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After Effects 26.5 is here! Bringing powerful new features designed to speed up everyday workflows and reduce manual effort.Leading this release is the new Guides functionality, giving you percentage-based positioning, edge pinning, and custom guide colors for more precise, flexible layouts. Alongside it, you can now keep your propagated Object Matte results cached to disk between sessions, assign color labels to individual effects, and manage your effects in a modernized Effect Controls panel. This release focuses on helping you get more done with fewer steps. What's new in 26.5 New guides functionality Use the new guides, which support percentage-based positioning, edge pinning, custom guide colors, and improved guide editing controls.Learn about grids, guides, and rulers › Disk Caching for Object Matte Disk caching keeps your propagated Object Matte results even after you close the project, freeing up RAM and speeding up work on long clips.Learn about Object M
Welcome back to our series on free After Effects resources from across the web. If you're just joining us, we've already covered Camera Crew by Motion Ape, DUIK Ángela, and Motion Tools Classic, all worth a look.This time we're looking at a big one for anyone who does motion graphics, social content, or fast-turnaround client work. If you've ever wished you had a library of ready-made transitions and elements you could just drag into a comp, the AEJuice Starter Pack is exactly that, and it's free. Meet the AEJuice Starter PackThe AEJuice Starter Pack is a free collection of 100+ drag-and-drop motion graphics assets, delivered through AEJuice's Pack Manager panel. Instead of building common elements from scratch every time, you browse a visual library right inside After Effects, drag what you need onto your timeline, and keep moving.A nice bonus: the Starter Pack works in Premiere Pro too, so it's not just an After Effects tool. What you can do with itThe Starter Pack packs a lot into
Welcome back to our series on free After Effects resources from across the web. If you missed the earlier posts, we covered Camera Crew by Motion Ape and DUIK Ángela, both well worth a look.This time we're keeping it simple, with a small toolkit that a lot of you have probably already used without thinking about it. Motion Tools Classic is one of those tools that just quietly speeds up the boring parts of every animation. Meet Motion Tools ClassicMotion Tools Classic, from the team at Motion Design School, is the original free version of Motion Tools, the everyday animation toolkit that's been trusted by motion designers since 2017. In a world of heavy, do-everything plugins, this one goes the other way on purpose. It's a small, focused set of the tools you actually reach for every day, with nothing extra to get in the way.And it's completely free. What you can do with itMotion Tools Classic keeps things tight and practical:Easing – apply and adjust easing with clean, simple controls
There are two shapes. Even though color code is same, it show different colors. What is the reason for that? File is attached as well.Color Code.aep
Gradient rendering issue (Grayscale) in Lottie/Bodymovin after After Effects 2026 (v26.0) update Issue: After updating to After Effects 2026 (v26.0), all gradients are being rendered in black and white (grayscale) when exported via the Lottie (Bodymovin) extension. The same project worked perfectly in the previous version (v25.x). Details: Setup: I am using standard Shape Layer Gradient Fills (not Layer Styles). Symptoms: All gradients in the project lose their color data and appear as grayscale in the exported JSON file and Lottie players. Suspected Cause: It seems like a compatibility issue between the new Color Management system (OCIO/Color Engine) in AE 2026 and the Lottie export data structure. Tested Workarounds: Changing Project Settings (Color Working Space to 'None') or saving the project before export does not resolve the issue in v26.0. However, the file exports correctly when opened in AE 2025. Environment: After Effects Version: 2026 (v26.0 or later) Extension: Bod
I have found a reproducible After Effects file-import problem when using an SMB network volume on the macOS Golden Gate beta.When I try to import a PNG file from a network path containing Icelandic characters, After Effects displays:After Effects error: File exists but couldn't be open for reading (3 :: 0) Example failing path:/Volumes/markadsdeild/Markadsdeild/Sjónvarp/06 On-Air grafík/01 SÝN/Vatnsmerki/01 Renders/01 Taka 2/01 Hvítt/Syn-vatnsmerki-hvitt_00025.png The file is visible in Finder and can be copied to my local Desktop. After copying it locally, After Effects imports it successfully.I also tested the same file on the same network volume using an ASCII-only folder and filename:/Volumes/markadsdeild/AE_test/test_00025.png That version imports successfully into After Effects.This suggests that After Effects may be encountering a path or Unicode-normalization problem when accessing files through an SMB volume. The problem appears to involve Icelandic characters such as í, ó,
Hi there, I’m on 2026.5.0 on a Mac Studio M2 chip running MacOS 26.6.2. Cryptomatte is not working consistently in this latest version. When freshly opened for the first time, I can apply Cryptomatte and select a single color to create a matte and after that the plugin becomes almost entirely unresponsive. Shift+clicking other colors does nothing in the viewport. Deselecting the current color does nothing in the viewport. The only indication I have that something is happening under the hood is that when I shift click to add colors to the matter I see the additional color ID being added to the list of color IDs that cryptomatte is using, but the minute I move my cursor off of said color, the ID disappears and nothing happens. The viewport is unchanged by this as well. Clicking a second color and seeing the ID list update is only showing in the effect control panel. the additional selected color in the viewport remains its original color. Once this behavior begins it occurs in every othe
