1 Upvote
It's simply unnaceptable that this issue is still happening. I've had the same problem multiple times and have had to remake entire sequenes to carry on working. I've tried all the usual uninstall, permissions, preferences fixes and none are working consistently. Get your act together Adobe, Unreal are coming and I'm more than happy to jump ship. I've spent the last two hours trying to fix a project that was working this morning. And it's still not fixed. And my client is waiting. Stop messing about with Firefly and emply some developers to make your programs stable and fast.
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‎Nov 11, 2022
05:25 AM
This has just happened to me. Adobe, do you realise this thread is 5 years old? Switching to Software Only bring back my video but all my effects, transitions, adjustment layers are all showing incorrectly. I've reinstalled graphics drivers, both game and studio versions and will reinstall Premiere now. I'm very close to ditching Adobe from my workflow completely.
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‎Feb 23, 2022
01:32 AM
2 Upvotes
I believe I've figured this out... it's all down to the codec. I feel pretty stupid for not realising that earlier... I converted all the 2100 HEVC footage to Pro Res, retaining the HLG profile. I managed to get 2100 to display identically through an AE comp on my PR timeline, as it does natively on the timeline (AE settings were CM to 2100, preserve profile on footage and 32 bit float, PR color space 2100). The scopes were identical. Then I tried with 709 (preserve RGB on clip. project settings: 709/2.4, 32bpc (probably unnecessary), and 709 space on PR timeline). Visually they look identical, but I noticed a slight shift on the scopes, but it'll have to do for now. I hope that helps someone!
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‎Feb 22, 2022
01:31 AM
Mac or PC? Either way, an RGB value should stay consistent. When you select the colour from the library, are the RGB values are not as they were intended/saved? Or are the values correct but they look wrong on your monitors? If the latter than you probably need to change the colour profile of your monitor.
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‎Feb 22, 2022
01:16 AM
1 Upvote
If you need alpha make sure you render 'straight' not 'premultiplied'. I tend to use ProRes 4444 as it supports alpha.
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‎Feb 21, 2022
01:43 AM
I'm not having any colour issues for non-2100HLG footage I might add.
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‎Feb 21, 2022
01:35 AM
Yes, CM is on and has identical settings for both PR and AE. All footage in both applications is set (override) to rec709. AE doesn't actually see the footage as being 2100 HLG whereas Premiere does. Maybe this is the issue? If I set the footage to 2100 HLG in AE it doesn't fix the problem. I've tried ever flavour of 2100 HLG too...
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‎Feb 17, 2022
04:18 PM
I have completed an edit in Premiere which has a mixture of Rec709 and 2100 HLG footage, the sequence is set to 709. When I replace an Rec2100 clip with After Effects Composition, AE appears to interpret the footage completely differently from PR. I tried setting interpreting the footage to 709 and replacing clip this way but same problem. I started brand new projects and imported and set everything manually and the same problem still occurs. I've checked that all colour management settings match, interpreted footage to make sure they're the same colour space... I've tried everything I can possibly think of to get the AE comp to look the same colour as it does on the PR timeline... but I just can't get them to match. Any ideas?
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‎Feb 17, 2022
03:27 PM
I'm also having this problem, despite matching settings in PR and AE. All footage is forced to Rec709 2.4 in AE and PR, AE project and PR sequence settings all CM Rec709 2.4, but the colour coming out of After Effects is more saturated than that on my PR timeline. I've tried everything I can think of, turning off hardware acceleration, chaning the bit depth in AE, changing everything back to 2100HLG... The only thing I can really do now is try and match the grade which is such a fudge... Any ideas?
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‎Dec 05, 2018
06:10 AM
I just experienced this issue on my PC. It won't be long until it's a year since the original post and it's still not fixed. That's impressively slow, even for Adobe!
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‎Sep 05, 2012
01:15 PM
I run gfxcardstatus to force my 330M to run at all times. You should run (double click) GPUsniffer to find out your card name in order to add it to a txt file, that's locatated in Premiere.app/Contents/GPUsniffer.app/Contents/MacOS/GPUSniffer. I added my card name "GeForce GT 330M" to "cuda_supported_cards.txt" in Premiere.app/Contents and to "raytracer_supported_cards.txt" in After Effects.app/Contents. You'll need to enable permissions on these files in order to save the changes. I also copied "cuda_supported_cards.txt" into the After Effects.app/Contents folder. Mercury Playback works in Premiere and Ray Traced / CUDA works in AE. (Running: OSX Snow Leopard, 2.66ghz i7, 8GB, 128GB SSD, latest CUDA driver).
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