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Palash Sanjay Kotgirwar
Adobe Employee
Palash Sanjay Kotgirwar
Adobe Employee
February 14, 2024
Question

[Now Released]: ‘Override Media Color Space’ now available for all media formats except raw formats

  • February 14, 2024
  • 4 replies
  • 4025 views

Please note: This feature has been released in Premiere Pro. If you've got questions or comments about it, please post to the main Premiere Pro support forum.

Currently for certain supported formats (TIFF, DNxHD, DNxHR, XDCAM HD, etc.), Premiere Pro displays these clips as ‘Not color managed’. For these clips, customers cannot override the color space of these clips . Also, the ability to add any input LUT via ‘Source Clip’ section is disabled.  

 

                                                     

 

 

 

Previous behavior of Lumetri Color > Settings > Source Clip for TIFF media 

 

In Adobe Premiere Pro 24.3 beta, customers can now manually override media color space in such cases for all type of supported media formats except raw formats. Additionally, customers will also get an option to apply LUT directly via Lumetri Color > Settings > Source Clip > Input LUT 

 

                                     

 

 

 

Enhanced behavior of Lumetri Color > Settings > Source Clip for TIFF media with this feature 

 

We would much appreciate your feedback on this new feature!

    4 replies

    S
    Stevan23982640lu4f
    Participant
    August 19, 2024

    Hi! There is still no option to change the AMIRA lut for the multicam clips? It's impossible to switch it off, once the subclip from the multicam has been created.

     

    Can you please make a "master switch" to turn off all the embedded LUTs? It would be highly appreciated.

     

    Stevan

    R Neil Haugen
    R Neil Haugen
    Legend
    August 19, 2024

    Are they still using a LUT for that, or is it an algorithm process now?

     

    Do you have a sample clip to send me for testing? I've not run any Amira footage in awhile.

    Everyone's mileage always varies ...
    S
    Stevan23982640lu4f
    Participant
    June 21, 2024

    Hi! Thanks for this option, but it doesn't work on multicam clips, and also - can you please make a "universal" on/off switch for all LUTs, that would be EXTREMELY useful.

     

    I have problems with my Alexa Pro Res 4444XQ clips, that get imported with Almira LUT automaticaly "glued" to it. Then I have to remove the LUTs clip by clip, which is really difficult for a feature-lenght movie.

     

    Thanks in advance,

     

    Stevan

      R Neil Haugen
      R Neil Haugen
      Legend
      February 16, 2024

      With the (thankfully!) constant addition of supported formats/codecs and color managed formats, we users cannot possibly keep track of which is supported in any one build.

       

      We need a permanent, top menu item, listing such things for quick reference. I created an Idea post for this ...

       

      Supported Formats ... 

      Everyone's mileage always varies ...
        Shebbe
        Community Expert
        ShebbeCommunity Expert
        Community Expert
        February 14, 2024

        This is fantastic. I mentioned this a lot when the new management system was just introduced. Haven't checked it out yet but I think one of the most concerning issues would still be about embedded profiles for stills vs Rec.709 timelines. AFAIK there's no sRGB color space selectable? However some image files / psd/ai are detected with it and converted to Rec.709 but most of them are read "raw" without conversion of the values. Is this still the case?

         

        And what about After Effects Dynamic Link? If you have say an SLog3/SG3.cine clip but you want to do some compositing in AE but not render it out. Can you tag a Dynamic Link clip as being SLog3/SG3.cine or any other available color space?

          R Neil Haugen
          R Neil Haugen
          Legend
          February 14, 2024

          Good questions ... 

          Everyone's mileage always varies ...
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