After Effects 2026 (26.5) freezes when using the Numbers effect — HP Victus / Windows 11Environment Computer: HP Victus laptop OS: Windows 11 After Effects: 2026, version 26.5x89 Graphics: NVIDIA and AMD GPUs Problem descriptionAfter Effects intermittently becomes completely unresponsive when opening a project containing the built-in Numbers effect.The project sometimes opens successfully but freezes shortly afterward. Windows reports "Not Responding", requiring AfterFX.exe to be terminated through Task Manager.The issue also occurs in a newly created project when applying the Numbers effect to a text layer.The affected project worked normally on the same HP Victus laptop through May 1, 2026. I used it extensively for text animation and video production at that time.The exact date when the problem first appeared is unknown.Steps to reproduce Launch After Effects 2026. Create a new project and composition. Create a text layer. Apply the built-in Numbers effect. After Effec
When using the "Stabilize Motion" function in the Tracker panel, After Effects becomes inaccessible after switching to another application while the tracking process is still running.This happens both when using Alt+Tab and when simply clicking on another application's window to bring it to the foreground.Once switched away from After Effects, it is no longer possible to bring it back to the foreground until the entire clip has been tracked.Steps to reproduce: Open a composition containing footage. Open the Tracker panel. Select "Stabilize Motion". Start the tracking process. While tracking is still in progress, switch to another application using either Alt+Tab or by clicking on its window. Try to return to After Effects using Alt+Tab or by clicking on its window in the taskbar. Actual behavior:After switching to another application, After Effects cannot be brought back into the foreground. The application remains inaccessible until the tracking process has finished complete
Bodymovin Plugin Not Working in Adobe After Effects – Unable to Export JSON FilesI'm facing an issue with the Bodymovin plugin in Adobe After Effects. The plugin is not working properly, and I'm unable to export animations in JSON format.This issue is affecting my workflow, as I rely on Bodymovin to export Lottie animations for web and UI projects.I've tried using the plugin, but it's not functioning as expected.Issue Details: Plugin: Bodymovin Software: Adobe After Effects Issue: Unable to export animations in JSON format. Impact: Unable to generate Lottie JSON files for development. Has anyone experienced a similar issue? Is there any known solution or compatibility issue with the latest version of After Effects?I would appreciate any help or guidance from the Adobe community or plugin developers.Thank you!
I'm using After Effects Beta 26.5.0 (Build 78) on macOS with a Creative Cloud Pro subscription. The AI Assistant is missing from the Window menu. Is it available in the Netherlands, or does it require activation?
I have to manually delete the files from the directories listed on the Disk page in preferences in the Conformed Media Cache area in order to actually clear the cache. Kind of annoying every time an audio file update results in an increase in its length, I have to do this manually, or else AE cuts the audio at the previous end time (while playing the new audio 👏).
Hardware question! My disk cache is full, so I’m looking for an SSD/HDD with max 1TB worth of storage that I can use to put my cache on. I’m completely new to After Effects so it would be nice to get as much space as needed so I don’t have to upgrade later on. I only want to do 1-2 min video edits on my Mac, so I’ll probably transfer to a PC one day for more complex projects. Lastly, I know I might only need 100GB for a cache and I’ve read that AE should be on a separate disk from it, so if anybody has advice for on if 2 separate disks is better (one for cache, one for AE), that would also be helpful!Specs: MacBook Pro 2023, macOS Sonoma, AE 2026 version 26.5.0, 424 GB of 494 GB used on the default Mac drive (with AE installed already).I haven’t seen anybody ask about storage just for small projects, so I wanted to see if anybody knows! (Appreciate any help I can get)
if theres no motionblur for 3d objects then whats the point?
I'm using adobe after effects on single pc but under two different windows 11 user accounts, one for work and one for personal use. There is a reason I’m doing so, not related to adobe. I found out that fonts are not disposable for both win user accounts although I'm using common creative cloud account. I guessed that it is because fonts installed via CC app are being stored in user AppData folder so AE is looking for the user specific folder which is not filled with fonts yet. The tricky part is that I can’t install these fonts for another win user because CC app says that fonts are already installed but it seems not to be aware of which user fonts were installed for. I thought I can try to copy contents of ‘livetype’ folder to a win user folder which does not have fonts, but I love to think that Adobe has more elegant way to do this. Any help appreciated.
It’s not really a bug but I’d like this to improve or update. I usually use Dark color theme. when I use Curves effect and I find really hard to see the control points on blue curve. please improve visibility of control points (make it bigger points or square, adjust brightness when theme color changed etc. Lumetri Color effects Curve they put black background. )thanks,takashisystem info:Apple MacStudio M2 Ultra, OS 15.7.9After Effects 26.5.0
Product: Adobe After Effects 2026Operating System: Windows 11Export Method: Native After Effects Render QueueOutput Format: H.264 (.mp4)Color Depth: 8 bits per channelFrame Rate: 30 FPSIssue Type: Resolution-dependent color shift during video export1. Issue DescriptionI discovered an unusual and repeatable color reproduction issue when exporting videos from Adobe After Effects 2026.When exporting a composition at 1024×512 pixels, a specific turquoise color becomes noticeably greener than its original appearance inside After Effects.The original color is:HEX: #008C95RGB: 0, 140, 149Inside After Effects, the color appears correctly as turquoise. However, after exporting to H.264 (.mp4), it shifts toward a noticeably greener shade.The most unusual part is that increasing the composition width by just 2 pixels — from 1024 to 1026 — completely eliminates the visible color shift.At 1026×512, the turquoise color appears correct again.All tests were performed within the same After Effects proj
How did the filmakers create the original Star Trek movie warp drive effect? You know the streaks of colour as the Enterprise jumped to warp speed.In this video, I went frame-by-frame for the iconic stealing the Enterprise sequence in Star Trek III: The Search for Spock. And using the timing, I then recreated the look using shape layers, trim paths and native blurs.
Since updating to the new Adobe 2026 release, interacting with the "Color Profile Converter" effect causes the application to crash instantly to the desktop without any error message or warning. I cannot apply the "Color Profile Converter" to any new layers. Worse, I cannot open ANY existing projects that already have this effect applied. The program instantly crashes upon loading the project. Steps to Reproduce: Scenario A (New Project): Open Adobe 2026. Create a new composition and add any layer (solid, footage, etc.). Apply the "Color Profile Converter" effect to the layer. Result: Instant crash to desktop. Scenario B (Existing Project): Try to open an existing project file that contains the "Color Profile Converter" effect. Result: The software crashes instantly during the project loading phase. My System Specifications: Adobe Version: Adobe 2026 (v26.3.0) Operating System: Windows 11 (25H2) Processor (CPU): i7 - 12700 RAM: 64GB Graphics Card (GPU): 4070 SUPER (la
Scrolling font list is very slow with mouse wheel. One mouse roll equals the movement of few pixels compared to other scrollable items like Project items list for example. Please fix this.
After updating to After Effects 26.5, I encountered a serious issue when opening older AEP projects.The problem occurs when the project contains a file that was originally linked from a network/server location that no longer exists. This is not a typical "Missing Footage" situation.In these projects, After Effects 26.3 did not classify the file as missing footage. Instead, it generated a different error related to the unavailable source. Despite the error, the project could still be opened normally.After updating to version 26.5, projects containing such references either:do not open at all, or take an extremely long time to open.For example, a project that previously opened in about 1 minute can now take 20+ minutes to load.Expected result:After Effects should detect the source as offline or missing and allow the project to open normally, similar to previous versions.Actual result:After Effects becomes unresponsive during project loading or takes an extremely long time to open the pro
FORMAL CUSTOMER COMPLAINT: WHY IS ADOBE AFTER EFFECTS EXCLUDED FROM AI INTEGRATION?To: Adobe and AnthropicI am writing to express my dissatisfaction with the current limitations surrounding the integration of Claude AI with Adobe products, specifically Adobe After Effects.I am a paying customer of both Adobe and Anthropic. I pay for Adobe After Effects because I want to use professional video-editing and visual-effects software. I also pay for Claude because I want to use AI to improve my creative workflow and help me accomplish more with the tools I already own.What I do not understand is why Adobe and Anthropic allow integration with other Adobe applications while Adobe After Effects remains excluded.Why?If I am paying Adobe for After Effects and paying Anthropic for Claude, why shouldn't I have the ability to use Claude to interact with my installed After Effects application?I am not asking for access to software I haven't purchased. I am not asking for free Adobe subscriptions. I a
Made a mask around the koenigsegg, tracked the mask, then made sure the mask was set to subtract, then i made a reference frame in photoshop with the generative ai, which worked fine, then i pressed “generate content aware fill layer” and it took around from 10am-12pm to “analyse” which it made my MSI crosshair a16 HX d7w with 32gb phyiscal ram nearly get destroyed, it made disk 100% for 2 hours, it created a non stopping page file of upwards of 180GB, it then made my cpu spike and stay at around 70%+, it then after 2 hours started “rendering” it, which took from 12pm-3pm AEST, and i had to just stop it, cause it had only rendered 104 out of the 241 frames. the clip was of a koenigsegg jesko, also i made sure to set the work area to fit the clip so it would be faster.
Whenever I render in After Effects, it gets stuck at 0% and 0 frames. Stopping it freezes AE, forcing me to quit. Premiere Pro had a similar export issue (stuck at “Validating Ingredients”), which was fixed by enabling Content Preferences. Could AE have a similar issue? I've been troubleshooting for 2 days but can't find a solution.
Using paint brush tool, when you draw a stroke, set the stopwatch to animate the path then skip forward in the timeline and with current brush item selected and you draw a new stroke a path key frame should be created and there then should be an interpolation between keyframes of the stroke. This no longer works in 26.5 instead a new brush item is created when you have a brush item selected and you skip forward and draw a new stroke. Working normally as of 26.2.1 (Build 2)
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